SWRSound WorkingPro 10, Руководство пользователя

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Rear Panel
K . FUSE—
Protects the amplifier from electrical faults.
Replace a blown fuse ONLY with a fuse of the type/rating
specified on the rear panel of your amplifier to protect
your amplifier and maintain warranty coverage.
L. IEC POWER CORD SOCKET— Connect the included
power cord to a properly wired and grounded AC electri-
cal outlet in accordance with the voltage and frequency
ratings specified on the rear panel of your amplifier.
M. SPEAKER OUTPUT—
The internal speaker is connected
here. Connect an external speaker cabinet here if desired.
Read Speaker Connections and Impedance Guidelines
before plugging anything into your amplifier.
SPEAKER CONNECTIONS
•
DO NOT connect speakers with a total impedance load
below the minimum rating of your amplifier to prevent
damage to your equipment. Read Impedance Guidelines
on the previous page.
• ONLY connect speakers with a total power handling
capacity equal to or greater than the power output rat-
ing of your amplifier to prevent damage to your equip-
ment.
•
ALWAYS switch your system power OFF before connect-
ing or disconnecting speakers.
•
ONLY use unshielded speaker cable of 18 gauge or
heavier (such as 16 or 14 gauge) for speaker connections.
Shielded instrument cable WILL NOT work and may
damage your equipment.
N. HEADPHONES—
Plug in your stereo or mono head-
phones here. Use MASTER Volume {C} to control your
headphone listening level. Use MUTE {B} to disable speak-
er audio output. NOTE: 75-ohm headphones are ideal.
O. EFFECTS SEND / RETURN—
Multi-purpose jacks (sug-
gested uses are numbered below). EFFECTS SEND pro-
vides a preamp output signal that includes onboard
tone shaping. Output level is controlled by MASTER
Volume {C}. EFFECTS RETURN provides a power amp
input that can be blended in any ratio with the onboard
preamp signal using EFX BLEND {I}.
The Effects Loop circuit is on a “side chain” of the main
circuit (as in studio recording consoles) to provide the
full sound of your instrument AND the diversity of your
effects units. This also reduces noise from effects units
being located after gain in the signal path.
Use only standard 1/4” mono phone plugs with these
jacks. Use a stereo–to–mono adapter if your source has a
stereo plug.
1. EFFECTS LOOP—
Connect EFFECTS SEND to your
effects device input, then connect the effects device
output to EFFECTS RETURN. NOTE: Set the wet/dry con-
trol on external effects units to the fully WET position
to prevent phasing problems. Set the input level on
external effects as close to 0dB as possible.
2. MULTIPLE AMPS— Connect the primary unit’s EFFECTS
SEND to the auxiliary unit’s EFFECTS RETURN. The pri-
mary unit is used to control all auxiliary units except
their MASTER Volumes. Set EFX BLEND on all auxiliary
units fully to WET.
3. RECORDING OR REINFORCEMENT—
Connect EFFECTS
SEND to sound equipment input jack.
4. ACCOMPANIMENT—
Connect a CD player or drum
machine to EFFECTS RETURN. Control the input level at
its source and by using the EFX BLEND control {I}.
P. FOOTSWITCH—
Plug in the optional footswitch here. Use
the footswitch to remotely switch MUTE and the BASS
INTENSIFIER™.