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Back in the misty days when 2-channel stereo was still an exciting new format and tubes
ruled the land, Sherwood was a brand name to be reckoned with. Together with such com-
panies as Harman/Kardon, Fisher, Marantz, and McIntosh, Sherwood was instrumental
in launching the American hi-fi industry on a path that would culminate in today’s high-
end audio gear—grist for our sister publication, 

Stereophile

.

However, the path was a rocky one. When audio went solid-state in the 1960s and ’70s,

Sherwood and the other giants of American hi-fi found themselves unable to compete
with the cheap transistorized gear flooding in from Japan. One by one, the American com-
panies fell on hard times and were forced to sell. For the next decade or so, the once proud
Sherwood logo appeared only on a long line of inexpensive, mass-market gear.

Then something wonderful happened. Several years ago, Sherwood—now owned by

Etonics—announced a new line of high-quality audio products. Named after the location
of the company’s assembly plant in the UK, Newcastle components would be sold only
through custom installers and AV specialty retailers.

The first product in the Newcastle line—the R-945 AV receiver—was introduced to

great critical acclaim in 1998.  Michael
Fremer reviewed it in the May 1998 issue of
the 

Stereophile Guide to Home Theater

. Next

came the company’s first home-theater sepa-
rates, the AVP-9080R processor and AM-
9080 multichannel amp. I not only gave the
9080 combo a glowing review in the (sadly
defunct) webzine etown.com, but found the
pair satisfying enough to use as the center-
piece of my reference system for several
more years.(The AVP-9080R and AM-9080
were also reviewed in the June 1999 

SGHT

.)

Progress marches on, and the 5.1-

channel 9080 separates I so enjoyed have
been superseded by the 7.1-channel P-965
processor and A-965 multichannel amplifier.
Going full circle, Sherwood recently repack-
aged its flagship 965 separates, combining
the two pieces into a single cabinet to create
the subject of this review, the R-965 AV
receiver.

ULTIMATE AV 

| DECEMBER 2004

Sherwood Newcastle

R-965

B

S P E C I F I C A T I O N S

R-965 AV receiver

Output power, stereo:

120Wpc @ 8Ω,

20Hz–20kHz, 0.05% THD

Output power, surround:

140Wpc @ 8Ω, 1kHz,

0.7% THD, 1 channel or channel pair driven

Signal/noise:

line, 105dB; phono (MM), 80dB 

(IHF A-weighted)

Sound modes:

Dolby:

Virtual Speaker, Headphone, Pro 

Logic II, Pro Logic IIx Music, Pro Logic IIx 

Movie, 5.1, EX

DTS:

96/24, Neo:6 Cinema, Neo:6 Music,

ES Matrix 6.1, ES Discrete 6.1

Other:

Stereo, 7.1-channel analog bypass,

MPEG Multichannel, 13 DSP modes

Video inputs:

Rear: 3 component, 6 S-video,

6 composite. Front: 1 S-video, 1 composite

Video outputs:

Monitor: 1 component, 1 S-video,

1 composite. Record: 2 S-video, 2 composite

Analog audio inputs:

Rear: 1 7.1-channel, 8 L/R,

1 phono. Front: 1 L/R

Analog audio outputs:

9 preamp, 2 L/R

Digital audio inputs:

2 coax, 7 optical (1 on 

front), 1 USB

Digital audio outputs:

1 coax, 1 optical

Other connectors:

1 RS-232C (DB9), 2 IR ins,

1 IR out, 2 12VDC trigger outs, 2 Sherwood 

DigiLink, 2 switched AC outlets

Dimensions:

17.4" 

×

7.8"

×

17.8" (W

×

H

×

D)

Weight:

51.8 lbs

Price:

$1999.95

Sherwood America

(800) 962-3203

www.sherwoodusa.com

Lawrence E. Ullman

> AV RECEIVER

Electronically reprinted from

DECEMBER 2004

www.UltimateAVmag.com

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