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TECHNICAL SPECS

40 Hz - 20 kHz
95 dB
121 dB
2x8”
1”
Active 
24 dB / octave
Bass reflex
Birch laminated
2-way, Bi-amp
400 W
22 Kg. / 48.5 lbs.
357 x 415 x 510 mm.

XLR baJack 6.3mm. unbal. ch.3, 4)  
-52 dB
9.4 Kohm

Jack 6.3 mm. unbalanced
-47 dB
820 Kohm

Jack 3.5 mm. st. (ch.6)/ 6.3 mm. unbal.(ch.7)
-10 dBu
44 Kohm (ch.7)

Jack 6.3 mm. unbalanced
0 dBu
200 ohm

XLR balanced
-∞ to +6 dBu
180 ohm

Jack 6.3 mm. unbalanced
0 dBu
180 ohm

Jack 6.3 mm. balanced

Digital with adjustable decay (1s. to 3,7s.)
Delay + rev, 6 delay, voice doubler, 3 chorus, chorus 
+ rev, delay, 3 flanger

Frequency response ..................................................
Sensitivity (1W-1m) ....................................................
SPL max .....................................................................
Woofer .......................................................................
Horn ...........................................................................
Crossover ..................................................................

Box .............................................................................
Construction ...............................................................
System – Format ........................................................
Max Power out ...........................................................
Weight ........................................................................
Dimensions ................................................................

INPUTS

MIC IN (ch. 1, 2, 3, 4)
Connector ..................................................................
Sensitivity ...................................................................
Impedance .................................................................
INSTRUMENT IN (ch. 3, 4, 5)
Connector ..................................................................
Sensitivity ...................................................................
Impedance .................................................................
STEREO IN (ch. 6, 7)
Connector ..................................................................
Sensitivity ...................................................................
Impedance .................................................................

OUTPUTS

LINE OUT
Connector ..................................................................
Level ..........................................................................
Impedance .................................................................
D.I. OUT
Connector ..................................................................
Level ..........................................................................
Impedance .................................................................
AUX OUT
Connector ..................................................................
Level ..........................................................................
Impedance .................................................................

INSERT

Connector ..................................................................

INTERNAL MULTIEFFECT

Reverb .......................................................................
Effects ........................................................................

Содержание ROY

Страница 1: ...ROY combo amplifier for acoustic instruments ...

Страница 2: ... safety purpose of the polarized or grounding type plug A polarized plug has two bla des with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being wal...

Страница 3: ...ould result in feedback Larsen effect and ultimate damage to your device Only use the original connection cables if supplied with the device Otherwise this could prove both costly and inconvenient To completely disconnect this device from the AC mains remove the power cable plug from the mains socket When cleaning do not use solvents e g acetone or alcohol These could damage the external finish an...

Страница 4: ... external systems Add a separate subwoofer to enhance the low frequency ranges of certain instruments or to create a compact 3 way active PA system Connect to a mixing console for larger scale applications The addition of a headphone preamp provides a handy monitoring facility for both live performance and recording applications making ROY a powerful and practical all rounder On the following page...

Страница 5: ...r microphone Most condenser and dynamic microphones along with some preamps can be safely phantom powered In certain cases however phantom power can cause damage to a device This tends to occur with unbalanced microphones preamps or stompboxes that have been modified for balanced XLR use For any doubt please contact us to check the compatibility of your audio device before using the amplifier 1 4 ...

Страница 6: ... for use with a condenser microphone Most condenser and dynamic microphones along with some preamps can be safely phantom powered In certain cases however phantom power can cause damage to a device This tends to occur with unbalanced microphones preamps or stompboxes that have been modified for balanced XLR use For any doubt please contact us to check the compatibility of your audio device before ...

Страница 7: ...k connector with 10V for powering electret microphones 3 4 GAIN This variable gain preamplifier adjusts the sensitivity level to ensure the best possible processing of the INSTRUMENT IN signal through the channel It is important that this input level should be set and optimised in the best way to achieve the cleanest sound possible 3 5 OVERLOAD This LED when lit indicates that the level of the inp...

Страница 8: ...otary control sets the output level on the FX Return 5 1 MASTER Control overall system volume 5 2 MUTE Mute switch cuts the audio on the master 5 3 LOW CUT When engaged this filter cuts all the frequencies below 120Hz This function is ideal if you play an instrument that generates aggressively low frequencies it enables you to connect a subwoofer and prevent unpleasant vibration and possible damag...

Страница 9: ... knob 5 13 REVERB master This control regulates the general level of the digital reverb common to all channels The amount of the effect can be regulated individually for the single channel through the dedicated controls 5 14 DECAY This control regulates the length of the reverb time of the reverb from attack to silence 5 15 MULTIEFFECT This panel shows wich one of the internal digital effects is s...

Страница 10: ...disconnects the ground 6 3 MAIN POWER CONNECTION Connection to mains Fuse carrier 220 230 V 50 Hz 60 Hz T 3 15 A L 250 V 240 V 50 Hz T 3 15 A L 250 V 120 V 60 Hz T 6 3 A L 250 V 100 V 50 Hz 60 Hz T 6 3 A L 250 V PLEASE ENSURE THE PROPER VOLTAGE AND USE THE ORIGINAL CONNECTION CABLE 6 2 6 1 6 3 ...

Страница 11: ...0 ohm Jack 6 3 mm balanced Digital with adjustable decay 1s to 3 7s Delay rev 6 delay voice doubler 3 chorus chorus rev chorus delay 3 flanger Frequency response Sensitivity 1W 1m SPL max Woofer Horn Crossover Box Construction System Format Max Power out Weight Dimensions INPUTS MIC IN ch 1 2 3 4 Connector Sensitivity Impedance INSTRUMENT IN ch 3 4 5 Connector Sensitivity Impedance STEREO IN ch 6 ...

Страница 12: ...RADEMARKS OF SCHERTLER SA SWITZERLAND All SCHERTLER PRODUCTS ARE OF PROPRIETARY TECHNOLOGY AND COVERED BY ONE OF MORE WORLDWIDE PATENTS SIGNAL FLOW XLR CH 1 CH 2 PHANTOM 48 V GAIN OL 3band EQ parametric MID INSERT to MULTIEFFECT to REVERB CH 3 CH 4 XLR JACK GAIN OL INSERT VOLUME VOLUME JACK PHANTOM 10 V reson 150 Hz 240 Hz PHASE GAIN OL 3band EQ VOLUME WARM CH 5 CH 6 JACK STEREO 1 8 JACK CH 7 JACK...

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