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Aux 3 and 4 are always POST-FADE, ideal for Effects where it is useful for the Aux Send

to fade up and down with the fader.  For flexibility, the Master Section AUX2 PRE switch

allows you to switch AUX 2 from post- to pre-fade across the whole mixer as required.

Aux 5 & 6 are identical to Aux 3 & 4 and may be selected as an alternative by pressing

the 5-6 switch.

Leave all of the knobs turned fully left when not in use.

5 PAN

This control sets the amount of the channel signal feeding the pairs of Groups, allowing

you to move the source smoothly across the stereo image.  When the control is turned

fully right or left you are able to place the signal at unity gain to either Groups 2 & 4

or 1 & 3 respectively.  

6 ROUTING

This switch selects either Groups 1 & 2 (switch released) or Groups 3 & 4 (switch pressed)

as the destination for the channel signal after it has passed through the PAN control.

7 FADER

The linear FADER gives you smooth control of the overall signal level in the channel

strip, allowing precise balancing of the various source signals being mixed to the Master

Section.  You get most control when the input GAIN is set up correctly, giving a normal

fader position around the ‘0’ mark, generous control range below and some gain in

hand above the mark when you need that little bit extra.  See the ‘Initial Setting Up’

section for help in setting a suitable signal level.

Note that the post-fader signal is available as a DIRECT OUTPUT from the channel to

feed tape tracks or other external equipment.

8 SOLO

The latching SOLO switch has two distinctive modes of operation, depending on the

position of the master section SOLO MODE switch.  When this switch is released

(AFL/PFL) all channel SOLO switches function as PFL (Pre-Fade-Listen).  When SOLO

MODE is pressed (IN PLACE) all SOLO switches become a SOLO-IN-PLACE facility.

In PFL/AFL mode, pressing the SOLO switch feeds the pre-fade channel signal to the

monitor output, headphones and Right Bargraph Meter, replacing the selected source.

You use this switch to listen to a channel signal without affecting the mixer outputs, to

check the signal quality or simply to check that it is there!

In SOLO mode, pressing one or more channel SOLO switches mutes all other channels

leaving the selected channels alone in the mix.  The Stereo Returns or FX Returns are

not muted, and this allows the selected channels to be monitored in their true stereo

position, including any effects which may have been added.

The associated PEAK LED indicator normally warns when an excessively high signal

level is present in the channel.  The signal is sampled just after the EQ section and the

LED will light approximately 4dB before clipping.  This point is post-insert, and will

therefore take into account the effect of any equipment connected to the Insert jack.

When the SOLO switch is pressed the LED lights continuously to show which channels

are being monitored.

5-6

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10

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SPIRIT FOLIO RAC PAC

9

All manuals and user guides at all-guides.com

Содержание Spirit Folio Rac Pac

Страница 1: ...LIO RAC PAC Connections The Controls in Detail Technical Specifications System Block Diagram 1 3 6 8 10 13 15 Mono Input Stereo Input Stereo Returns Master Section All manuals and user guides at all g...

Страница 2: ...avoid invalidation of the warranty please read this section carefully The FOLIO RAC PAC desk must only be connected through the Power Supply Unit supplied The wires in the mains lead are coloured in a...

Страница 3: ...Signal Gnd Screen Gnd Screen Tip Ring Sleeve Unbalanced 3 pole Jack Unbalanced Mic XLR Balanced Mic XLR Balanced 3 pole Jack 2 Hot ve 3 Cold ve 1 Screen 1 Screen 2 Hot ve Link 3 to 1 INPUTS 2 TRACK RE...

Страница 4: ...ConNections Input Channels R SPIRIT FOLIO RAC PAC 3 All manuals and user guides at all guides com...

Страница 5: ...CONNECTIONS MASTER SECTION R 4 SPIRIT FOLIO RAC PAC All manuals and user guides at all guides com...

Страница 6: ...ble level within the range of the GAIN control when using a MIC input on the Mono channels try the LINE input instead Stereo inputs 11 14 do not have a GAIN control since the typical source for these...

Страница 7: ...device feeding a suitable signal from the Group or Mix outputs Monitor the signal going to the recorder by selecting the appropriate source on the C Room Phones source select switches Gradually incre...

Страница 8: ...gree of immunity to interference on the microphone cable and as a result the level of background noise may be higher If you turn the PHANTOM POWER on top right hand side of the mixer the socket provid...

Страница 9: ...range of 250Hz to 6kHz This allows some truly creative improvement of the signal in live situations because this mid band covers the range of most vocals Listen carefully as you use these controls to...

Страница 10: ...er signal is available as a DIRECT OUTPUT from the channel to feed tape tracks or other external equipment 8 SOLO The latching SOLO switch has two distinctive modes of operation depending on the posit...

Страница 11: ...detented position when not required The control has a shelving response giving 12dB of boost or cut at a fixed frequency of 12kHz LF EQ Turn to the right to boost low bass frequencies adding extra pu...

Страница 12: ...he latching SOLO switch has two distinctive modes of operation depending on the position of the master section SOLO MODE switch When this switch is released AFL PFL all channel SOLO switches function...

Страница 13: ...eeding the pairs of Groups or Mix allowing you to balance the source in the stereo image When the control is turned fully right or left you feed only that side of the signal to the destination selecte...

Страница 14: ...1 4 4 1 1 2 GRPS 3 4 MIX 11 10 7 4 6 3 2 1 12 5 9 8 SPIRIT FOLIO RAC PAC 13 All manuals and user guides at all guides com...

Страница 15: ...the playback of a tape machine without using up any of the LINE inputs This control sets the level of playback signal fed either to the MIX when 2TK TO MIX is pressed or the headphones or monitor out...

Страница 16: ...1 4 4 1 1 2 GRPS 3 4 MIX 11 10 7 4 6 3 2 1 12 5 9 8 SPIRIT FOLIO RAC PAC 15 All manuals and user guides at all guides com a l l g u i d e s c o m...

Страница 17: ...ting A mono source may be fed automatically to both left and right by plugging into the Left return jack only A CUT switch mutes both FX Returns if required 11 BARGRAPH METERS The three colour BARGRAP...

Страница 18: ...connecting the channel Direct Outputs to the tape inputs The outputs from the Multitrack are brought back on the Stereo Returns or spare mono channels if only one or two tracks are being recorded A co...

Страница 19: ...sert point and a feed to a reverb unit from the direct output The reverb output is brought back to the mix on FX Return 1 The output is taken from Mix L R and connected to the speakers via a suitable...

Страница 20: ...panel will still be supported by the fixings through the side panels 5 Loosen the four screws C fixing the connector panel to the side panels Now supporting the connector panel with one hand remove t...

Страница 21: ...bottom 95dB Aux send attenuation 88dB Adjacent channel 92dB Frequency Response 20Hz 20kHz Line input via group to mix output 1dB INPUT OUTPUT IMPEDANCES Mic 2k Line 10k Outputs 75 INPUT OUTPUT LEVELS...

Страница 22: ...rejects low frequencies Line level signals at a nominal level of 10 to 6dBu usually coming from a low impedance source Oscillator a built in tone generator for test and line up purposes Peaking an eq...

Страница 23: ...3 1 2 MONO INPUT CHANNELS 1 10 STEREO INPUT CHANNELS 11 14 TYPICAL STEREO RETURN A D MASTER SECTION System Block Diagram 22 SPIRIT FOLIO RAC PAC All manuals and user guides at all guides com...

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