Studiomaster 16x4x2 Скачать руководство пользователя страница 12

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Since the 16~4~2mixingconso!emilybeu$edfor

8

variety

of

audio

mixing

applications,

it

is

u-

tremely Impo"anl

to fully understand the various

functions which may be required. It is atso impor-

tanllounderslandthelolalaspeclandcapabllilyof

the unit, even those

not necessarily

applicable

10

the final,

Immediate

,!!tup, In order !O tea1l2e the

bestformalloranygivensitulltionorapplication

LIVE SOUND REINFORCEMENT

The 16x4x2may

be used !or live soond re,nlorcernent

ina number o! ways. Two examples

are shown lor con-

cenorlivemusicsituationsanda!hirde'amp~shows

a typical

theatrical

appl'cation_

Tr.e

actual

set up

selectedwilldependontheamountandtypeolexlernal

equipment

(mics,

amps,

speakers,

elc.)

used in lhe

overali syslem as well as other variables

such as type

cfve •.•ue, mi~erloca1io"'s.typeofpertormaoce,

etc. No

allernplismadel1eretodlctatehnalgai"'ande.Q

se!

t,ngS'Jfslg"

••: bussing, e.cep!

by e~ampleforinstruc-

honalpurlJOS(!s,asthesedepender"ltorelyo

•.•i•.•puttype

and sensrt'vity,sig

•.•alcomposit,on,e

•.•viro •.•mental con-

di!'o~.5a'XIperscnaltasteCaretulstudyoltl1efollowing

exan.,'es

will fesu~

ona Deller understanding

of the mix-

ers ",verall adaptability

and fle.ibllity

~"mIALINPUTSET-UP

In most applications,

a tog>cal,well

plam1ed layout of

chanr,eldedi<;ation

will ease the mi~ing

enginoo'sjob

LivlOsoundengonee"ngoflenrequoresrapidcha

•.•gesof

key sell'ngsor

groups, thus it is usually Deuer 10 gfOup

theleadorcnlicali",pulsnearestlhesubgroupa'XImas'

terront'ols,lesscnlicali

•.•puts(lhoserequlfingfe

.•..

changes

afte, the initialseUi •.•g) arebetlerlehou10ftne

.•'ay and are usually placed away tromlhe

SUbgfOUPS

a'XImasters,

Groups of inpu1s wh>ch are to be routed

lothesamesubgroupsmaybe~aced,nadjacenlchan'

nels. however,

any critical

inputs to be routed to that

subgroup

maybe

isolated

near the subs and maslers

tofacilitateeasierchar1ges

Forstart'ngpufposcs,m>clevelsig

•.•alsshouldhavea

ga,n setb •.•gof 30 with no p.ad and e.q. Ila1. Line level in·

putsshouldbein

i

1iallysetat20withnopadande.qllat

EQ. SE!I'ings may De iMlally

pertormed

by rou!,ngthe

inpulto1haheadphonesvia!l1esolobuss.Properm,x·

ong lech •.•iques should lesult in the channel tader talhng

betwee •.•·5a •.•d·20o

•.•thescale,al1houghnolallsignals

aresoobhgi

•.•g'

Whe •.•fonahz,ngthegainandEQ.se!tingS,keepinmirtd

the Overload i•.•dicalorfiresat

4dS priortocl,pping,

thus

it is often

normal

tor the LED 10 lire i•.• a sporadic,

mome •.•tarymanner,

True overload

and dis!ortion

is in·

dicatedbyastrong,contlnllOus·on"condolion.

AUXILIARY

SUSSING

During live performances

it is oflen nocessary

to assign

various

input signals

to mul1iple access points 01' bus·

ses. Forth'S

reaso •.•, the 16.4x2hasbeendesigned

wl!h.2 pnmary busses (Program

Lett and Right), 4 sub·

groupbusses(1,.2,3artd4)and3auxiliarybusses

(Au~

1,.2and 3) as well as channel patch points. This allows

theoperatorachok:eof10distlibut'on'OIJtesfOl'a

•.•yin

comi"'gsignal.lnma"'yapplicationsilmayberequifed

toaddexler

•.•ale"ectsorco

•.•trolS,suchaSOCho,delay

orlimi~og,

10specitic

inpuls. Addi\ionallyit

is oflen a re·

quiremenl

for the on stage lalent to have a refelence

s'gnalormonrtor.lfthemonrtorSlgnalrequirementsare

slmple,as,nglesernlmaybeadequatea

•.•dca •.•begen·

era\ed

by routing the necessary

signals via the au~

3

buss.lf

a more complex monitor mix is required. the aux

2 send may be assig •.•ed a pre-fader

status and a sec

ond,independilntmonitorsig

•.•algeneraled

Perhapso

•.•e of the moSI crilical factors of high quality

hvepertorma

•.•ce rei •.•forcemenl

is the addlt>on and mIX

i•.•g ofe.ternal

signal

processong devices

such as re·

verbs.

delays,

compressors.

etc.

The

Sludiomaster

16x4x2isdesig

•.•edI0; •.•terfacewilhvirtuallyalfsuchde

vices capable

of using line level;nputs

and supplying

tine level outputs

(Note: Some elfects devices

are de·

s;gnedloruse

.••••

ithhighimpedanceinpuls;gijals,

such

as guitars and ge •.•e,alea

high impedanceoutpul

sig

na.! Such units

ale

oot directly

compatible

with the

16.4~.2unlessimpedaocematchingdevioosareused

on the input and output signals.)

For etfects which are

10beusedonmu\!'pleinputsignals,e,g

reverbonvo<:·

als,the

input signals maybe

rouledthroughAux1

as

well as assigned

to submasler

1. The retuming"Wef"

Содержание 16x4x2

Страница 1: ......

Страница 2: ...f f xib Jtty md expandlb l ty of the 1 4 2 allow the theat al user mo a haner oughoptionslordramaticandmusicalpresentaHons VIDEO POST PRODUCTION A superb unit for profes io al audio results in both th...

Страница 3: ...Q transport making this board perfect in both home and stud o recording environments Read this manual carefully and familiarize yoo ellwlth hefeaturesandfurdions beforeoperatong Wesugges1 atwayskeepin...

Страница 4: ...c BASS FREQUENCY BASS CUT BOOST AUX1 POST AUX 2 PREPOST SWITCH AUX3 PRE SOLO ASSIGN SWITCH L A ASS G SWITCH SUBGROUP ASSIGN SWITCHES CHANNEL FADER OVERLOAD INDICATOR...

Страница 5: ...control provid ng16dBboostorcutonallfrequerICiO Sbelowthe chosencutollpoinl Thlsswilch ailowst Et us r to bypass thEtequalLzallon network input Th scontr ailowstorbuSSlngolapOstTatI r igoalto rhe Au...

Страница 6: ...SOLO ASSIGN 1kHz SLATE SUBGROUP FADER c 2T TO MONITOR ASSIGN TB TO AUX 3 ASSIGN TALKBACK AUX 1 AuX 2 AUX 3 MASTER SENDS...

Страница 7: ...mpared in e ther dry or et 5 atetorfinaloverdubbing PAN CONTROL The pan control determines tl1e lefl to right balanooot the SUbgfOUP signal bussed to the moniloroutpllt and tnemasteroutputs SOLO SWITC...

Страница 8: ...c MrDRANGE AUX1 OR2 RETURN SOLO ASSIGN MASTER OUTPUT UR ASSIGN AUX SUBGROUP ASSIGNS AUX...

Страница 9: ...lhleatures and functions Auxiliary return networks do r IOtneoossarily require their inputs to be derived from the correspOnd Ing auxiliary sends and thus can be driven with any unbalanc M line level...

Страница 10: ...el ectsdeviQessuchasechoordigitaldelay Aux3isp Q vided primarilyfo sludiofoldback or live sound stage monilorfeeds Auxiliary2 whichisselectableaseilher a pre or post fader signal buss may be usedfm ei...

Страница 11: ...spresent are idenl cal to the main left and right program outpUIS CHANNEL INPUTS 1 16 _ CHANNEL PATCHING JACKS DIRECT IN OUT LOOPS e ceptinoutpullevel PROGRAM OutPUTS LEFT AND RIGHT Thesign llsprese f...

Страница 12: ...etat20withnopadande qllat EQ SE I ings may De iMlally pertormed by rou ngthe inpulto1haheadphonesvia l1esolobuss Properm x ong lech iques should lesult in the channel tader talhng betwee 5a d 20o thes...

Страница 13: ...roying the balance Th s stili alLows lorindrvidualchannets within the grO Jp to be taised or lowere as necessary as that channel signal strength will change in the sub as well as the maS1er Another a...

Страница 14: ...g ot ario s npulswrthinthesubgrocrpsprlOr otheflnalout pulconlrols The t IOWIf1g system diagfams illuslrate just a few 01 the many s lups feasible Wtth the 16 4x2 Thesedia grams use suggested chanN31...

Страница 15: ...devk esasshownoninpulschannels3 9 10and11 Tllis allows tile engineer to iso ate spooflc etfectsto s nglecharlnelswhileallow ngbuss ng Vla8UX 1 and 2 ofa 1ych8 1r elstoadditi0 8Ie temalelfecfs8sillus a...

Страница 16: ...ges are obv ous in the oulput area indical ng an enti ely different approach to tne input oulput matrix as weilasoutput unction SIDE FILL SYSTEM Prima and seconda prog am s 9 18 s are derived t omlhe...

Страница 17: ...Au 1isdedicaledtoadigi aldelaywhiehmaybel Sed 0 instruments and of vocals while subgroup 4 con ai ingonlythevocals eedstoane temal evero hich ORUM MICS is bussed v a the retum networl direct y to the...

Страница 18: ...l COrd ngbyuSlngthelkHzslatetone as an ahgnment reterel Ce Thi toJle can also be used to record a slate sfgJlal to ease feloca ion 01 va ious startingpoiJl sonlheaclualmu l trac mastertape 4 TAACK TO...

Страница 19: ...ut line jacks 13 16 Althoughnotuseddurtngtherecordingofthemulti tfacl master atwo trackmasteringmach necanbebed to the 2 tracktine inputs and outputs in the same man The contr room mon torsystem is dr...

Страница 20: ...quire theengineertoha ecom eteequali2atiOl1controlatall times The 16x4x2withitssemi p arametrice q on each inpu1channelsmeetSlhisrJiflicutlc iteria REMOTE DRESSING ROOM LOBBY LIGHTING ETC OM DELAV In...

Страница 21: ...m shows both types 01 in gineer and other oftstage personnel stage manager puts Additional recorded material effects music e c_ ightir gdi ector elc_ canbesuppliedvia hetal back maybe patched into any...

Страница 22: ...lowslorno segatingolseldom tve inputs and yet doesn t use val abie auxiliary bu singfOf pecialeHecls TECHNICAL DIRECTOR Thecompactdesignhelpstokeepthesizeoftheed Hng baY Oaminimuminthoseapplicat onswh...

Страница 23: ...erscanbeaddedeitherthroughtheind vidualchannel pa chpo ntsorvia htlaux 1 and 2 networks Pr ma yrecordingofthemasleraudiolracksmaybede rived from either the programoutpu1s 8S shown while lhe backup can...

Страница 24: ...Slems such as cl1urcl1es au butad ThesubgroupscanbeusedasiO epen6enlout d toriums medium s ze meet ng rooms and any other p ls The example shown illustrates a typical Church ap permanent insta ation s...

Страница 25: ...foom lf1pul 1 is used in a seperale progfam lell and fig 1 and lurnish signats lalhe basilica meetif1g room and is assigned 10 subg oup 3 10 the Ol If1dsystem Irlj UIS2 5areass gnedtosubgroups feedbac...

Страница 26: ...r...

Страница 27: ...THD lessthanO 01S 1kHzreIOdBm lessthan0015 a1kHzref 5cl8m lesslr anO W i20 20kHzal any level prior loclipp 9 SN Betle rthan85dB CROSSTALK _6OdBbetweenadjace 1linp rltl ar lr lelSoroupulS EQUALIZATION...

Страница 28: ......

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