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© SPL electronics GmbH, Stand 04/97

Charisma

Charisma

Control elements

1

2

3

4

5

Setting the drive level to
the tubes

P

ROCESS

= processing starts

M

AX

= max. saturation

Examples:

– with snare or kick drum
you can use heavy distor-
tion (M

AX

LED illuminates)

– with layer sounds you
should be very careful!
Only use very little distor-
tion if any (P

ROCESS

LED

rarely)

The D

RIVE

control sets the drive level to the tubes. D

RIVE

values can be adjusted between -oo dB and +24 dB.

You have control over the tube´s onset of saturation to find

the optimum point of processing. The higher the D

RIVE

, the

more tube harmonics are being generated. At the same time,
limiting gets stronger, increasing the density of the tube distor-
tion.

Start off with the D

RIVE

set at 0 dB. Now the input level is

equivalent to the level driving the tube electronics. When you
increase the value, you will get a more intense tube processing
and the output volume rises. To compensate this use the O

UTPUT

control (4).

The P

ROCESS

LED illuminates when C

HARISMA

starts its tube

processing. The tubes are starting to generate their typical
sound and harmonical structure. 

The M

AX

LED indicates that the processing has reached its

maximum position. Now the tube is fully saturated and the
typical limiting effect occurs. Increasing the D

RIVE

results in more

tube distortion.

IMPORTANT: 

When you start to process a sound with heavy

transients and attack, like snare or kick drum, you can drive the
tubes into heavy saturation before you start to hear the tube´s
distortion. When the P

ROCESS

LED starts to illuminate you hardly

hear a difference. When driving the tubes into heavier distortion
the M

AX

LED illuminates frequently and the tube distortion is

becoming audible. On the other hand, when you want to process
layer sounds or almost sinewave-like sounds you will sometimes
hear the tube´s distortion even before the P

ROCESS

LED illumi-

nates. So, you have to set the D

RIVE

level depending on the

character of the sound you want to process. Our hearing starts to
hear overtones on sinewave-like signal immediately, whereas
squarewave-like sounds can be heavily distrorted before the
additional harmonics are perceived.

Note:

Do not set the D

RIVE

controls to identical settings and

expect the tubes to act identical when different input signals are
present.

Drive

2

1

Max/Process LEDs

Содержание Charisma 9527

Страница 1: ...Owner s Manual SOUND PERFORMANCE LAB 8 channel Tube Processor Model 9527 Charisma Charisma...

Страница 2: ...L be liable for any damages inclu ding loss of data lost profits cost of cover or other special incidental consequential or indirect damages arising from the use of the unit however caused and on any...

Страница 3: ...with my thanks to all our staff who created what is to be described here The importance of their exceptional qualification and talents cannot be overestimated A very special thank you goes to Manfred...

Страница 4: ...nal stand out in a busy mix CHARISMA also helps you to place vocals in a densed playback by maintai ning their presence We will start with general safety hints followed by the connections on the rear...

Страница 5: ...e method to operate CHARISMA unbalanced is to use mono jack plugs for the jack connectors CHARISMA also offers you a solution to drive your digital 8 track system with high quality balancing Sadly eno...

Страница 6: ...enerate their typical sound and harmonical structure The MAX LED indicates that the processing has reached its maximum position Now the tube is fully saturated and the typical limiting effect occurs I...

Страница 7: ...Use a peak meter to set the OUTPUT level correctly If you insert the CHARISMA on your console or patchbay without having control over the peak level you will end up with less peak level although the...

Страница 8: ...hear the CHARISMA process much more intense with sinewave like layer sounds When processing these sounds the PROCESS LED should illuminate rarely When processing squarewave like transient sounds you c...

Страница 9: ...Acoustic guitars benefit from the CHARISMA effect with improved transparency and clarity yet the recorded instrument retains the same liveliness and character as the original Electronic basses become...

Страница 10: ...60 Hz by means of a recessed slide switch on the rear panel The rear panel ground lift switch may be used where ground loops are causing hum problems When the GND LIFT switch is set to off the circuit...

Страница 11: ...evel variable Drive Minimum load ohms 600 Ohms Hard bypass switch yes Measurements Frequency Response 30 Hz 40 kHz 40 kHz 3 dB CCMR 87 dBu 100 Hz common mode rejection 80 dBu 1 kHz 75 dBu 15 kHz THD N...

Страница 12: ...the designated authorized SPL warranty repair facility in the country where purchased or to the SPL factory in Germany in the original packaging or a replacement supplied by SPL with all trans portat...

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