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The LX7-II combines the essential Soundcraft live mixer qualities with basic recording-oriented features, in a compact frame that’s
light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel outputs make the LX7-II an ideal choice for bands who need
a live desk that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7-II provides 24, 32 or 40 inputs - with no less than 13 separate bus outputs
including mix, 4 groups, a dedicated mono bus for centre speaker clusters, side or rear fills, and six auxiliary busses.

There are also 8, 16 or 24 direct outs, depending on the frame size of your console.

LX7-II’s balanced mic inputs all use Soundcraft new GB30 padless mic preamp providing 60dB of gain and 22dBu of headroom.
Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave
High Pass Filter, allow effective audio control in difficult venues whilst the six auxiliary sends are pre-post switchable in pairs from
each channel, providing a maximum of 4 pre-fader and six post-fader. This makes LX7-II equally applicable for foldback - heavy
performance or in situations where more effects are required.

LX7-II groups section houses two further stereo inputs - with EQ, auxiliaries for keyboards or stereo recording devices - as well as
two FX returns. All four groups are routable to mix and include 12 segment bargraph metering for accurate monitoring and inserts.
Six auxiliary masters on rotary controls also included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and the mix. Phantom power in banks of four, and a two
track return for pre-show music are also present. A “two-track” to mix switch allows the engineer to play CD’s over the main PA
whilst back-stage set-up is going on, with one press of a button. The mix is also routable to the separate mono bus if mono PAs are
required.

LX7-II is built in a rugged wedge-shaped steel chassis with an internal power supply, professional all-metal jackfield and connectors
on the rear of the console. All inputs and outputs are balanced.

Applications incluse : Gigging Bands, Small installations, Small venues, Theatres, Houses of Worship and Live & studio recording.

Содержание lx7 II

Страница 1: ...1 User Guide User Guide User Guide User Guide User Guide...

Страница 2: ...atsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means elec...

Страница 3: ...General Wiring Procedures 11 Initial Wiring Considerations 12 Audio Wiring 12 Shielding 12 Points to Remember 13 Setting Up T Setting Up T Setting Up T Setting Up T Setting Up Tr r r r roubleshooting...

Страница 4: ...4...

Страница 5: ...5 INTRODUCTION INTRODUCTION INTRODUCTION INTRODUCTION INTRODUCTION...

Страница 6: ...difficult venues whilst the six auxiliary sends are pre post switchable in pairs from each channel providing a maximum of 4 pre fader and six post fader This makes LX7 II equally applicable for foldba...

Страница 7: ...lst in transit both to and from the Dealer or Soundcraft and postage must be prepaid 4 This warranty shall only be available if a the Equipment has been properly installed in accordance with instructi...

Страница 8: ...8...

Страница 9: ...9 INST INST INST INST INSTALLA ALLA ALLA ALLA ALLATION TION TION TION TION For your own safety and to avoid invalidation of the warranty please read this section carefully...

Страница 10: ...Yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol The wire which is coloured Blue must be connected to the terminal in the plug which is ma...

Страница 11: ...f an electrical storm or large mains voltage fluctuations immediately switch off the mixer and unplug from the mains Signal Levels It is important to supply the correct input levels to the console oth...

Страница 12: ...screening of those interconnections This must be done in a logical sequence to avoid problems and assist in the localisation of problem equipment Connect the FOH or Monitor system to the console and c...

Страница 13: ...It is important to remember that all equipment which is connected to the mains is a potential source of hum and interference and may radiate both electrostatic or electromagnetic radiation In addition...

Страница 14: ...put level setting without feedback check microphone and speaker placement and repeat the exercise If feedback persists it may be necessary to use a Graphic Equaliser to reduce the system response at p...

Страница 15: ...switch released on the relevant channels Is the appropriate monitor select switch pressed Is there a PFL AFL pressed on another channel No Mix output No Mix output No Mix output No Mix output No Mix...

Страница 16: ...16 Balanced Unbalanced Insert Leads Y Leads Unbalanced Y Leads Balanced Headphone Splitter Connecting Leads Connecting Leads Connecting Leads Connecting Leads Connecting Leads...

Страница 17: ...17 Audio Connector Pinouts Audio Connector Pinouts Audio Connector Pinouts Audio Connector Pinouts Audio Connector Pinouts...

Страница 18: ...18 Dimensions Dimensions Dimensions Dimensions Dimensions...

Страница 19: ...19 BLOCK DIAGRAM BLOCK DIAGRAM BLOCK DIAGRAM BLOCK DIAGRAM BLOCK DIAGRAM...

Страница 20: ...20...

Страница 21: ...21 USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE...

Страница 22: ...22 Overview A 16 channel frame is shown...

Страница 23: ...o ow w w w wer er er er er Many professional condenser mics need an external powering voltage normally 48V also known as PHANTOM POWER This is a method of sending a powering voltage down the same wir...

Страница 24: ...ontrol of recording levels in a studio recording application For live recording the outputs can be individually changed to PRE FADER by pressing this switch so that the direct output level remains una...

Страница 25: ...EQ S 0 EQ S 0 EQ S 0 EQ SWIT WIT WIT WIT WITCH CH CH CH CH The EQ switch bypasses the Equalisation section when released Alternately pressing and releasing the switch provides an easy way of comparin...

Страница 26: ...channel signal may also be routed to the separate centre mono bus by pressing the C switch unaffected by the position of the PAN control 1 1 1 1 16 PFL PEAK 6 PFL PEAK 6 PFL PEAK 6 PFL PEAK 6 PFL PEAK...

Страница 27: ...boost low bass frequencies adding extra punch to synths guitars and drums Turn anticlockwise to reduce hum boominess or improve a mushy sound Set the knob to the centre detented position when not req...

Страница 28: ...rloading Aim to keep the signal within the amber segments at peak levels for best performance Similarly if the output level is too low and hardly registering at all on the meters the level of backgrou...

Страница 29: ...etting up channel levels adjusting EQ talking back to performers and monitoring any part of the mix including final Mix without affecting the sound to the audience Releasing the switch instantly swaps...

Страница 30: ...30 Mark up Sheet You may freely copy this page to mark control positions to assist in resetting the desk between performances...

Страница 31: ...sstalk 80dB Channel Mute 90dB Fader cut off rel 0 mark 90dB Aux Send pots offness 80dB Fr Fr Fr Fr Frequency Response equency Response equency Response equency Response equency Response Mic Line Input...

Страница 32: ...32...

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