Schoeps CMC 3U Скачать руководство пользователя страница 7

SCHOEPS

GmbH · Spitalstr. 20 · D-76227 Karlsruhe (Durlach) · Tel: +49 721 943 20-0 · Fax: +49 721 943 2050

www.schoeps.de · [email protected]

Technical Specifications, Electromagnetic Compatibility

Microphone Amplifiers

Amplifier type

Powering

Current

Impedance

Low-cut 

consumption

frequency (-3 dB)

CMC 6U / 6Uxt:

12 V phantom

8 mA 

25 Ohms 

20 Hz 

48 V phantom

4 mA 

35 Ohms

20 Hz

(automatic switchover)

CMC 5U: 

48 V phantom 

4 mA

35 Ohms

30 Hz

CMC 3U:

12 V phantom 

11 mA 

20 Ohms 

30 Hz

CMC 4U: 

12 V parallel 

9 mA 

13 Ohms 

30 Hz

Polarity: Increasing sound pressure on the microphone's 0° axis produces a positive-going voltage 

at pin 2.

Maximum output voltage:

1 V (at 1 kHz and 1 kOhm load resistance)

Minimum recommended load resistance:  600 Ohms (A load resistance below this value will par-

ticularly reduce the maximum output level.)

The other technical specifications depend on the choice of capsule – see page 12 ff.
Length:

116 mm (incl. 3 mm capsule thread)

Diameter:

20 mm

Weight:

65 – 68 g, depending on type

Surface finish: matte gray (g) or nickel (ni)

electromagnetic fields. This is particularly true
for CMC 6 amplifiers made since 2004; they
can be recognized by the gold-colored shield
plate in their output connector. 

Due to the wide dynamic range of studio

microphones, the smallest signal amplitudes
are in the microvolt (1/1,000,000 Volt) range.
Cable shielding and the grounding scheme of
the preamp or mixer input are also crucial.
Thus no microphone can ever be immune to
all possible disturbances under all circumstances.
But the following suggestions can help to
reduce the likelihood of picking up noise: 
1) Keep both the microphone and the cable

away from sources of interference such as
monitors, digital equipment (computers), 
RF emitters (mobile phones), power trans-
formers, power lines, SCR dimmers, switch-
ing power supplies etc.

2) Use only high-quality cables with a high

degree of shield coverage.

3) Keep all cables as short as possible.
4) Dress audio cables away from power cables.

If they must cross, it should be at right angles.

5) At the preamp or mixer input, the shield of

the microphone cable should connect to
chassis ground in the shortest way possible.
If necessary, this coupling can be capacitive.

Simultaneous Connection to Multiple Inputs

If one microphone must be connected to mul-
tiple inputs simultaneously, an active micro phone
splitter should be used in order to preserve
the loading and powering conditions for the
microphone, and to prevent interference. 

Maximum Cable Length 

Cable lengths of several hundred meters are
possible; Colette Series microphones are some -
times used with cables as long as 500 m (over
1/4 mile!). But the practical limit depends on
the electrical capacitance of the cable, which
is sometimes an unknown quantity. The lower
this capacitance is per unit length, the longer
the cable can be. All 

SCHOEPS

cables have

very low capacitance (100 pF/m between the
conductors). 

The main risks with excessively long micro-

phone cables are losses at high frequencies
due to cable capacitance, reduced ability to
handle very high sound pressure levels, and
increased likelihood of picking up interference.

No tes on Electromagnetic Compatibility 

SCHOEPS

CMC microphone amplifiers are 

virtually immune to magnetic, electric and

7

Содержание CMC 3U

Страница 1: ...ications 7 Notes on Electromagnetic Compatibility 7 Block Diagram 8 MK Microphone Capsules 9 Capsule Selection 9 Attaching a Capsule 9 Basic Characteristics of Transducers 10 Suggested Capsules for Sp...

Страница 2: ...uator swivel low cut filter microphone amplifiers 20 capsules in all RC KC Active Tube special version MK DZC GVC KC Active Cable CUT Signal balanced unbalanced TR 200 KCg Active Table Stand RC Active...

Страница 3: ...ly as if it were a miniature micro phone Colette Active Cables are often used to help conceal microphones for film and video production while Colette Active Extension Tubes have become a mainstay of c...

Страница 4: ...3 or 5 is the response at the very lowest audio frequencies The standard version of the CMC 6 has a 12 dB octave rolloff below 20 Hz as a protection against infrasonics while the standard version of...

Страница 5: ...connector or adapter is defective or wired in a non standard way such that one modulation lead of the micro phone is shorted to ground at DC while the powering is on If a microphone is connected to su...

Страница 6: ...ut RS R R C C see note in the text concerning tolerances with XLR 5 stereo microphones Fig 2 To add phantom powering to a balanced grounded transformerless input capa citors must be inserted into the...

Страница 7: ...suggestions can help to reduce the likelihood of picking up noise 1 Keep both the microphone and the cable away from sources of interference such as monitors digital equipment computers RF emitters m...

Страница 8: ...or pin 3 of the XLR input Given the permitted tolerances this voltage should be between 44 and 52 VDC for P48 and between 11 and 13 VDC for P12 Then measure the short circuit current between ground pi...

Страница 9: ...specially true when miking instruments For voice try the MK 4S or MK 4VXS For instruments the omnidirectional MK 2 may be of interest no proximity effect low sen sitivity to popping or solid borne noi...

Страница 10: ...ithout exception are single diaphragm electrostatic trans ducers They fall into two general categories pressure transducers and pressure gradient transducers Many of our capsules combine the two princ...

Страница 11: ...5 D vocalist microphone CMH 64 cardioid Studio MK 4 MK 4V cardioids MK 22 Open Cardioid with pop filter PR 120 S PR 120 SV All instr incl percussion MK 4 cardioid to pick up room sound as well especia...

Страница 12: ...spect to the sound source even though they are omnidirectional With the microphone amplifier CMC 6xt the frequency range of these capsules can be extended to 40 kHz 10 0dB 10 20 10 0dB 10 20 reverbera...

Страница 13: ...dary layer capsules hemispheric directional pattern no coloration of off axis sound Suggested applications Music orchestra including pit orches tra on stage speech BLM 03C Round table discussions Note...

Страница 14: ...mpromise between omni good low frequency response and cardioid consistent directional pattern at all frequencies Suggested applications MK 21 music orchestras spot micro phone vocals speech MK 21H whe...

Страница 15: ...le for music and speech highly consistent polar response 0 axis is at the side of the capsule marked by a red dot Note Though not specifically designed for such use the MK 4V capsule can also be used...

Страница 16: ...consistent polar response 0 axis is at the tip of the capsule Note Though not specifically designed for such use the MK 41V capsule can also be used on the RC Active Tube or the variable angle joint...

Страница 17: ...out proximity effect or undue sensitivity to wind or solid borne sound slightly brighter than the MK 2H omni or MK 4 cardioid Intermediate switch positions are mechanically possible but are not reprod...

Страница 18: ...kup ca 50 cm 20 MK 40 for close pickup ca 50 cm 20 high frequency emphasis for better speech intelligibility in reveberant venues e g churches MK 4VXS for extremely close pickup under 10 cm less than...

Страница 19: ...K 41S supercardioid for close pickup under 50 cm considerable low frequency attenuation compensates for proximity effect suggested application speech in a loud environment Capsules 19 MK 4A for extrem...

Страница 20: ...close pickup 3 mV Pa 29 dB 18 dB 76 dB 144 dB MK 4VXS cardioid close pickup 10 mV Pa 24 dB 14 dB 80 dB 134 dB MK 41S supercardioid 80 Hz 20 kHz 13 mV Pa 24 dB 15 dB 79 dB 132 dB Specifications for Com...

Страница 21: ...y or dusty environments in order to avoid problems of the kind described above Possible Problems Wind Noise and Polar Pattern Noise problems may be a consideration when choosing a microphone pattern d...

Страница 22: ...professional equipment is still designed primarily for use with dynamic micro phones or with earlier less sensitive condenser microphones If an input sensitivity control is available it should be set...

Страница 23: ...sending your defective product for repair please contact your local dealer or dis tributor for instructions In exceptional cases you can by prior arrangement with SCHOEPS send the product directly to...

Страница 24: ...e without notice Not responsible for errors or omissions 131203 Technik Schall SCHOEPS GmbH Spitalstrasse 20 D 76227 Karlsruhe Durlach Germany Tel 49 721 943 20 0 Fax 49 721 943 2050 www schoeps de ma...

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