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Sequentix Music Systems
P3 Sequencer User Manual
Page 130
This table shows what is happening:
Step
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Pattern A Note
C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4 C4
Aux A enabled
*
*
*
*
Pattern B Note
C5 D5
E5
F5
G5 A5 B5 C6 D6
E6
F6 G6 A6 B6 C7 D7
Track 1 Plays
C5 C4 C4 C4 G5 C4 C4 C4 D6 C4 C4 C4 A6 C4 C4 C4
On each step where
aux A
is
enabled
, and set to
grab note, track 2
, the
current note value
from the
pattern playing on
track 2
replaces the current note value
from the pattern on
track 1
.
This gives a number of possibilities for different effects.
If you set every step in pattern A to
grab note, track 2
, track 1 would play
all the same notes
as track 2.
Only the note values are being grabbed, so if you were to turn off some of the gates in pattern A, it
would double-up some of the notes in pattern B on the track 1 MIDI channel, not play all of them.
This is one use for note grabbing.
Another interesting use is to grab notes from a pattern with a different length.
Return to the example grab patterns, go into
pattern edit
for
pattern B
on
track 2
, and change the
last
step
to step
15
.
As pattern A plays, it will still grab notes from pattern B.
But since the pattern lengths do not match, the notes that are grabbed will shift around on each pass of
the pattern.
With just a few notes grabbed, track 1 will play a pattern that mostly repeats, but chosen steps will run
through a changing sequence of notes over a much longer period.
For another effect, edit pattern B and set the
direction
to
random
.
The notes grabbed by track 1 are different every time – but always randomly chosen from the selection
of notes in the pattern on track 2.
This can be a much more selective way of randomising notes in a pattern than using the basic “Rndmz
note” event.
Experimentation is the key here again.
As you play with these events, you should soon realise some of the apparently complex modulations of
patterns that can be achieved quite simply.
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