5
Operation
1. POWER ON
Once you have all the equipment connections to your mixer,
press the POWER SWITCH (40). The power will turn on and
the POWER LED will glow RED.
2. CHANNEL 1
Switch (11) allows you to select the PHONO1/LINE1 (44) or
the LINE2 (45) input. The CHANNEL SLIDE (13) controls the
input level of this channel.
3. CHANNEL 2
Switch (14) allows you to select the PHONO2/LINE3. (47) or
the LINE4 (48) input. The CHANNEL SLIDE (15) controls the
input level of this channel.
4. CHANNEL 3
Switch (16) allows you to select the PHONO3/LINE5. (50) or
the LINE6 (51) input. The CHANNEL SLIDE (17) controls the
input level of this channel.
5. CHANNEL 4
Switch (18) allows you to select the LINE7, LINE 8 and MIC5.
(52, 53, 42) input. The CHANNEL SLIDE (19) controls the
input level of this channel.
6. CROSSFADER SECTION
The CROSSFADER (24) allows the mixing of one source into
another. This unit features an assignable crossfader. The
ASSIGN (22, 23) switches allow you to select which channel
will play through each side of the crossfader. The ASSIGN
(22) switch has 5 settings (OFF, 1, 2, 3 or 4) and allows you
to select channel1, 2, 3 or 4 to play through the left side of
the crossfader. The ASSIGN (23) switch has 5 settings (OFF,1,
2, 3 or 4) and allows you to select channel 1, 2, 3or 4 to play
through the right side of the crossfader. With the ASSIGN
switch in the off position, that side of the crossfader will be
inactive.
7. EFFECT CONTROL SECTION
The ECHO (27) button allows you to turn ON/OFF the effect
to master. The LEVEL (31) to allows you to adjust the effect
level. The REPEAT (30) and the DELAY (29) allow you to
adjust the effect.
8. T he GRAPHIC EQUALIZER (33, 34)
Allows you to adjust the frequency response to achieve the
desired sound required.
9. OUTPUT CONTROL SECTION: The level of the MAIN OUTPUT
(56, 57) is controlled by the MASTER (21) slide. The BOOTH
(37) control adjusts the level of the BOOTH OUTPUT (55).
HINT: The BOOTH OUTPUT (55) is used by some DJs to run
monitor speakers in their DJ Booth.You can also use it as a
second ZONE or AMP output.
NOTE: The REC OUTPUT (52) has no level control. The Level is set
by the channel slides or the selected channel. The tonal qualites
can be controlled by the equalizers.
10. TALKOVER SECTION
The purpose of the talkover section is to allow the program
playing to be muted so that the mic can be heard above the
music. The MIC/TALKOVER SWITCH (26) controls MIC 1-4
and has three settings. When the MIC/TALKOVER SWITCH
(26) is in the bottom position, MIC 1-4 talkover are off.
When the MIC/TACKOVER SWITCH (26) is in the center
position MIC 1-4 are on, but talkover is off. When the
MIC/TALKOVER SWITCH (26) is in the top position, MIC 1-4
talkover will be on and the volume of all sources except the
Mic inputs are lowered by 16 dB. The TREBLE (9) and BASS
(10) controls allow you to fully adjust the tone of MIC 1-4.
The LEVEL (5-8) controls the level of MIC 1-4.
11. CUE SECTION
By connecting a set of headphones to the HEADPHONE
(38) Jack, you can monitor any or all of the channels.
Press the CUE (12) buttons for channels 1-4 to select the
channel or channels to be monitored and their respective
LED indicators will glow. Use the CUE LEVEL (36) control to
adjust the cue volume without effecting the over all mixer.
By moving the CUE/PGM (35) control to the left you will be
able to monitor the assigned cue signal. Moving the control
to the right will monitor the PGM (program) output.
12. DISPLAY
The DISPLAY (32) indicates either the MASTER output left
and right levels.
Specifications:
INPUTS:
DJ Mic . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.5Mv 2Kohm balanced
Phono. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3mV 47k
Ω
Line. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150MV 27k
Ω
Aux. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150MV 27k
Ω
OUTPUTS:
Main/Aux. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0dB 1V 400
Ω
Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20dBV peak to peak
Rec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225mV 5k
Ω
MIC1-5:
DJ Mic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5mV 2k
Ω
balanced
Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +12dB
High . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +12dB
GENERAL:
Frequency response . . . . . . . . . . . . . . . . . . . . . 20Hz-20KHz+/-2dB
Distortion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.02%
S/N Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . better than 80dB
Taklover attention . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -16dB
Headphone impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Ω
Power source. . . . . . . . . . . . . . . . . . . . 115V/230V 60Hz/50Hz 15W
