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insert

a break point in the signal path to allow the connection of external 
devices, for instance signal processors or other mixers at line level 
signals. Nominal levels can be anywhere between -10dBu to +6dBu,
usually coming from a low impedance source.

pan (pot) 

abbreviation of ‘panorama’: controls levels sent to left and right 
outputs.

peaking

the point at which a signal rises to its maximum instantaneous 
level, before falling back down again.  It can also describe an 
equaliser response curve affecting only a band of frequencies, (like 
on a graphic equaliser), “peaking” at the centre of that band.

peak LED

a visual indication of the signal peaking just before the onset of 
clipping. 

PFL

a function that allows the operator to monitor the pre-fade signal 

(pre-fade listen)

in a channel independently of the main mix.

phase

a term used to describe the relationship of two audio signals.       
In-phase signals reinforce each other, out-of-phase signals result in 
cancellation.

polarity

a term used to describe the orientation of the positive and negative
poles of an audio connection.  Normally connections are made with
positive to positive, negative to negative.  If this is reversed, the 
result will be out-of-phase signals (see ‘phase’ above).

post-fade

the point in the signal path after the monitor or master fader and 
therefore affected by fader position.

pre-fade

the point in the signal path before the monitor or master fader 
position and therefore unaffected by the fader position.

rolloff  

a fall in gain at the extremes of the frequency response.

shelving 

an equaliser response affecting all frequencies above or below the 
break frequency  i.e. a highpass or lowpass derived response.

spill 

acoustic interference from other sources.

transient

a momentary rise in the signal level.

unbalanced

a method of audio connection which uses a single wire and the 
cable screen as the signal return.  This method does not provide the
noise immunity of a balanced input (see above).

+48V

the phantom power supply, available at the channel mic inputs, for 
condenser microphones and active DI boxes.

Содержание Spirit M Series

Страница 1: ...27 APPLICATION 1 LIVE SOUND REINFORCEMENT USING DELAY IN REINFORCEMENT SYSTEMS The drawing below illustrates how to calculate delay settings for fill speakers in multiple speaker installations...

Страница 2: ...ons can be driven by the Spirit M Range APPLICATION 3 PLACES OF WORSHIP This mono configuration uses the Mono output to drive the main speaker system and an induction loop for the hard of hearing Aux...

Страница 3: ...may be used to feed a multitrack recorder as shown The direct outputs should be set to PRE so that they are unaffected by fader position The Mix outputs are used for a preliminary stereo mix on a DAT...

Страница 4: ...tails are given in relevant sections clipping the onset of severe distortion in the signal path usually caused by the peak signal voltage being limited by the circuit s power supply voltage DAT Digita...

Страница 5: ...signals result in cancellation polarity a term used to describe the orientation of the positive and negative poles of an audio connection Normally connections are made with positive to positive negati...

Страница 6: ...dio outputs 75 9 INPUT OUTPUT LEVELS Mic Input Maximum Level 12 dBu Mono Channel Line Input Maximum Level 38 dBu Insert Point Send Return Levels 21dBu Stereo Input Maximum Level 21dBu Headphones 2009...

Страница 7: ...33 M8 M12 DIMENSIONS All dimensions are in millimetres Inches shown in brackets...

Страница 8: ...USER GUIDE M4 DIMENSIONS All dimensions are in millimetres Inches shown in brackets 34...

Страница 9: ...35 APPENDIX 1 TYPICAL CONNECTING LEADS...

Страница 10: ...USER GUIDE 36...

Страница 11: ...37 SYSTEM BLOCK DIAGRAM...

Страница 12: ...USER GUIDE 38...

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