Sonodyne SM 100Ak Скачать руководство пользователя страница 2

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SM 100Ak

Introduction  

 Safety  

 Unpacking  

 Fig 1 & 2

INTRODUCTION

Congratulations on your purchase of the SM 100Ak near field active studio monitor. The SM 100Ak has all the makings of a truthful 
reference device. The high grade transducers, the aluminium die cast rigid enclosure, the active amplification, the on board EQ, among 
others, result in sound that is neutral and transparent. You may thus depend on the SM 100Ak to accurately meet your professional 
monitoring needs.

SAFETY 

Please ensure proper earthing.

Please keep away from moisture.

The equipment is capable of producing SPL in excess of 100 dB. Long term exposure may cause permanent hearing damage.

Ensure that the speakers are not covered while in use. Restricted airflow at the rear of the unit will cause it to heat up.

UNPACKING 

While removing the units from the carton, please do not hold the speaker’s front. The high frequency transducer is located near the top of 
the cabinet, on the front baffle; you may accidentally damage the transducer.

The best way to safely unpack the monitors is to open the top of the carton, keep the EP filler piece on, turn the entire box upside down 
and pull off the carton box. Then remove the filler pieces, the protective cloth and moulded baffle cover.

Page 1

FIG. 2: REAR PANEL

FIG. 1: FRONT PANEL

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GAIN

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 1. TRS Input
 2. XLR input
 3. 3 pin IEC mains inlet 
 

Treble Tilt -2 dB

Bass Tilt -4 dB

Bass Tilt -2 dB

Bass Roll-Off

Содержание SM 100Ak

Страница 1: ...SM 100Ak 2 way nearfield active monitor owners manual www sonodyne com S NOD N Y E O S NOD N Y E O ...

Страница 2: ... exposure may cause permanent hearing damage Ensure that the speakers are not covered while in use Restricted airflow at the rear of the unit will cause it to heat up UNPACKING While removing the units from the carton please do not hold the speaker s front The high frequency transducer is located near the top of the cabinet on the front baffle you may accidentally damage the transducer The best wa...

Страница 3: ... bass content allows you to raise the overall output level permitting LOUD mixing But keep in mind that removing deep bass content from monitors may actually result in an inaccurate bass reproduction ROOM COMPENSATION LF BASS TILTS Switches 2 3 when ON activates a filter 80 Hz to reduce the low frequency output by 2 dB 4 dB respectively Engaging both switches produces a 6 dB roll off These functio...

Страница 4: ...ference but we recommend the angle should be around 60 as shown in Fig 4 on page 4 MOUNTING OPTIONS The SM 100Ak may be wall or floor mounted Optional accessories are available CONNECTORS Audio The SM 100Ak has one balanced TRS and one 3 pin balanced XLR input refer to Fig 2 rear panel on page 1 The pin configuration is shown in Fig 5 on page 4 The wiring configuration for using unbalanced sources...

Страница 5: ...r to a comfortably loud listening position Note Your SM 100Aks achieve their best bass response in a room that is optimized for bass reproduction Factors such as room shape and volume absence of acoustical treatment can prove to be a bane for optimal sound reproduction from the SM 100Aks Therefore we have provided some compensation controls which you can use to optimize the frequency response of t...

Страница 6: ...nal level at mixer or reduce gain control of SM 100Ak at rear panel Please monitor the signal with headphones Distorted sound in headphones indicate that the problem lies in the signal source Symptom Noise Hum Line interference Proper signal wiring between the mixer and the monitor eliminates the hum buzz and all sorts of crackling noises Make sure all connections are secure If unbalanced sources ...

Страница 7: ...S NOD N Y E O SM 100Ak Page 6 Fig 6 7 8 FIG 6 Effect of Switch 1 FIG 7 Effect of Switch 2 Effect of Switch 3 Effect of Switches 2 3 FIG 8 Effect of Switch 4 ...

Страница 8: ...ng aerodynamic port 60 Hz 22 kHz 3 dB 50 Hz 30 kHz 10 dB 109 dB at 1m 90 averaged between 5 14 kHz 85 averaged between 5 14 kHz 65 Hz 200 Hz 3 LF 80 W HF 40 W 90 dB referred to full output 0 04 6 dBU 6 dB with respect to U position 70 dB 65 dB 40 Hz 12 dB octave 4th order Linkwitz Riley 1 5 kHz crossover freq 2 dB 4 dB 6 dB 80 Hz 80 Hz 6 dB octave 2 dB 15 kHz Power Switch and Volume Control Gain c...

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