Solid State Logic Duality SE Скачать руководство пользователя страница 33

Страница: 33 / 197

l S

Each channel has two stereo and four mono sends that can be used for a number of different purposes: headphone
feeds, FX sends, etc. The stereo cues can also be used to provide an additional line input to the mix.

Cue Stereo

Normally, the stereo cue sources a pre channel fader signal, which routes to the console’s Cue
A bus. This in turn can be picked up in the centre section and used as a foldback source (see

Cue/FX Master Controls

). Press and hold down the

SRC SEL

button (at the base of

the Channel Sends section) then press the stereo cue gain pot to toggle the source through
post fader channel feed (

POST

), channel direct output (

CHOP

) or the unused channel

input (

ALT

), as indicated by the LEDs adjacent to the stereo cue gain pot.

The

ALT

selection is defined as whichever input is not assigned to the main channel path

(when

SPLIT

mode is not active), and allows the stereo cue to be used as an additional

input.

When a channel has

BUS

assigned as its input source, the

ALT

input is the main CHANNEL

input. This makes it possible to configure channel strips as bus masters, with full processing,
and to use the CUE ST level pot as a ‘short fader’ that controls the level of the ALT source
(the MIC preamp), being sent to the track busses via the EFX system. Provided the Channel
Output is fed pre fader to the DAW record input, the

SPLIT

monitor mode allows the Bus send to be monitored

directly via the Channel fader feeding the main mix busses, or when

SPLIT

is active, to monitor the DAW return.

Likewise, select the stereo cue output to Cue B by holding down the

SET EFX/ CUE B

button then pressing

the stereo cue gain pot; this toggles the selection through Cue B, EFX and Cue A (off).

Master controls for the Cue A and B busses can be found in the centre section.

Pan your mono source across the stereo cue bus outputs with the LR pan control. The stereo cue send is turned
on/off by means of a push-push switch mounted on the send level control.

FX Sends

The four mono FX Sends are normally sourced post channel fader. They may, however, be sourced from the channel
output (

CHOP

) by pressing and holding down the

SRC SEL

button (at the base of the Channel Sends section)

then pressing the required FX gain pot to toggle the selection on/off.

Each FX level pot is fitted with a push-push on/off switch; ‘on’ is indicated by a LED beside the pot. Master controls
for each FX bus can be found in the centre section.

EFX System

Selecting an FX output to the EFX system (press and hold the

SET EFX/ CUE B

button then press the required

FX or Cue Stereo gain pot) allows a single send to be isolated from its associated bus and to be used as source for
either the Track Busses (select

EFX TO TRK

on the centre section routing panel), or the channel output —

CHOP

(selected locally or on the centre section routing panel). This enables up to 24 additional independent

effects send or headphone mixes to be easily generated. Logic interlocks prevent feedback paths by disallowing the
EFX function on a send sourced from the channel output if EFX to channel output is active.

Note that selecting

EFX TO TRK

changes the channel bus routing display from white to green.

2--9

e O

tiio

liit

y S

E O

r’’s

s M