background image

KEEP THE MICROPHONE CLOSE

TO THE DESIRED SOURCE

[2]

TO REDUCE FEEDBACK,

AIM MIC WITH CARDIOID

POLAR  PATTERN

(SHADED) 

AWAY FROM

LOUDSPEAKERS

[1]

MICROPHONE PICKUP
PATTERN (CARDIOID)

AMPLIFIER

PICKUP (POLAR) PATTERN

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

ÁÁÁÁÁÁÁÁÁÁÁÁ

ÁÁÁÁÁÁÁÁÁÁÁÁ

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

Á

TYPICAL FREQUENCY RESPONSE

[3]

[2]

DESCRIPTION

The Model 16A microphone can be used in sound reinforcement or re-

cording, to pick up voices or instruments.

Features

Smooth, extended  frequency response provides intelligibility and crisp-
ness of sound

High output condenser cartridge for highest fidelity

Cardioid (unidirectional) pickup pattern suppresses feedback

Internal battery power and On/Off switch

BASIC RULES FOR MICROPHONE USE
1.

Aim a directional microphone toward the desired sound source (for
instance, musical instrument, talker, singer) and away from undesired
sources (such as loudspeakers or another instrument) [Figure 1].

2.

Locate the microphone as close as practical to the desired sound
source [Figure 2] for best gain before feedback.

3.

Do not pick up the same sound source with more than one micro-
phone. Keep the distance between multiple microphones at least three
times the distance from each source to its intended microphone.

4.

Use the fewest microphones possible for the particular application.

5.

When extra bass response is desirable, work close to the microphone.
This phenomenon is known as “proximity effect”.

6.

Locate microphones as far as possible from acoustically reflective
(hard, smooth) surfaces.

7.

Add an external windscreen when additional pop protection is needed:
outdoors in windy conditions or for closeup vocal use.

8.

To preserve directional characteristics, do not obstruct the microphone
grille.

SPECIFICATIONS

Type

Condenser (electret bias)

Frequency Response

50 to 15,000 Hz (see [3])

Pickup (Polar) Pattern

Cardioid (unidirectional) (see [4])

Impedance (Z)

Low (600 

 balanced)

Output Level (at 1 kHz)

Open Circuit Voltage: –68.0 dB (0.40 mV) *
*0 dB = 1 V/

µ

bar

Maximum SPL (at 1 kHz)

120 dB

Polarity

Positive pressure on diaphragm produces positive voltage on pin 2
with respect to pin 3.

Battery Type

1.5 volt “AA”, more than 1,000 hours battery life (alkaline battery).  To
replace battery, unscrew and remove cartridge (top portion), replace
the old battery with a new battery making sure the positive end is facing
the cartridge, then screw the cartridge back on.

Connector

Three-pin professional audio connector (male XLR)

Switch

On/Off switch.

Weight:127 g (4.5 oz)

Certifications

Conforms to European Union directives, eligible to bear CE marking;
meets European Union EMC Emissions and Immunity Requirements
(EN 50081–1: 1992, EN 50082–1: 1992).

VARIATION
16AM

Swivel Adapter, Storage Bag

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

OPTIONAL ACCESSORIES
4.57 m (15 ft.) Cable (XLR-

1

/

4

 in.)

C15HZ

. . . . . . . . . . . . . . . . . . . . . . . . . . . 

6.1 m (20 ft.) Cable (XLR-

1

/

4

 in.)

C20HZ

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 

7.6 m (25 ft.) Cable (XLR-XLR)

C25J

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Windscreen

A4WS

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

REPLACEMENT PARTS
Cartridge and Housing Assembly

R16

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Screen and Grille Assembly

RK16PG

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Swivel Adapter

RK251

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

For additional service or parts information, please contact Shure’s

Service department at 1-800-516-2525. Outside the United States, please
contact your authorized Shure Service Center.

Model 16A User Guide

27B3096 (AB)

2001, Shure Incorporated

Printed in U.S.A.

Содержание 16A

Страница 1: ...ble work close to the microphone This phenomenon is known as proximity effect 6 Locate microphones as far as possible from acoustically reflective hard smooth surfaces 7 Add an external windscreen when additional pop protection is needed outdoors in windy conditions or for closeup vocal use 8 To preserve directional characteristics do not obstruct the microphone grille SPECIFICATIONS Type Condense...

Страница 2: ...rofonmodell 16A kann für die Tonverstärkung und aufzeich nung für die Aufnahme von Stimmen und Instrumenten eingesetzt werden Merkmale Glatt verlaufender erweiterter Frequenzgang für ausgezeichnete Tonqualität und Brillanz Kondensatorkapsel mit hohem Ausgang bietet überragende Wieder gabetreue Nierenförmige unidirektionale Richtcharakteristik verringert Rück kopplungsgefahr Interne Batterieversorg...

Страница 3: ...tro autorizado de productos Shure DESCRIZIONE Il microfono modello 16A può essere utilizzato in impianti di amplifica zione sonora o registrazione per la ricezione di suoni vocali o strumentali Caratteristiche Risposta in frequenza regolare e a banda allargata che fornisce intelli gibilità e nitidezza sonora Capsula a condensatore a uscita elevata ai fini della massima fedeltà Diagramma di ricezio...

Страница 4: ...www shure com 222 Hartrey Avenue Evanston IL 60202 3696 U S A Phone 847 866 2200 Fax 847 866 2279 In Europe Phone 49 7131 72140 Fax 49 7131 721414 In Asia Phone 852 2893 4290 Fax 852 2893 4055 Elsewhere Phone 847 866 2200 Fax 847 866 2585 ...

Отзывы: