SPL MMC1 Скачать руководство пользователя страница 4

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SPL takes pride in being the fi rst  audio manufacturer to have developed a multi-
channel mastering console that provides a complete spectrum of engineering solu-
tions to multi-channel sources for surround mastering. The purpose of this devel-
opment was the creation of a console that would be superior in audio quality to all 
known and foreseeable audio formats, whether analog or digital. Such a console 
would achieve two important goals of fi rst, an unaltered reproduction in sonic quality 
of SACD and DVD-Audio, and second, through such quality, of remaining for many 
years a safe capital investment.

The MMC 1 is conceived as the center of a mastering environment that can fulfi ll the 
tasks of speaker management, source connectivity, audio metering, channel assign-
ment, master and monitor level setting and automated 8 x 8 channel insert routing of 
external processors.

Digital audio formats have undergone continuous development and change and will 
continue to do so. The degree of incompatibility created by the “format war” between 
PCM and DSD has persuaded us to opt for a technology that is superior in dynamic 
range, headroom and sound quality to either—or any other—such format. It consti-
tutes discrete analog technology in its most advanced implementation.

Moreover, there are additional prerequisites which speak for the employment of high-
performance analog technology:

1.  The number of necessary AD/DA conversions should be reduced to a minimum.  

With the MMC 1, digital sources can be connected to a digital router, which outputs 
the selected source through the preferred DA converter. This ensures that the 
sound quality remains comparable and is not affected by converter differences.

2. From a purely aesthetic standpoint, high quality analog outboard processing 

consistently proves itself superior to digital processing. The analog concept allows 
for problem-free integration of such analog processors.

3. Monitors and power amplifi ers are almost exclusively analog in design. Yet another 

converter at this point in the chain could only degrade the fi nal monitoring 
quality.

New Technologies

SPL’s new SUPRA operation amplifi ers are used throughout the MMC 1‘s design. They 
perform at an industry benchmark 120 volts and were developed during a four-year 
period during which SPL searched for a new generation of superior discrete analog 
op amps. The SUPRA op amp achieves a signal-to-noise ratio of 116 dB with a head-
room of 34 dB.  The dynamic range amounts to 150 dB with a frequency bandwidth of 
200 kHz.

With such specifi cations, the MMC 1 rides comfortably beyond the requirements of 
either the current maximum 24 Bit/192 kHz PCM format or 1 Bit/256 fs DSD format.

It is simply not realistic to expect at any foreseeable future date, a digital technology 
environment in which the MMC 1 could become a “bottle neck”.

Fade In

Содержание MMC1

Страница 1: ...Assignment To Channel Assignment To Channel Assignment To Channel Assignment To Channel Assignment To L L L R LS LC LS C C RS RS RC C R R LFE LFE LFE Lt o Lt o LS Rt o 1 2 3 4 5 6 7 8 Rt o RS DTS Fil...

Страница 2: ...ncluding loss of data lost pro ts cost of cover or other special incidental consequential or indirect damages arising from the use of the unit however caused and on any theory of liability This limita...

Страница 3: ...urround Monitor VUs 13 Master Fader Output 13 Rear Panel Connections 14 Stereo and Multi channel Inputs 15 Multi channel Returns 16 Stereo Returns 17 Monitor Outputs 18 Stereo Recording Outputs 19 Mul...

Страница 4: ...ich speak for the employment of high performance analog technology 1 The number of necessary AD DA conversions should be reduced to a minimum With the MMC 1 digital sources can be connected to a digit...

Страница 5: ...e Output section offers the same precision trim controls as the Input section In each channel level differences which may have been introduced by outboard processing may be compensated for in 0 5dB st...

Страница 6: ...onnectors only t in one direction Do not force the connectors Ribbon cable 1 VU Logic connecting connectors SV8 and SV9 Ribbon cable 2 In Buss connecting connectors SV3 and SV4 Ribbon cable 3 Jumper p...

Страница 7: ...on Make sure that all Dims and the Mute switch are disabled Engage the Speaker switches labelled L C R C LFE LS and RS in the Speaker Management section Make sure that all Solo Mono and the Solo to Ce...

Страница 8: ...1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 1 2 3 4 5 6 9 8 7 6 1 2 3 4 4 5 6 5 0 2 3 1 9 8 7 6 1 2 3 4 4 5 6 5 0 2 3 1 9 8 7 6 1 2 3 4 4 5 6 5 0 2 3 1 9 8 7 6 1 2 3 4 4 5 6 5 0 2 3 1 9 8 7 6 1 2...

Страница 9: ...s out of the console IMPORTANT Selecting the input monitoring mode input button ashes overrules the Return mode NOTE All MMC1 buttons allow for individual labelling Input Signals selected in the Sourc...

Страница 10: ...MMC1 features an Insert Box to which up to eight 8 channel processors can be connected The unique advantage of MMC1 is that the engineer can specify up to three routings called sequences which can be...

Страница 11: ...llumination off The processor is hard bypassed It can be switched into the signal path at the former position by pressing the Processor Selection button again illumination on NOTE When working with a...

Страница 12: ...ting a stereo mastering job The Monitor section offers three mono functions 1 Mono L R 2 Mono LS RS not available in stereo mode 3 Mono Lt o Rt 0 not available in stereo mode 2 Speakers Dim Three diff...

Страница 13: ...wo dedicated buttons can be used to quickly calibrate the VUs to 0dB or 10dB The metering always follows the selected signal Input is displayed as IN output is displayed as OU and return is shown as R...

Страница 14: ...U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o RETURN M CH B V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A...

Страница 15: ...S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o INPUT C L R V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A...

Страница 16: ...M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o RETURN M CH H V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z...

Страница 17: ...N M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA RETURN STEREO B L1 R1 L2 R2 L3 R3 L4 R4 V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A...

Страница 18: ...N M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o L R MONITOR B V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y...

Страница 19: ...19 REC OUT STEREO L1 R1 L2 R2 L3 R3 L4 R4 V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA Stereo Recording Outputs...

Страница 20: ...R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o REC OUT M CH B V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6...

Страница 21: ...21 Mechanical Drawing Control Surface...

Страница 22: ...22 Mechanical Drawing Front View 920 mm 36 2204 880 34 6456 20 7874 20 7874 820 mm 32 2834 30 mm 1 1811 30 mm 1 1811 80 3 1496 370 14 5669 10 3937 190 7 4803...

Страница 23: ...echanical Drawing Side View Table 32 510 mm 20 0787 220 8 6614 326 12 83462 50 1 9685 103 0 3 20 7874 120 4 7244 633 24 92121 20 7874 40 1 5748 20 7874 80 3 1496 370 14 5669 650 25 5905 10 3937 190 7...

Страница 24: ...A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA 1 L 2 R 3 C 4 S 5 LS 6 RS 7 Lt o 8 Rt o REC OUT M CH C V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A E A F A H...

Страница 25: ...A R A S A T A C A B CANADA V D C B 516 38 EDAC A E F H J K P N M L R S T U W Y X Z A A A D A E A F A H A N A M A L A K A J A P A R A S A T A C A B CANADA V D C B 516 38 EDAC A E F H J K P N M L R S T...

Страница 26: ...0 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU RTW SURROUND MONITOR MODE SELECT MEM...

Страница 27: ...1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 1 _ L 5 _ LS 2 _ R 6 _ RS O U 1 0 O U 1 0 20 10 7 5 3 1 0 3 5 0 30 50 70 100 VU 20 10 7 5 3 1 0 3...

Страница 28: ...65 60 55 50 45 40 35 30 25 20 15 10 5 d B r A 20 20k 50 100 200 500 1k 2k 5k 10k Hz Audio Precision MMC1 Frequenz Input Monitor Out A AFREQ RESP Input Monitor at 2c 5 5 4 5 4 3 5 3 2 5 2 1 5 1 0 5 0 0...

Страница 29: ...5 5 4 5 4 3 5 3 2 5 2 1 5 1 0 5 0 0 5 1 1 5 2 2 5 3 3 5 4 4 5 d B r A 20 200k 50 100 200 500 1k 2k 5k 10k 20k 50k 100k Hz Audio Precision MMC1 THD N vs Amplitude Input Monitor Out A ATHD N VS AMPL Inp...

Страница 30: ...Out at 2c 150 20 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 d B u 20 20k 50 100 200 500 1k 2k 5k 10k Hz Audio Precision MMC1 CMRR Input Insert Send CMRR Input Insert Send at 2c 100 0 95 90 85...

Страница 31: ...31 Block Diagram...

Страница 32: ...32 VU Room Temperature Calibration Please refer to page 7 for details on the room temperature calibration...

Страница 33: ...ate parts to constantly provide stable power conditions One supplies the four Recording Out driver cards 72 SUPRA OPs the other part powers the Input Monitor and Output stages Input voltage 110 120V 6...

Страница 34: ...ignated authorized SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all transportation costs...

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