CONNECTIONS
Q
What you need
Peripheral equipment (such as monitor, digital video recorder or time-
lapse VCR)
Cables for connecting peripheral equipment and camera (coaxial cables,
connecting plugs)
Power adapter (AC 24 V or DC 12 V)
Q
Supported coaxial cables
You can use any of the following coaxial cables:
RG-59U (3C-2V) Length: 250 m max.
RG-6U (5C-2V) Length: 500 m max.
RG-11U (7C-2V) Length: 600 m max.
When using an RG-59U (3C-2V) cable, do not use it on piping or air
wiring.
Select the cable according to the distance between the devices you wish
to connect.
If you use a cable other than the types above, the image or sync signal
will be attenuated and will not be transmitted correctly.
Q
Making connections
1
Connect the camera and peripheral equipment.
2
Connect the power cable.
<When using an AC 24 V adapter>
Connect 3 wire grounded cable (18AWG or higher) as shown in Figure 1.
<When using a DC 12 V adapter>
Connect the cable as shown in Figure 2.
3
Insert the power adapter plug into the wall outlet.
The POWER indicator (red) lights.
CAMERA INSTALLATION
Q
Camera attachment bracket
The camera attachment bracket can be reconfigured as shown in Figure
“
CAMERA INSTALLATION” above depending on the installation
environment. As per design, use the removed screws.
NOTE:
When monitoring lighting or other extremely bright objects (which exceed
the maximum required illumination), smearing may occur in the vertical
or horizontal direction (either above and below the high-brightness object
or as a perpendicular band). In such a case, adjust the angle of
illumination and other factors while observing the monitor.
When using the camera attachment stand (sold separately), select a
location that will be able to withstand the weight of the camera and stand
for many years, and fix them securely in place.
Q
Flange-back adjustment
This normally does not need adjustment. If the picture is out of focus at the
telephoto position, adjust the flange-back position as described below.
1
Loosen the LOCK screw.
2
Set to the maximum telephoto position
and focus the picture using the focus
ring.
3
Set to the maximum wide-angle
position and focus the picture using
the flange-back adjustment dial.
Repeat steps 2 and 3 if the image does
not stay in focus when changing from
a wide-angle shot to a telephoto shot.
4
When the setting is complete, tighten
the LOCK screw.
CONNECTIONS AND INSTALLATION
EI
HI
CENT
MANU
LL
AI
NORM
MULTI
INT
WB
ATW
BLC
OFF
PHASE
LEVEL
R
B
GND AC24V
DC12V
L
H
GND AC24V
DC12V
VIDEO OUT
POWER
CONNECTIONS
Monitor
Digital video recorder
or time-lapse VCR
: VIDEO IN
CAMERA INSTALLATION
Camera screws (Shorter)
CAMERA ADJUSTMENTS/SETTINGS
AC 24 V connection
3
3
2
1
DC 12 V connection
2
: VIDEO OUT
Bracket screws (Longer)
To prevent a fire hazard use any
UL listed wire rated VW-1 for the
AC 24 V input terminal.
Figure 1
Check that the polarity is correct.
Figure 2
LOCK
CAMERA ADJUSTMENTS/SETTINGS
The camera comes pre-adjusted and ready to install at time of factory
shipment, but you may want to make adjustments or settings to adapt to the
operating conditions or installation environment.
If you have trouble adjusting the camera, consult your dealer or an
Authorized Sanyo Service Center.
(
= Factory default setting)
Iris setting
Change iris setting when using either lens below.
NOTE on EI setting:
If fluorescent lighting is used where the camera is installed, the object will
flicker as a result. This type of phenomenon can be avoided by replacing
the fluorescent lighting with incandescent lamps.
If the light entering the lens exceeds the maximum required illumination,
the image cannot be displayed properly. In that case, manually adjust the
lens iris.
Gain control
For adjusting the sensitivity of the camera. Use this setting for shooting in
dark environments.
NOTE:
The HI setting causes noise generation and a grainy image.
BLC: Backlight compensation
This camera has three different backlight compensation modes. Change
the mode to match the backlight condition.
NOTE on multi-spot metering:
If the background of the object is extremely dark, set to “Center-weighted
metering mode.”
WB: White balance (color compensation)
Sync setting
(Only when using an AC 24 V adapter)
NOTE:
When using a DC 12 V adapter, the sync setting is set to Internal sync.
ADJUSTMENTS AND SETTINGS
EI
(for indoor use)
When using a manual or fixed iris lens and the electronic iris function
is on.
• Set the lens aperture to the shortest F stop.
AI
When using an auto-iris lens.
If the entire image is too dark or too bright, adjust the contrast using
the LEVEL dial.
• L (Counterclockwise): Closes the lens iris, making the entire image
darker.
• H (Clockwise): Opens the lens iris, making the entire image brighter.
HI
Increased sensitivity allows shots to be taken in dark environments.
NORM
Normal setting
Multi-spot metering, normal mode:
When applying backlight compensation
to the entire screen.
Multi-spot metering, high mode:
When applying more backlight
compensation than normal mode.
Center-weighted metering mode:
When applying backlight compensation
to only the central portion of the screen.
OFF
This function is off.
1
2
3
MANU
Lets you fine-tune the white balance manually.
WB
• R (Red) dial : Turn clockwise to augment screen red.
• B (Blue) dial : Turn clockwise to augment screen blue.
ATW
Compensation is performed automatically.
LL
Line-Lock: Synchronizes the unit with power frequency when two or more
cameras are connected via a switcher unit.
When the image on the monitor rolls vertically, adjust the phase.
• If using this unit as the second or subsequent camera;
Adjust the roll by turning the PHASE dial.
• If using this unit as the first camera;
Adjust the roll using the phase adjuster on the second and subsequent
cameras.
INT
Internal sync
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