Rupert Neve Designs Portico 5016 Скачать руководство пользователя страница 9

5016 MIC PRE/DI

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The D.I. and LINE channel of the Rupert Neve Designs Portico ™ 5016

The D.I. and Line Preamplifier Channel is completely separate from the Microphone Preamplifier 

Channel housed in this Portico™ 5016 half rack 1U module.

The Channels may be used separately without interaction but the real power of the 5016 lies in the 

Variable Phase feature incorporated into the D.I. Channel that enables a musical Instrument to be 

phase-aligned with a voice signal from the microphone input on the Microphone Channel when the 

microphone and D.I. signals are later mixed.

The D.I. and LINE channel.

The D.I. Input.

With  a  few  notable  exceptions,  musical  instrument  pickups,  need  to  work  into  a  very  high  load 

impedance.  Great care is needed to ensure that the connecting cable and the method of connection 

does not allow introduction of interference or hum.  High quality connecting Plugs should be used 

(and kept clean!). The cable should be a "low noise", "low capacitance" type and, preferably, not 

more than about 20’ (6 Metres) long.

For these reasons the Portico™ 5016 D.I. is fitted with a T.R.S. (Tip-Ring-Sleeve) "Jack" input on 

the front panel.  The input circuit is a "T.L.A.", amplified transformer configured to provide a very 

high input impedance; 3 Megohms, between the Tip and Ring legs and an even higher impedance 

between each leg, (Tip or Ring) and Ground.  In this way, although the source (the pickup) is not 

usually balanced, many of the isolation and grounding benefits of a balanced input are obtained 

from the Transformer together with the sweet musical character that stems from the elimination of 

those extremely low level, out-of-band distortion and noise artifacts that cannot be heard but which 

can intrude subliminally into equipment that is not so uniquely protected. 

Either a T.R.S. (Tip-Ring-Sleeve)  or a Single Pole "Plug" may be used, depending on the pickup.  

(see wiring diagram)

For  historical  reasons  unbalanced  connections  have  become  the  norm  with  musical  instrument 

pickups.    Combining  very  high  impedance  with  the  unbalanced  circuit  topology  constitutes  a 

considerable challenge to the designer who has to ensure the highest possible music signal quality 

under all conditions.

The Line Input

Keyboards,  Synthesizers  and  some  low  impedance  Instrument  Pickups  generally  require  a  much 

lower load impedance.  However they are often unbalanced and need less gain.   Similar care is 

needed  to  ensure  that  the  connecting  cable  and  the  method  of  connection  does  not  allow 

introduction of interference or hum.  

The  Line  Input  is  on  the  back  panel,  with  direct  connection  to  the  balanced  and  floating  input 

transformer  -  no  T.L.A.  being  necessary  -  the  full  advantage  of  the  Portico™  Line  input 

Transformer is here used to the full, connection being made via a professional XLRF connector.

The Line Input should be used in balanced configuration when possible.

Содержание Portico 5016

Страница 1: ......

Страница 2: ...coffee alcoholic or other drink the sugars and acids will have a very detrimental effect Sugar crystals act like little rectifiers and can produce noise crackles etc SWITCH OFF IMMEDIATELY because on...

Страница 3: ...usical performance Power Switch Disconnects supply from internal power converters PorticoTM Bussing System Connect as many units together as you d like to create your own mixes using optional bussing...

Страница 4: ...5285 RM This leaves a 3 wide space that can be used to house a power supply or other future modules The vertical frame assembly is designed for rack mounting and includes basic rear cable management B...

Страница 5: ...e used great care must be exercised to avoid ground loops and common signal paths Reduced immunity from various forms of interference can be tolerated sometimes but usually results in a loss of that t...

Страница 6: ...g volts and virtual starvation of the little pre amp inside the microphone Nevertheless amazingly good microphones were designed and made becoming the familiar product we use today If a low value resi...

Страница 7: ...vintage modules The SILK button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance We suggest you try it and make your own judgment TO BUSS P...

Страница 8: ...n switch If hum or buzz should be heard which might be caused when a separately powered and grounded guitar or instrument is connected a Push Button on the front panel lifts the Portico 5016 D I inter...

Страница 9: ...Tip or Ring and Ground In this way although the source the pickup is not usually balanced many of the isolation and grounding benefits of a balanced input are obtained from the Transformer together wi...

Страница 10: ...ctronic keyboard and these issues are only exacerbated when the microphone is recording an amplified loudspeaker These phase cancellations and additions can be especially detrimental to the low end re...

Страница 11: ...s inputs on 5043 at the internal system level of 2 5 dBu Maximum Output Level Maximum output from 20 Hz to 40 kHz is 24 dBu Mute Mutes Main Output only Phantom Power 48 Volts DC 1 Total Harmonic Disto...

Страница 12: ...ance DI 3 Meg Ohm LINE 10 000 Ohm Total Harmonic Distortion Noise Main Output unity gain 1 kHz 20 dBu output Better than 0 001 40 Hz 20 dBu output Better than 0 020 Variable Phase Rotates the phase of...

Страница 13: ...INPUT TRANSFORMER TRIM 6dB OUTPUT TRANSFORMER MIC IN METER BLOCK DIAGRAM EQUALIZER LOW MID HIGH LINE IN 12 VARI PHASE TO BUSS BUSS OUT GROUND LIFT INPUT TRANSFORMER TRIM 10 30dB 0 20dB LINE OUTPUT TRA...

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