SPL DynaMaxx 9735 Скачать руководство пользователя страница 8

DynaMaxx

8

Multi-band compressors split
the input in several bands to
overcome pumping effects.
Mixing the bands back
together creates phase inter-
modulations resulting in
audible sound colouration and
loss of dimensions.

The full-band technology of
D

YNA

M

AXX

does not reduce

dimensions and avoids 
incoherence and 
sound colouration.

D

YNA

M

AXX

can be set up much

faster than a Multi-band
system.

An example illustrates the
problems of adjusting the
Attack time.

Full-Band versus Multi-Band

S

ome compressors try to solve the problem of high frequencies

being modulated by low frequency compression by moving to a
split band system, so why don't we do that?

Multi-band compression seems like a good idea to overcome

the pumping effects caused by heavy bass compression also
causing high frequency sounds to be pulled down in level. For
example, with a regular compressor, you may be compressing a
bass-drum but the Release time is set a little too long with the
result that the following hi-hat gets ducked in level. Multi-band
technology splits the original signal into two or more bands to be
processed individually, and in this way, heavy gain reduction at
the bass end doesn’t affect the level of the high frequencies. The
problem is that unless the design is very elaborate and well
thought out, phase differences and other problems can occur
between the bands, resulting in a less natural sound or in an
obviously processed sound (“radio sound”).

Until now, you had to choose between using a conventional

full-band compressor or a multi-band design, but D

YNA

M

AXX

works differently from either and has significant advantages over
both.

The secret is D

YNA

M

AXX

’s new Double VCA Drive Technology

TM

using the excellent „2181 Super-VCAs“ from THAT Corporation,
and in addition to a very clean signal path, it provides two main
advantages:

1. As explained, Multi-band technology has a significant sonic

short-coming due to the way the original signal has to be split up
into various bands, compressed, then mixed back together in a
summing stage. Due to different levels of processing within the
various bands, each band’s output may be changed in phase
response, so that when the bands are recombined, the signal
tends to have reduced dimensions and sounds incoherent and
coloured. Because D

YNA

M

AXX

doesn’t split the signal into separate

frequency bands, this problem is avoided.

2. D

YNA

M

AXX

offers simplicity of control. With Multi-band

systems you have to set all the time constants plus GAIN,
Threshold, and Ratio for each band. With a fully manual Four-
Band-compressor, this would mean 20 parameters to set up per
channel. D

YNA

M

AXX

only needs 2!

Dynamic intelligence: Attack time automation

How does DynaMaxx adjust the Attack time? 

To understand this, it’s first necessary to see what happens when
a compressor is used with a fixed Attack time setting. For
example, the sound of low bass guitar note can either come in
smoothly (especially with fretless basses), or with a very fast tran-
sient attack when slapping or popping playing techniques are
used. If the Attack time is set to minimum (very short), the
compressor is able to catch the peak of the transient attack but

Содержание DynaMaxx 9735

Страница 1: ...SOUND PERFORMANCE LAB model 9735 Manual DynaMaxx Compressor Limiter Noise Gate and De Compressor...

Страница 2: ...liable for any damages including loss of data lost profits cost of cover or other special incidental consequential or indirect damages arising from the use of the unit however caused and on any theor...

Страница 3: ...old and Ratio 10 Double VCA Drive TechnologyTM 11 Control Elements 12 ACTIVE 12 Sig LED 12 COMPRESS 12 GAIN 13 SOFT LIMIT 14 EFFECT COMPRESSION 15 DE COMPRESSION 15 LED Display 17 NOISE GATE 17 SIDE C...

Страница 4: ...ffect high frequency detail high amplitude low end bass can be controlled without introducing pumping or other negative side effects Similarly complex stereo sources can be processed easily and very m...

Страница 5: ...hed on so that both channels produce the same degree of gain change This is necessary to maintain a coherent and stable stereo image The front panel controls including the ACTIVE switch of channel 1 f...

Страница 6: ...sulted in an exceptionally high CCMR common mode rejection 80 dB at 1kHz As a precaution before connecting the DYNAMAXX switch off the power to the unit and to all connected units SIDE CHAIN Each DYNA...

Страница 7: ...em because the compressor response is too slow to bring them under control Threshold and Ratio are easier to set up but when high compression ratios are used high frequencies tend to become overcompre...

Страница 8: ...tween using a conventional full band compressor or a multi band design but DYNAMAXX works differently from either and has significant advantages over both The secret is DYNAMAXX s new Double VCA Drive...

Страница 9: ...side chains so as to increase the precision and speed of transient detection and processing How does this work DYNAMAXX can reduce its Attack time in the instant of a percussive hit or bass guitar sl...

Страница 10: ...ak and calculated average signal levels If a large difference is detected DYNAMAXX will set a faster Release time whereas if only a small level difference is detected DYNAMAXX will release more slowly...

Страница 11: ...f negative side effects mainly distortion and sound coloration by the mechanism of common mode rejection CMRR 50 dB within the differential amp At the same time the original audio signal is increased...

Страница 12: ...nnel is equipped with a SIGNAL LED Sig LED that illu minates when the input signal exceeds 40dB This is primarily an aid to setting up and confirms a suitable input level either when first adjusting t...

Страница 13: ...ning the COMPRESS control further clockwise will lower the Threshold to include more low level signals into the compression process 2 Your audio source contains several amplitude peaks but each peak h...

Страница 14: ...but leaves the gain structure of low level signals unchanged SOFT LIMIT mode is useful when recording on clipping sensitive media such as digital recording systems as it improves the utilisa tion of h...

Страница 15: ...eans that any signal below the Threshold will be even lower after processing but with DYNAMAXX signals above the Threshold are amplified and gain new headroom For this process to be musically useful i...

Страница 16: ...owers the output level to compensate for the level increase The DE COMPRESSION mode has only a limited usability when processing stereo sources but it can be useful to create special effects where the...

Страница 17: ...itors the level difference between the audio signal and the Threshold set by the user If a large difference is detected a short Release time is applied whereas with smaller level differences longer Re...

Страница 18: ...evels of the two channels This is necessary to maintain a coherent and stable stereo image The front panel controls including the ACTIVE switch of channel one function as the master controls in STEREO...

Страница 19: ...recessed slide switch on the rear panel and a rear panel ground lift switch is fitted for use where ground loops are causing hum problems When the GND LIFT switch is depressed the circuit ground is i...

Страница 20: ...mum load ohms 600 Ohms Relay Hard Bypass yes Power Fail Safety yes Measurements Frequency response 20 Hz 100 kHz 100 kHz 3 dB CCMR common mode rejection 80 dBu 1kHz THD N 0 002 1kHz S N CCIR 468 3 89...

Страница 21: ...ized SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all transportation costs and full insu...

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