13
C•que 8 Connections
CUE MIX SET-UP FOR MULTITRACK RHYTHM SECTION RECORDING
RHYTHM SECTION AND BACKING TRACKS MIX
FROM CONSOLE AUX SEND
SIGNAL FLOW
Bass Guitar
Fr
om M
ix
er Dir
e
c
t Out
Rh
ythm Guitar
Fr
om M
ix
er Dir
e
c
t Out
L
ead Guitar
Fr
om M
ix
er Dir
e
c
t Out
Keyboar
ds
Fr
om M
ix
e
r Dir
e
c
t Out
SIGNAL FL
OW
MAIN
INJECT
VOLUME
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3
CH 4
4 CHANNEL
HEADPHONE AMP
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
0
101
0
0
101
0
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3
C
H 4
4 CHANNEL
HEADPHONE AMP
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3
C
H 4
4 CHANNEL
HEADPHONE AMP
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
0
101
0
0
101
0
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3
C
H 4
4 CHANNEL
HEADPHONE AMP
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
SIGNAL FL
OW
SIGNAL FL
OW
SIGNAL FL
OW
01
0
BALANCE
LR
01
0
01
0
01
0
01
0
VOLUME
01
0
BALANCE
LR
01
0
01
0
01
0
01
0
VOLUME
01
0
BALANCE
LR
01
0
01
0
01
0
01
0
VOLUME
01
0
BALANCE
LR
01
0
01
0
01
0
01
0
TO
RIGHT
LINE INPUT ON
REAR P
ANEL
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
•
que 8’s. The complete mix for all the
musicians is sent via the console’s auxiliary send to the C
•
que 8’s RIGHT LINE input and daisy-chained from unit to unit. Then signal from each instrument is con-
nected from the console’s direct outputs to each of C
•
que 8’s master INJECT inputs using a mono 1/4-inch (TIP/SLEEVE) cable. (By using a mono 1/4-inch cable only
the Left Inject input is connected). The C
•
cue 8’s are set to 2-channel mode, so that the BALANCE controls the level difference between the backing tracks and indi-
vidual instruments. This allows the lead vocalist or musician to dial up his or her own track for a “more me” mix.
Содержание Cque 8
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