8
If the connected effects processor receives no input signal. the FX SEND control is probably too
low. This also goes for the built-in effects processor.(202FX)
Adjust your external effects processor to 100% wet (effects signal only), before the effects signal
is added to the main mix along with “dry” channel signals.
In this instance, the FX control of the channel being used as an effects return should be turned
fully counterclockwise. otherwise feedback problems can occur!
The stereo PHONES connector (at the top of the connector panel) is where you connect headphones.
The unbalanced CTRL ROOM OUT connector carry the summed effects and main mix signals, as well
as soloed channel signals. The PHONE/CONTROL ROOM control adjusts the level of both headphones
and main monitor outputs.
The MAIN OUT connectors are unbalanced mono
. The main mix signal appears here at a level
of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. Depending on how you wish to use your
mixer and which gear you own, you can connect the following equipment.
connector
MAIN OUT
PHONES/CONTROL ROOM OUT
The CD/TAPE INPUTS are used to bring an external signal source (e.g. CD player, tape deck, etc.)
into the console. They can also be used as a standard stereo line input, so the output of a second
NEOMIX.
CD/TAPE INPUT
Alternatively the line or tape output of a hi-fi amplifier with source selection switch could also be hooked
up here, allowing you to easily listen to additional sources.
These connectors are laid out RCA connectors and are wired parallel with the MAIN OUT. Connect the
inputs of a computer sound card or a recorder here. The output signal level is setup using the highly accurate
MAIN MIX fader .
TAPE OUTPUT
A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo power amplifier for
full-range loudspeakers with passive crossovers.
LIVE PA SYSTEMS:
If you wish to use multi-way loudspeaker systems without an integrated crossovers. Active crossovers
are impiemented directly before the power amplifier, and they divide the frequency range into several
segments that are first amplified in the amplifiers and then passed on to the corresponding
For mastering using a stereo compressor can be recommended. Use it to custom-tailor the dynamic
characteristics of you signal to the dynamic range of the recording equipment you are using. The signal is
in the case passed on from the compressor into the recorder.
RECORDING
NEOMIX-102 / NEOMIX-202 / NEOMIX-202FX
