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Here’s a quick glance at all the features packed into this mixer:
  8 mono mic/line channels, with:

•  XLR microphone input jack 
•  1/4" TRS instrument input jack (on Ch 1 and 2) 
•  1/4" TRS line-level input jack (on Ch 3 to 8)
•  1/4" TRS insert jack
•  Variable input gain with Level Set indicator LED 
•  Low Cut switch
•  Phantom power (globally switched to all XLR) 
•  3-band EQ with variable mid frequency
•  Pre-fader aux (monitor) send
•  Post-fader aux (effects) send
•  Pan control
•  Mute
•  Overload LED
•  Assign to subgroup 1-2, 3-4, and main mix bus
•  Solo
•  60 mm level fader control

  4 stereo line channel pairs, with:

•  Left and right 1/4" TRS line input jacks 
•  Variable input gain with Level Set indicator LED 
•  3-band EQ
•  Pre-fader aux (monitor) send
•  Post-fader aux (effects) send
•  Pan (balance) control
•  Mute
•  Overload LED
•  Assign to subgroup 1-2, 3-4, and main mix bus
•  Solo
•  60 mm level fader control
•  Ch 13/14 has a switchable internal phono 

preamp for converting phono-level signals from 
turntables into line-level and adding it to the 
main mix.

•  Ch 15/16 can route the USB stereo output from 

your computer’s DAW output to the main mix. 
For example, you can add the audio output 
from Tracktion onto the main mix.

  Master section, with:

•  1/4" TRS Aux 1/Mon and Aux 2/Effects send 

outputs and controls

•  RCA tape in and tape out
•  Power LED and Phantom power LED indicator
•  BNC Lamp connector
•  1/4" Stereo Headphones jack
•  Stereo Graphic EQ with bypass, assignable to 

main mix or monitors

•  16 Internal effects (each with 16 variations) with 

bypass, bypass LED, input level and overload 
LED

•  USB Output Level control with overload LED, 

and assign from main mix or Subs1-2

•  Control room and Headphones select from: 

main mix, CD/Tape, Sub 1-2, or Sub 3-4

•  FX Return to Aux1 control (monitor)
•  FX Return to main mix control
•  CD/Tape to main mix control
•  8-segment stereo LED VU metering
•  Solo LED
•  Each subgroup can be assigned to Left and/or 

Right of main mix

•  60 mm fader for each subgroup and main mix

  Rear Panel section, with:

•  AC Power Switch and Phantom Power Switch
•  IEC AC Power Cord Socket
•  AC Voltage Selector
•  Balanced 1/4" TRS and XLR stereo main outputs
•  1/4" TRS main inserts
•  1/4" TRS control room outputs
•  Four 1/4" TRS subgroup outputs
•  USB connection
•  Internal Antique Steam-Powered Calliope for 

authentic circus/carnival atmosphere

•  OK, we made that last one up

Introduction

Thank you for choosing a TAPCO Blend 16 mixer, with 16 channels of pure goodness. It has even more 

channels than an 8 channel mixer, and not quite as many as most 20 channel mixers.

The TAPCO family of mixers hails back to the days of TAPCO Corporation, Greg Mackie’s first company. 

TAPCO revolutionized the audio industry back in 1969 with the very first 6-channel mixer designed for keyboards 
and rock ‘N’ roll PA. The first TAPCO mixer, although primitive by today’s standards, was truly innovative for its 
time. It had the headroom to handle screaming singers, was priced for the pocketbook of starving psychedelic 
musical neophytes, and durable enough to withstand mammoth levels of wear and tear on the road, and at 
now-legendary concerts. 

This compact mixer is perfect for small to medium-sized live sound reinforcement applications, keyboards 

and synths, video, and project studio applications.

The USB port on the Blend 16 makes it easy to get audio from your mixer to your computer-based DAW. And 

just in case you don’t have the software, we’ve included a CD-ROM with the full version of Tracktion, our easy-
to-use multitrack recording and sequencing software (for the PC or Mac). Refer to the installation instructions on 
the Blend 16 software CD to install Tracktion on your computer.

Содержание BLEND16

Страница 1: ......

Страница 2: ...ss To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing pr...

Страница 3: ...st of the manual when nobody is looking Please keep your receipt in a safe sock drawer and write your product information here for future reference i e insurance claims tech support return authorizati...

Страница 4: ...the sounds but if you prefer connect a set of headphones to the PHONES jack 2 Choose one of the microphones or instruments connected to the mono MIC INST or LINE inputs 3 Press that channel s SOLO sw...

Страница 5: ...then turn the level controls back up When you shut down your equipment turn off any external amplifiers first When powering up turn on the amplifiers last Save the shipping box and packing material Th...

Страница 6: ...ux1 control monitor FX Return to main mix control CD Tape to main mix control 8 segment stereo LED VU metering Solo LED Each subgroup can be assigned to Left and or Right of main mix 60 mm fader for e...

Страница 7: ...7 SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT Hookup Diagrams Stereo PA system...

Страница 8: ...8 SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT SUB OUTS MAIN INSERT CONTROL RM OUT USB IN OUT MAIN OUT Studio tracking and overdubbing Transferring records while yodelling and playing along...

Страница 9: ...driven by virtually any line level signal Guitars and other instrument level sources should not be connected directly to inputs 3 8 You should use a preamp to provide a line level output first 3 INSE...

Страница 10: ...ys in the right Careful use of PAN allows you to set up a nice stereo image in the left and right For the mono channels if PAN is in the center position the mono signal appears equally in both the lef...

Страница 11: ...dd numbered channels and the right signals into even numbered channels 20 LINE PHONO switch channels 13 and 14 only In the up position channel 13 and 14 accept line level signals In the down position...

Страница 12: ...c Signals coming into these inputs are routed directly to the CD TAPE TO MAIN MIX 49 control and through to the main mix You will need to MUTE 14 all the other channels if you just want to hear the CD...

Страница 13: ...B either side of unity gain The frequency bands are 64 Hz 125 Hz 400 Hz 1 kHz 2 5 kHz 8 kHz and 16 kHz Adjust the EQ wisely and subtly Do not overdo the EQ gain as this might lead to overloading or cl...

Страница 14: ...er will have a short reverb time and a larger number will have a longer reverb time 36 FX INPUT LEVEL and OL LED This knob allows you to adjust the signal level going into the internal effects process...

Страница 15: ...ush MAIN MIX to hear the main mix Push CD TAPE to hear your CD or Tape player Push SUBS 1 2 to hear subgroup 1 and 2 outputs Push SUBS 3 4 to hear subgroup 3 and 4 outputs Note If any channel has its...

Страница 16: ...ELECT 42 switches SUB 1 2 or SUB 3 4 are engaged The faders range from minimum at the bottom to unity gain at 75 up and to 10 at the top For an example of subgroups suppose you have a group of microph...

Страница 17: ...then plug the power supply into a suitable and properly rated AC outlet 57 PHONO GROUND If you have a turntable connected use this screw terminal to connect the turntable s ground wire This will preve...

Страница 18: ...he CD Tape input has a level control to adjust the amount of signal going onto the main mix The FX RETURN input has a similar control to adjust the level of internal and external effects going on to t...

Страница 19: ...desirable echo of your recording Subgroups The channel audio signals can also be sent to the subgroups These let you group together similar or related sources For example your drum kit microphones can...

Страница 20: ...nd assign 15 16 to the main mix Studio Software Monitoring Configuration 1 Follow steps 1 to 6 above to get your sounds into the computer using subgroups 1 2 Do not assign the subgroups to the main mi...

Страница 21: ...gs and Jacks RCA type plugs also known as phono plugs and jacks are often used in home stereo and video equipment and in many other applications They are unbalanced and electrically equivalent to a 1...

Страница 22: ...nput and Aux Return 18 dBu Maximum Voltage Gain Mic Input to Main Output 74 dB Tape Output 74 dB Aux Sends 74 dB Control Room Output 84 dB Phones Output 84 dB Inst Input to Main Output 49 dB Tape Outp...

Страница 23: ...Hz or better is recommended for Tracktion At least 128 MB RAM 256 MB is recommended for heavy duty Tracktion work Super VGA 1024 x 768 or higher resolution video adapter and monitor CD ROM or DVD driv...

Страница 24: ...V MIC HI Z CH1 2 3 BAND EQ 3 BAND EQ 3 BAND EQ LINE CH3 8 TO CH15 16 EQ IN CH15 16 CH13 14 CH9 12 TO CH13 14 EQ IN FROM USB INPUT D A CONVERTER USB SOURCE L R MONO CHANNELS 1 8 STEREO CHANNELS 9 12 ST...

Страница 25: ...ne then you may be pushing your computer above it s limits Try increasing your latency settings as described above Large latency delay from input signal to output Change the latency buffer setting to...

Страница 26: ...oblems Be sure you are running the latest drivers If after updating you still are having problems please call tech support Repair Service for TAPCO mixers is available at our corporate headquarters an...

Страница 27: ...any location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainder of the warranty period This warranty does not extend to damage resulti...

Страница 28: ......

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