Samson MDR MDR 6 Скачать руководство пользователя страница 15

13

Operating the MDR6

USING AN EXTERNAL EFFECT

If you want to use an external device for effects processing,
you can easily connect the unit using the MDR6 AUX bus.
Follow the simple steps below to interface your processor:

1. Set the L/R mix faders to the "0" position.

2. Raise the AUX RETURN knobs for the channels to which

you want the external effect to be applied.

3. Set the input level of the external effect so that the sound is

not distorted and so that the effect’s input meter does not
indicate a clipped signal.

4. Use the AUX control to adjust the level of the effects

processed by the external effects device.

PLAYING BACK A CD USING 2T to RETURN

The MDR6 has a dedicated input for playing back a CD, Tape
or Mini Disk, which is heard in the Control Room and
Headphone outputs.  Below is a description of how you can

play back a CD, Tape or MD using the MDR6’s 2 TRACK INPUT. 

Turn the CONTROL ROOM level control all the way down.

Adjust the 2T to RETURN level control a bit below the "O " position.

Start playback on the CD, Tape or MD player. 

Now raise the CONTROL ROOM level until you
reach a comfortable listening level. 

For more information see the section "Mixing a 2-track with the
Stereo MIX" on page 8 in this manual.

RECORDING A MIX FROM THE MDR6

You can record the audio from the MDR6’s mixer section
including the MIC, LINE, TAPE IN and AUX inputs to a
Cassette deck, MD, DAT or any other type of recorder using
the 2 Track outputs.  Simply connect the MDR6’s 2-Track
OUT to the input jacks of the recorder as shown in the dia-
gram to the right.

OUTPUT

DAT RECORDER

RECORD
INPUT

L

R

L

R

L

R

MIX

MONO

MONO OUT

AUX OUT

AUX RET

LEFT/MONO

RIGHT

CR OUT

LEFT

RIGHT

MIX OUT

LEFT

RIGHT

AUX RETURN

C/ROOM

+PHONES

LEFT

RIGHT

LEFT

RIGHT

2T IN

2T OUT

HDR

MIX/2T

5

0

10

5

0

2TK TO RETURN

5

0

10

10

5

0

10

MASTER SECTION

MASTER SECTION

10

5

0

10

5

20

30
40

10

5

0

10

5

20

30
40

10

5

0

10

5

20

30
40

15

15

15

M A X I M U M   D Y N A M I C   R A N G E

M A X I M U M   D Y N A M I C   R A N G E

PEAK

+6

0

-6

-20

POWER

48V

_

_

_

_

_

_

_

_

_

_

_

_

Signal Processor

INPUT

LEFT
OUTPUT

RIGHT
OUTPUT

MONO

MONO OUT

AUX OUT

AUX RET

LEFT/MONO

RIGHT

CR OUT

LEFT

RIGHT

MIX OUT

LEFT

RIGHT

AUX RETURN

LEFT

RIGHT

LEFT

RIGHT

2T IN

2T OUT

MIX/2T

BAL

HF

12K

10

5

MF

2.5K

10

5

LF

80Hz

10

5

5

0

10

5

0

10

2TK TO RETURN

5

0

10

AUX

0

10

5

10

5

10

5

10

5

M A X I M U M   D Y N A M I C   R A N G E

HARD

DISK

6

MASTER SECTION

MODE

MASTER SECTION

PEAK

+6

0

-6

-20

POWER

48V

SENDING AN INDEPENDENT MIX TO THE MONITOR SPEAKERS

The MDR6’s AUX send can be used to feed a separate set of amplifiers and loudspeakers for stage monitors.
This lets you build one stereo mix for the amplifiers and speakers facing the audience and the other mono mix for
the amplifiers and monitor speakers facing the musicians. 

1. Raise the AUX controls for the channels that you wish to hear from the monitor speakers.

NOTE: The AUX controls are "PRE-FADER SENDS" which means they are not affected by the FADER
level settings of each channel. This allows you to create a mix for the monitors that is independent of the
main LEFT and RIGHT MIX.    

2. In order to get the most gain from your monitor mix, use an external graphic equalizer like a Samson E31i to

cut out any frequencies that cause feedback.

PAN

0

15

15

0

AUX RETURN

PAN

0

15

15

0

BAL

0

15

15

0

BAL

0

15

15

0

5

0

10

AUX

0

10

AUX

0

10

AUX

0

10

AUX

0

10

HARD

DISK

MODE

PEAK

+6

0

-6

POWER

48V

Содержание MDR MDR 6

Страница 1: ...0 L R HF 12K 0 15 10 10 5 5 15 MF 2 5K 15 10 10 5 15 0 5 0 LF 80Hz 0 15 10 10 5 15 5 0 5 0 10 5 0 10 2TK TO RETURN 5 0 10 5 0 10 AUX 0 10 AUX 0 10 AUX 0 10 AUX 0 10 GAIN CLIP GAIN CLIP 3 L 4 R 5 L 6 R...

Страница 2: ...objects have fallen into the unit the unit has been exposed to rain or moisture does not operate normally or has been dropped PRECAUCION Para reducir el riesgo de incendios o descargas no permita que...

Страница 3: ...9 MDR6 Input and Output Connections 10 11 Operating the MDR6 12 15 System Set ups 16 17 MDR6 Wiring Guide 18 Specifications 19 Block Diagram 20 Copyright 2001 Samson Technologies Corp Printed May 2002...

Страница 4: ...nstructions for its setup and use and full specifications You ll also find a war ranty card enclosed please don t forget to fill it out and mail it in so that you can receive online technical support...

Страница 5: ...d construction ensure reliable performance from venue to venue and session to session Three year extended warranty _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _...

Страница 6: ...30 40 10 5 0 10 5 20 30 40 15 15 10 5 0 10 5 20 30 40 10 5 0 10 5 20 30 40 15 15 10 5 0 10 5 20 30 40 10 5 0 10 5 20 30 40 15 15 10 5 0 10 5 20 30 40 10 5 0 10 5 20 30 40 15 15 10 5 0 10 5 20 30 40 1...

Страница 7: ...Right main Mix output connectors 16 AUX OUT Line level output from the Auxiliary bus 17 MONO OUT The Left and Right main Mix outputs are summed together to a monaural signal and sent out this connecto...

Страница 8: ...ontrol to keep this LED from staying on CHANNEL EQUALIZER The MDR6 input channels feature a 3 band equalizer allowing you to adjust the high mid and low frequencies independently on each channel The c...

Страница 9: ...ce there s a 3dB increase in gain when the mono input signal is heard in both the Left and Right MIX bus RECORD The RECORD switch is used when operating the MDR6 s HDM HARD DISK MODE If HDM in the mas...

Страница 10: ...ISK MODE and is used to interface with a computer based hard disk recorder When turned on the channel RECORD switches are activated for special bussing and monitor ing features For more information on...

Страница 11: ...asionally MIX 2T The MIX 2T switch selects the signal source that you are monitoring in the CONTROL ROOM and HEAD PHONE outputs When the switch is in the up posi tion the signal source is from the LEF...

Страница 12: ...a utility MIC input located on the Combie connector The utility MIC inputs have a nominal operating level of 50dB through 20dB The MIC inputs also feature 48V phantom power allowing you to use condens...

Страница 13: ...ve the same output as the L R MIX however the level can be adjusted independently from the main mix using the C ROOM HEADPHONES control LEFT RIGHT MIX In a live sound application the LEFT RIGHT MIX ou...

Страница 14: ...sition 6 While speaking into the mic or playing the instrument adjust the channel Fader control so that the 0 LED of the MAIN section peak level meter lights occasionally 7 You can shape the tone of e...

Страница 15: ...R L R L R MIX MONO MONO OUT AUX OUT AUX RET LEFT MONO RIGHT CR OUT LEFT RIGHT MIX OUT LEFT RIGHT AUX RETURN C ROOM PHONES LEFT RIGHT LEFT RIGHT 2T IN 2T OUT HDR MIX 2T 5 0 10 5 0 2TK TO RETURN 5 0 10...

Страница 16: ...osition For this example we ll first record a rhythm track sequence from a MIDI keyboard any stereo track will do then do an overdub If you are using an imported loop or internal sequencer skip the Re...

Страница 17: ...indicating the channel is assigned to the RECORD bus 5 Raise the Channel 1 fader to the nominal area 0 6 Now test your listening level by pressing PLAY on your hard disk recorder and by slowly raisin...

Страница 18: ...T IN 2T OUT MIX 2T PAN 0 L R HF 12K 0 15 10 10 5 5 15 MF 2 5K 15 10 10 5 15 0 5 0 LF 80Hz 0 15 10 10 5 15 5 0 30 BAL 0 L R HF 12K 0 15 10 10 5 5 15 MF 2 5K 15 10 10 5 15 0 5 0 LF 80Hz 0 15 10 10 5 15...

Страница 19: ...ONITOR INPUT SIGNAL FLOW SIGNAL FLOW Samson S phone Headphone amplifier 5 10 OFF MASTER VOLUME INJECT MASTER LEVEL dB 30 18 12 24 6 6 CLIP 0 CHANNEL 1 CHANNEL LEVEL dB 30 18 12 24 6 3 CLIP 0 MUTE ON S...

Страница 20: ...Hot 2 Cold 3 Common 1 Common Hot Cold Hot 2 Cold 3 Common 1 Common Solder Points End View End View Solder Points 1 2 3 2 1 3 Unbalanced 1 4 Connector XLR Balanced Wiring Guide The are several ways to...

Страница 21: ...to Aux Send 74 dB Line to Aux Send Stereo Ch 34 dB Residual Noise 30 kHz LPF all control Min Main 89 dBu Aux Send 86 dBu Crosstalk 1 kHz w 30 kHz LPF Ch vs Ch 75 dB Input vs Output 87 5 dB Peak LED S...

Страница 22: ...rim Equalizer Volume AUX Balance PEAK LEFT MONO RIGHT Ch 2 Input 48 Trim Equalizer Volume AUX Pan Record PEAK Mic Line Ch 1 Input 48 Trim Equalizer Volume AUX Pan Record PEAK Mic Line 2 TK L 2TK R log...

Страница 23: ......

Страница 24: ...22 Samson Technologies Corp 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

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