SPL Transient Designer 2880 Скачать руководство пользователя страница 12

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Transient Designer Analog Code

®

 Plug-in

Applications

Drums: Ambience

If your drums happen to sound as if the room mics have been placed 
in a shoe closet, the Transient Designer can immediately turn that 
sound  into  the  ambience  of  an  empty  warehouse.  Just  send  the 
room  mics  stereo  channels  through  the  Transient  Designer  and 
crank  the ATTACK control to emphasize the first wave.
Now  slowly  increase  SUSTAIN  values  to  bring  up  a  “all-buttons-
in-1176-sound“  room  tone—but  without  pumping  cymbals.  For  a 
solid and driving rhythm track just fine-tune the SUSTAIN control 
to make sure that the room mic envelope ends more or less exactly 
on the desired upbeat or downbeat.

Guitars

Use the Transient Designer on guitars to soften the sound by low-
ering the ATTACK. Increase ATTACK for in-the-face sounds, which is 
very useful and works particularly well for picking guitars. Or blow 
life and juice into quietly played guitar parts.
Distorted  guitars  usually  are  very  compressed,  thus  not  very 
dynamic. Simply increase the ATTACK to get a clearer sound with 
more precision and better intonation despite any distortion.
Heavy distortion also leads to very long sustain. The sound tends 
to become mushy; simply reduce SUSTAIN to change that. If you, 
however, want to create soaring guitar solos that would make even 
David Gilmour blush, just crank up the  SUSTAIN control to the max 
and there you go.
On acoustic guitar tracks you can emphasize the room sound by 
turning up SUSTAIN. If you want the guitars to sound more intimate 
and with less ambience, simply reduce SUSTAIN. 

Содержание Transient Designer 2880

Страница 1: ...SPL Analog Code Plug in Manual Transient Designer...

Страница 2: ...rmance Lab SPL continuously strives to improve its products and reserves the right to modify the product described in this manual at any time without prior notice This document is the property of SPL...

Страница 3: ...g Code 5 Transient Designer 5 Control Elements 7 On 7 Link 7 Attack 7 Sustain 7 Output Gain 8 Power LED 8 Signal LED 8 Overload LED 8 Settings A B C D 9 Mouse Wheel Control 9 Applications 10 Overview...

Страница 4: ...in the same folder of your computer like this product manual file Alternatively the following web page provides the same informa tion http www plugin alliance com activation System Requirements and C...

Страница 5: ...lutionary concept for level independent dynamic processing It is completely differ ent in principle from common compression technologies that are based upon processing signals from a specific signal l...

Страница 6: ...rocessing with entirely new stunning and vast possibilities for dynamic manipulation and processing that cannot even be duplicated with several daisy chained conventional compressors or other dynamics...

Страница 7: ...left and right channel are processed independently according to their individual levels Attack With the ATTACK control you can amplify or attenuate the attack of a signal by up to 15dB Positive ATTAC...

Страница 8: ...N button to activate or bypass the Transient Designer Signal LED The SIG LED indicates that an audio signal reaches the input In the analog world this LED helps the operator especially in complex setu...

Страница 9: ...arameter setting under A calling B restores the last adjustment made under B Settings A B C D can also be included into the automation of host applications to apply different sets of parameters to dif...

Страница 10: ...d to separate instruments in a mix the tonal aspect of the signal is considered but not the temporal aspect The Transient Designer now opens this next dimension in signal processing By manipulating th...

Страница 11: ...ithout physically damping them Adjust the apparent distance of the microphone by simply varying the ATTACK and SUSTAIN values The Transient Designer is a perfect alternative to noise gates Since it ad...

Страница 12: ...e the Transient Designer on guitars to soften the sound by low ering the ATTACK Increase ATTACK for in the face sounds which is very useful and works particularly well for picking guitars Or blow life...

Страница 13: ...ut of your reverb through the Transient Designer Create two mono tracks panned hard left and right with the same audio material and insert the same reverb in both channels in an insert before the Tran...

Страница 14: ...maintaining enough of their natural dynamic Increase the ATTACK values to re gain a more natural response character istic The sounds occupy less space in the mix and appear more identifiable even at...

Страница 15: ...Transient Designer Analog Code Plug in 15 Your Notes...

Страница 16: ...SPL Sound Performance Lab Sohlweg 80 41372 Niederkr chten Germany Fon 49 0 21 63 9 83 40 Fax 49 0 21 63 98 34 20 E Mail software spl info Website spl info Transient Designer Analog Code Plug in Manual...

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