ELECTRO-ACOUSTIC
RATTLE:
This channel is slightly different to the others as it does not contain a ‘direct’
signal from the drum machines - so it does not have an individual sample-set for every
single hit as the others do. Instead, it is a collection of drum shell rattles - whole kits,
single drums, snare wires, etc. Each still has 5 round robins per hit, as do all channels in
Electro Acoustic, but if you select the ‘full drum kit’ sound in the menu, then this will be
the same sound whether you add it to a kick or a snare.
The set is divided into drum rattles at the top of the list, and general rattles and artefacts
in the bottom half. The ‘Exit Sign’ rattles were recorded in SOTA studios, using a contact
mic on an exit sign above the door.
PA HI:
A stereo signal made up of a close tweeter mic and a close high-mid mic on the
PA system. Both are panned to centre, but if you want to increase the stereo width, use
the STEREO WIDTH control on the mixer channel.
PA MID:
A stereo pair a few feet back from the PA, aiming at the midrange units. This has
an unusual colour and some ambience in it.
PA LOW
:
A mono signal from the PA subwoofers. Recorded with Neumann FET47s into
Neve preamps, this sounds incredibly fat and can be used to reinforce kicks and snares or
with the PA high channel to make big, organic drum sounds.
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