9
and right) buses. When the switch is depressed, the post-pan-pot signal is routed
to the Sub-group (left and right) buses.
12
PEAK LED
This is used to indicate that the signal is close to distorting (clipping) on a specific
channel.
13 SP LED
The SP LED glows when a signal is present. The feed point for the LED is post-insert,
pre-EQ.
14
INPUT CHANNEL FADER
This is used to control the level fed to the Mix Bus and post-fade sends.
15
MIX OUTPUTS (XLR) & MONO OUT (
¼
” Jack)
Connect these to your analogue recording device, or to your
amplification system.
16
SUB-GROUP OUTPUTS (
¼
” Jack)
These outputs can be connected to a separate amplifier system or to an external
processor.
17 SUB-GROUP ROUTING
The sub-group mix can be routed to the main mix, in mono or stereo.
18
MASTER FADERS
These faders control the overall level of the mix and sub-group outputs.
19 MAIN METERS
These show the level of the mix outputs. When the master SOLO LED is lit, the
meters show the level of the selected AFL/PFL signal.
20
MONITOR OUTPUTS (
¼
” Jack)
These are used to feed your monitoring system. This can be directly connected to
powered monitors, or indirectly via an amplifier to standard monitors.
21 MONITOR CONTROL
This controls the level of the signal sent to your monitoring system.
22 MONITOR SELECT SWITCH
This switch selects the signal source to be monitored. Note that the 2-TK input can
be monitored also, see item 30 below.
23 PHONES CONTROL
This controls the level of the signal sent to the headphones jack socket.
24 HEADPHONES (
¼
” Jack)
Plug your headphones into this socket. Recommended headphones impedance is
32 ohms or greater.
25 AUX 1, 2 & 3 OUTPUTS (
¼
” Jacks)
These outputs can be used to send the channel signal to an artist’s monitors
(headphones/in-ear/stage monitors), external FX or secondary PA/monitor system.
26 AUX CONTROLS & AFL SWITCHES
The rotary controls set the output levels of the three Aux Outputs. The After Fade
Listen (AFL) switches route their respective aux output signal to the monitor/head-
phones outputs.
27 AUX 2 POST/PRE SWITCH
This switch globally changes the AUX 2 feed on all the input modules to be either
post-fade or pre-fade.
28
STEREO INPUTS (
¼
” Jack)
These two pairs of inputs can be used to connect line level stereo inputs from
keyboards, sound modules, samplers, computer based audio cards etc. These in-
puts pass through a stereo channel strip, with EQ, Auxes and a Balance control.
Mono sources may be used by plugging into the left jack only.
29 2-TRACK INPUTS (RCA Phono)
You can connect the playback from your recording device here.
30 2-TRACK CONTROLS
Use these to control the 2 Track signal. The MONITOR switch sends the signal to the
monitor outputs and phones, whilst the TO MIX switch sends it to the main mix.
31 RECORD OUTPUTS (RCA Phono)
You can connect these to the inputs of your recording device.
32 PHANTOM POWER
Press this to globally switch the phantom power (48V) on for condenser micro-
phones.
WARNING:
Do Not apply Phantom Power before connecting a microphone.
Your MPMi console is equipped with a Kensington® Security slot on the rear panel for use with compatible PC/Laptop security cables. For
more information about the Kensington range of security devices please visit http://us.kensington.com
