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SequentialSystems PRO-ONE 100, Руководство по эксплуатации


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Содержание PRO-ONE 100

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Страница 2: ...PRO ONE SYNTHESIZER OPERATION MANUAL by Stanley Jungleib MODEL 100 S N 1 and up Sequential Circuits Inc 3051 North 1st Street San Jose CA 95134 408 946 5240...

Страница 3: ...routings provided for their interconnection have been well proven in the Pro One s ancestors the Prophet 5 and Prophet 10 polyphonic synthesizers Besides allowing the synthesist to play up to five or...

Страница 4: ...6 SEQUENCER 11 1 7 IN CASE OF DIFFICULTY 12 SECTION 2 FRONT PANEL 2 0 INTRODUCTION 13 2 1 THE VOICE 13 2 2 OSCILLATOR A 15 2 3 OSCILLATOR B 16 2 4 GLIDE 17 2 5 MIXER 17 2 6 FILTER 18 2 7 AMPLIFIER 20...

Страница 5: ...4 4 FUSE 28 SECTION 5 SERVICE 5 0 INTRODUCTION 29 5 1 REMOVING PCB 29 5 2 DAC SCALE 29 5 3 TUNING 30 5 4 AMPLIFIER BALANCE 33 5 5 KEY CONTACTS 33 5 6 DIGITAL INTERFACE 34 5 7 AUTHORIZED SERVICE CENTER...

Страница 6: ...loosen socketed integrated circuits ICs If you expect to transport the Pro One regularly we recommend that you invest in a professional flight case for it These are made by several manufacturers and s...

Страница 7: ...nd system becomes part of the instrument Of course you can use anything you like But if your speakers are muddy and weak so will be your sound Using your home stereo will generally give you good high...

Страница 8: ...and select a factory patch Set the Pro One s controls as closely as possible to the diagram while playing on the keyboard Patching is a fine art be patient Note that there is inherent error in the di...

Страница 9: ...semitone range It is used to easily tune the Pro One to another instrument such as a piano Once set MASTER TUNE is not usually adjusted during performance If no other instrument is in use the MASTER T...

Страница 10: ...tched to RETRIG retriggering mode a GATE will be produced whenever a new key is hit regardless of its position on the keyboard or of the number of keys simultaneously held In other words the last key...

Страница 11: ...evenly you record a Pro One sequence it will always play back with all notes and rests evenly timed The playback speed is controlled by the LFO CLOCK FREQUENCY knob The 40 note memory capacity is divi...

Страница 12: ...witch DRONE on The GATE LED should light If it doesn t either power is not reaching the unit or the internal fuse has blown First check the power source by plugging in other equipment Examine the Pro...

Страница 13: ...signals However by feeding a sufficient amount of FILTER output back to its input with the RESONANCE control the FILTER will become a pitch generator at its CUTOFF frequency The AMPLIFIER stage is als...

Страница 14: ...2 8 9 _I _ _ _ 1 9 1 9 _21 9 1 WHITE NOISE r i I 0 I I 1 1 OSCILLATOR B KYBD 1 _2 4 5 A rL B _ _ _ 1 c I __ _ iW cc i LJ J OH s SHAPE t LO FREQ t j El 34 3 Figure 2 0 VOICE SIGNAL FLOW KYBD CV DO PliC...

Страница 15: ...s an audio frequency source always under control of the keyboard FREQUENCY knob Adjusts initial frequency continuously over a one octave tange OCTAVE rotary switch Transposes initial frequency over a...

Страница 16: ...CY PULSE WIDTH Figure 2 2 OSC B is similar to OSC A except that in addition to being a keyboard controlled audio frequency source it can also be a low frequency modulation source with or without keybo...

Страница 17: ...n a new key is hit with the previous key still held This enables complex tuned pitch bending with one hand 2 5 MIXER MIXER 3 7 21 I 98 3 7 98 3 7 21 I 98 0 10 0 10 0 10 OSC A OSC B NOISE EXT Figure 2...

Страница 18: ...f frequency will increase The components far below the cutoff frequency will be less audible relative to the frequencies being resonated As the setting is increased beyond 7 the filter breaks into osc...

Страница 19: ...a rate set by the RELEASE knob ATTACK knob Varies time for envelope to increase from zero to maximum from 2 milliseconds to more than 6 seconds DECAY knob Varies time for envelope to decrease from ma...

Страница 20: ...Y periods have elapsed 2 8 MODULATION A synthesizer s expressiveness stands on its modulation facilities The Pro One has three modulation sources which are fully mixable and routable over simultaneous...

Страница 21: ...er f u en 0 i1 1 t I I t a c i1 w c 0 w z w t a w I I o o u c rn l rn i i I D Cl I cffJ I iilS ffi c r DJ i I 0 N i LL DJ 0 a t e o ij o t t it 0 l IJ i _ l l i I I 0 Cl z V z 0 cm I 1 N l DJ i co I Q...

Страница 22: ...e amount of modulation mixed into the WHEEL or DIRECT paths by the adjacent ROUTE switches FIL ENV OSC B and LFO ROUTE switches Assign the modulation sources to either the WHEEL or DIRECT paths Each s...

Страница 23: ...velope generators This GATE can also advance the arpeggiator or sequencer when these keyboard controls are selected It overrides both the LFO CLOCK and the GATE CLK IN input see below To enable the ga...

Страница 24: ...nput is enabled by selecting the REPEAT EXT MODE it provides for envelope gating or sequencer or appegiate clocking by an external 5V nominal pulse 3 6 CV IN This jack accepts 0 10 Vde for control of...

Страница 25: ...e must always be completed in the order presented The entire procedure is done by ear without instruments What you will be listening for is often described below by the term zero beat This refers to t...

Страница 26: ...h according to Figure 4 0 Note trimmer names and locations 2 Hit Cl see Figure 1 0 and adjust OSC B FREQUENCY in tune zero beat with OSC A This sets up OSC B for use as a reference 3 Hit CO and adjust...

Страница 27: ...ain adjust OSC B FREQUENCY for zero beat If this required increasing OSC B FREQUENCY to attain zero beat turn OSC B SCALE trimmer clockwise CW a small amount If OSC B FREQUENCY needed decreasing turn...

Страница 28: ...he keyboard cable should be twisted so that the ribbon crosses over the board If correct the numbers 9 16 stamped on the connector will run along the PCB edge 8 Assembly is just the reverse of these s...

Страница 29: ...CB should now lift away from the top panel If not check that the GATE LED is not stuck or cemented 6 Set the PCB on insulation on the bottom panel and reconnect AC and keyboard Switch power on and all...

Страница 30: ...10 0 0 D 10 1 Patch according to Figure 5 0 For component locations see Figure 5 1 2 Turn Rl35 OSC A HI SCALE fully counterclockwise CCW 3 Hit Cl and adjust OSC B FREQUENCY for zero beat 4 Hit CO and...

Страница 31: ...1 11111 Rl28 Rl35 Rl20 OSC A OSC A Rllll Rll38 JlOl OSC A OFFSET SCALE HI TRIH 1VTRIP1 VCA BALANCE Rl40 Rl 48 Rl57 JUMPER Ull3 Rll82 OSC B OSC B OSC B COPTIONAU 8021 OPTIONAL OFFSET SCALE HI TRIM Fig...

Страница 32: ...trimmer clockwise CW a small amount If OSC B FREQUENCY needed decreas turn OSC B SCALE trimmer counter clockwise CCW a small amount 22 Repeat steps 20 and until both ends of the keyboard tunes with ze...

Страница 33: ...9 1 9 9 D 10 0 10 0 10 GLIDE 4 5 7 AUTO O 10 INNIMAL AAPEGGIATE 1 0 10 0 10 0 10 0 10 ENVELOPE KEYHJlltD AMOUNT AMOUNT 2 8 2 8 2 8 2 1 9 1 9 1 1 10 0 10 D 10 0 10 A M P L I F I E R 2 82 2 1 9 1 0 10...

Страница 34: ...epts six data bits DO through D5 This allows the numbers 0 through 63 decimal to convert to over five octaves of keyboard control when latched to the internal digital to analog converter DAC by the po...

Страница 35: ...IRC MUSIC 5911 E 82nd St Indianapolis IN 46218 317 849 7965 PROTOTYPES 10449 Metropolitan Ave Kensington MD 20795 301 942 1731 CMlOO 2 81 RIVERA MUSIC SERVICE 48 Brighton Ave 1111 Allston MA 02134 617...

Страница 36: ...ublishing Sherman Oaks CA Ernst David The Evolution of Electronic Music Schirmer New York NY Helmholtz Hermann On the Sensations of Tone Dover Publications New York NY Strange Allen Electronic Music W...

Страница 37: ...ngle ideal trumpet or bass patch for example because the synthesized sound must usually be heard in a musical context of rhythm melody and harmony The notes played their speed your technique the voici...

Страница 38: ...1 a o 9 1 o 10 9 Try auto glide Try adding OSC B s sawtooth raise MIX OSC B Advancing MOD wheel gives vibrato Adjust LFO AMOUNT MODULATION FRDM TD w n 1 9 DIAECT AMOUNT ROUTE FIL ENV 3 7 WHEEL W 1 0...

Страница 39: ...e MOD wheel Vary LFO rate Try reducing AMPLIFIER SUSTAIN and adjusting DECAY level NORMAL GLIDE with a rate of 6 7 plus wheel modulation gives 1950s sci fi film sound Advance FILTER ENVELOPE AMOUNT FA...

Страница 40: ...le white noise FAOM TO 1 r I DIRECT ROUTE FIL ENV r AMOUNT ROUTE OSC B ROUTE LFO WH 11 DIRD OFF DIR OFF OFF OFF OIAL_C Bass Clav OSCILLATOR A MIXER A rL 3 I 6 7 SYNC 2 8 1 D 1 OSCILLATOR s II _ _ 1 I...

Страница 41: ...OIA lJ 1 9 s 0 SHAPE 0 AMOUNT ROUTE OSC B WH AAPEGGIATE DUI L__J A fL i __ 7 WHEEL OFF r0 2 8 WH II 1 9 DIRECT OFF 1 9 SHAPE SEQ 2 Percussive Organ FILTER t 2 8 2 __ __a 98 s I 0 0 0 ENVELOPE 1 Y80AAO...

Страница 42: ...21 0 8 First hold one key a second then add a third or fourth Latch the arpeggiator or record sequence Adjust LFO CLOCK FREQUENCY Adjust OSC B FREQUENCY which is secondary LFO Adjust AMPLIFIER ATTACK...

Страница 43: ...l _ II 1 I DIRECT _ i 9 I I D 0 10 o 10 j 1 I R DIR OSCILLATOR 8 it A 11 4 ti r1 21 18 I II SHAPE AMOUNT ROUTE DSC B ARPEGGIATE A 11 n GATE 2 8 OFF 0 1 I SHAPE WHn DIR lJ Clarinet FILTER _ s JJ 2 8 I...

Страница 44: ...P L I F I E R i a i I I_ 1 T s m j 9 9 m l 8 2 8 9 I 0 10 Cl 10 Uses LFO as an envelope generator LFO is reset by keyboard trigger when ARPEGGIATE is switched on OSCILLATOR A r_s o m II rL 3 i _r 7 S...

Страница 45: ...0 10 0 10 D 10 AMPLIFIER B GOE 2 8 2 8 2 8 2 8 9 1 9 1 9 1 9 0 10 0 10 0 0 0 10 FROM TO OSCILLATOR A M I X E R F I L T E R 3 7 WHHL 1 0 o 9 DIRECT II MOUNT ROUTE FIL ENV w n 1 g DIRECT AMOUNT ROUTE DS...

Страница 46: ...ating Fifths Tune OSC A a perfect fifth above OSC B Play chords The LFO CLOCK is controlling the ARPEGGIATOR and filter modulation through the filter envelope Change FILTER ENVELOPE AMOUNT and RESONAN...

Страница 47: ...SHAPE ___ _ 9 9 r 9 0 10 0 10 0 10 o s o 10 NORMAL ___ 2 a2 a 2 W a 1 0 0 9 1 s 1 s ENVELOPE AMOUNT KEYBOARD AMOUNT IT i l II n GATE II _ _ __ 9 _ _ ___ _ _ 4_ _ s r s s s 7 9 s 0 10 0 10 10 0 10 0 1...

Страница 48: ...hese panel blanks are provided for you to record your own patches Feel free to reproduce them for your own use For quantities over 100 printing at a quick print shop will often be more economical than...

Страница 49: ...1 I 9 A rL a a a SEQUENCER ARPEGGIATE A L q B Fl 8 J SHAPE I 2 I O C8 El GLIDE j i O llOltMAL 8 8GOE AUTO 31 11 t FROM TO w m _g IIMOUNT ROUTE FtL ENV wan 1 9 DIRECT AMOUNT ROUTE DSC B WH WH a OFFW DI...

Страница 50: ...U 1 9 LJ __J 3tJ 9 D SHAPE 0 10 NOR AL OFF fl SEQ 1 fl t J I I SHAPE FILTER 78 9 _ 1 9 Fi 1 s L 10 NORMAL RATE 2 8 1 9 ODECAY _ 9 B Fl 2 a 2 s 9 1 9 0 10 0 ATTACI DECAY I 9 OSCILLATOR A fl 3 7 SYNC E...

Страница 51: ...i l 0 a 1 I J n I OSCILLATOR B II 11 J WM tl i 3 I T D 1 9 llMaPI LFOICLOCK SEQUENCER v n 11 1 II llMAPE t o 10 n DIC llOIUllllT OSCILLATOR A MIXEA 1 I I 0 0 OSCILLATOR a _ A Tl RICORD 2 f l MAPI U DD...

Страница 52: ...2 8 _ I ______ LJ SHAPE I I 11 SEO 1 R p J B 1 SHAPE I 11 3 0 __ j El 8 2 I a 1 s OSCILLATOR B _ LFO CLOCI I 2 B 0 8 1 1 J I I 11 B B 8 ii 2 8 9 0 El B SEQUENCER AAPEGGIAT 11 BEG 1 M B 8 SHAPE 3 1 _it...

Страница 53: ...LFO OSCA W q o OSCILLATOR _ _ _ _ _ _ _ A rL 8 B 8 1 9 PW SE WIOTH OSCILLATOR A rL 8 8 a SHAPE MIXER 2 81 82 8 1 1 8 O 10 O 10 D 1D OLIO 8 B 8 LFO CLDCK SEQUENCER A rL B B B 8 B B B oE SHAPE OSCILLAT...

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