Snell Illusion A Скачать руководство пользователя страница 13

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The distance between the I

LLUSION

 A7s will largely dictate 

breadth of stereo image. If the speakers are placed too close 

together the image will be too narrow; if too far apart 

it can become too diffuse, ultimately yielding a “hole in 

the middle” effect. Most rooms will perform best with an 

angular separation of between 45º and 60º (viewed from 

above) between the left and right A7s. Expressed another 

way, this is usually arrived at by a separation between the 

two loudspeakers of about 0.85 the distance from the prime 

listening position to either speaker. It is quite important 

that the distance from the left and right speakers to the 

listening position is equal; using a tape measure to confi rm 

these dimensions will prove well worth the effort.

Toe-in—the angling of the speakers inward toward the lis-

tening position—is a matter of room acoustics and individ-

ual preference. Generally, toe-in adjustment is best left to 

the last stage of placement fi ne-tuning. In typical rooms, as 

toe-in increases the stereo effect can become more sharply 

defi ned, that is, more “pinpoint,” somewhat like listening via 

fi ne headphones. Aligning the A7s square, without toe-in, 

usually will yield a more spacious sound with a more diffuse 

center image; adding toe-in generally improves balance of 

stereo effect for listeners seated off-center. Ultimately, the 

degree of toe-in will be determined purely by taste, though 

electing an angle beyond 20° is less usual.

Properly placed, the A7s will produce a palpable “virtual 

stage” from left to right, with a substantial illusion of 

sound originating laterally beyond each speaker, as well as a 

profound impression of depth. 

S T E R E O   I M A G E

45°- 60°

Distance Between Speakers =

0.85 x Distance to Listening Area

Distance to Listening Ar

ea 

Содержание Illusion A

Страница 1: ...Owner s Manual ILLUSION LLUSION A7...

Страница 2: ...N A7 4 ILLUSION A7 Features 6 Connecting the ILLUSION A7 8 Choosing Cable 8 Basic Connections 8 Bi wiring and Tri wiring 9 Biamplifying and Triamplifying 9 Speaker Placement 12 Stereo Image 13 Listeni...

Страница 3: ...ous some less so That said like any loudspeaker the A7 is merely a lens through which to view aurally speaking the music It is however an exceedingly transparent and faithful lens one that will reveal...

Страница 4: ...et in Hexadym configuration cast aluminum enclosure Midranges Two 5 25 135mm solid Magnesium Cones Neo Magnet in Hexadym configuration Woofers Two 10 250mm Magnesium Cones Wiring Bi wirable tri wirabl...

Страница 5: ...med D Appolito status without any particular technical or legal legitimacy A true D Appolito array is a far more sophisticated entity whose transducer parameters and dimensions geometric relationships...

Страница 6: ...5 The soft dome tweeter designed for the A7 develops smooth resonance free response to nearly 40 kHz as well as powerful and accurate output to unusually low frequencies This facilitates an atypicall...

Страница 7: ...ructed on a discrete cir cuit board so that no induced or capacitive reflections can co influence circuit actions The best components are used throughout including custom fabricated air core inductors...

Страница 8: ...al decision based on associated equipment system layout and personal preference but lowest possible resistance per meter and minimal inductance and capaci tance can be considered universally desirable...

Страница 9: ...able resource in choosing a wiring plan and selecting appropriate cabling Bi and Triamplifying In an extension of bi or tri wiring you may wish to con sider multi amplifying the ILLUSION A7s Multi amp...

Страница 10: ...e cable from the Woofer terminals to the low frequency amplifier i e the amplifier selected to drive the A7 woofers 3 Connect a cable from the Midrange or Tweeter termi nals to the midrange high frequ...

Страница 11: ...r selected to drive the A7 tweeters woofer amplifier mid amplifier high amplifier NOTE You may consider deploying multi amp components horizontally or vertically That is to say in a horizontal setup a...

Страница 12: ...approach the final placement of the A7s before installing the spikes as the loudspeakers are difficult to move with spikes in place The choice of spikes or glides is up to the individual In most cases...

Страница 13: ...nward toward the lis tening position is a matter of room acoustics and individ ual preference Generally toe in adjustment is best left to the last stage of placement fine tuning In typical rooms as to...

Страница 14: ...tion for your ILLUSION A7s that is adequate to the needs of your room your listening habits and your musical tastes with a generous margin of headroom Much as we would like to be more specific with tr...

Страница 15: ...time A light diffusing window treatment is usually all that is required to mitigate this very slight risk Do not permit the loudspeakers to become wet Pro longed dampness or standing water will destr...

Страница 16: ...3717 phone 978 538 6262 fax 978 538 6266 email info snellacoustics com web www snellacoustics com 2007 Snell Acoustics All Rights Reserved Specifications are subject to change without notice Covered...

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