10
Slate Digital FG-‐X Virtual Mastering Console
IV.2.2.
G
A IN
The GAIN knob controls how much gain is added to the mix.
As peaks approach the ceiling, they are processed via ITP as
described earlier. The GAIN automatically goes to a built in
ceiling which can be adjusted from -‐1 to 0dB.
IV.2.3.
D
YN A M IC
P
ER CEP TIO N
The Dynamic Perception algorithm is a new process that
adds perceived dynamics to mixes, even with very little
dynamic range. Using this processor can add even more life
and “movement” in your masters. Like the TRANSIENT
knobs, start with it all the way off and gradually increase it
after you have applied your desired gain with the GAIN
knob. Setting the Dynamic Perception at around nine
o’clock can add extra “movement” within the mastered
song.
IV.2.4.
ITP
– R
N TELLIG EN T
T
R A N SIEN T
P
R ESER V A TIO N
T M
The ITP slider can be considered the most important control
in the FG Level. By moving the ITP slider up or down, you
change the global characteristics of the saturation curves
created by the ITP processor. When you raise the slider, the
ITP processor uses more aggressive curves throughout the
frequency spectrum, adding a slightly “hard” sound to the
transients. The lower you push the ITP slider, the gentler the
saturation curves become, making the final master sound
smoother. Generally, placing the slider in the middle leads
to the most transparent results. For modern pop, rock, and
metal, moving the slider up is recommended for the most
punch. For big bassy R&B or hip hop, the middle or slightly
lower settings can retain a lot of sub bass.
