background image

Introduction

Congratulations on your purchase of a Royer Labs model R-101 ribbon microphone. The R-101 
is  a  handcrafted  precision  instrument  capable  of  delivering  superior  sound  quality  and 
exceptional performance.

This operator’s manual describes the R-101,  its function and method of use. It also describes the 
care and  maintenance required to  ensure  proper operation  and long service life. The  user  guide 
section of this manual offers practical information that is designed to maximize  the performance 
capabilities of this microphone.

Royer  Labs  products are  manufactured to the  highest  industrial  standards using  only the  finest 
materials  obtainable.  Your  model  R-101  went  though  extensive  quality  control  checks  before 
leaving the factory. Normal care is all that is required to assure a lifetime of trouble-free service.

Please  read  the  manual  thoroughly  in  order  to  become  familiar  with  all  of  the  R-101’s 
capabilities.  It  will  assist  you  in  making  the  most  of  your  microphone’s  superior  acoustic 
properties.  This  owner’s  manual  is  a  handy  reference  guide  and  we  suggest  you  refer  to  it 
whenever questions arise on the use and care of your R-101 ribbon microphone.

Description

The  R-101  is  a  bi-directional  (figure-eight)  velocity  type  ribbon  microphone  designed  for 
professional applications. The figure-eight pick-up pattern allows the R-101 to be addressed from 
either  side  with  equal  sensitivity.  The  in-phase  signal  is  achieved  when  the  microphone  is 
addressed from the front, indicated by the “ROYER” logo.

The  R-101  is  reasonably  tolerant  to  shock  and  vibration,  and  performance  is  unaffected  by 
changes in temperature or humidity. However,  ribbon microphones are somewhat more sensitive 
to  direct  blasts  of  air,  and  the  R-101  is  no  exception  to  this  rule.  Discretionary  use  of  a 
windscreen or  pop screen,  such as the Royer PS-101,  or equivalent,  is highly recommended for 
close-miking vocalists or certain types of percussion and wind instruments.

 

Applications

The  Royer  Labs  model  R-101 is  a  versatile  microphone  and is  ideally  suited  for  many  critical 
recording applications. Its smooth frequency response characteristics and ability to capture detail 
make  it  a  fine  choice  for  many  instruments,  as  well  as  for  general  broadcast  applications.  Its 
gentle  low-frequency proximity  effect  makes  it  especially useful  for announcers  and vocalists. 
Female  vocalists  often  benefit  from  the  R-101’s  ability  to  capture  high  frequencies  without 
distortion  or  edginess.  Orchestral  instruments are  captured  in  a  natural-sounding way  and  free 
from  microphone-induced  hype.  The  R-101  has  exceptionally  smooth  high  frequency 

3

Содержание R-101

Страница 1: ...Royer Labs Model R 101 Mono Ribbon Velocity Microphone Operation Instructions Manual User Guide Assembled in U S A ...

Страница 2: ...7 Finding and Working with the Sweet Spot 7 Other Types of Microphones 8 Proximity Effect and Working Distance 8 The Sound That Is More Real than Real 8 Microphone Techniques 10 General Tips for Using the Royer R 101 10 Recording Loud or Plosive Sounds 11 Stereophonic Microphone Techniques 13 Classic Blumlein Technique 13 Mid Side M S Technique 13 Care Maintenance 15 Features 15 Electrical Specifi...

Страница 3: ...tional figure eight velocity type ribbon microphone designed for professional applications The figure eight pick up pattern allows the R 101 to be addressed from either side with equal sensitivity The in phase signal is achieved when the microphone is addressed from the front indicated by the ROYER logo The R 101 is reasonably tolerant to shock and vibration and performance is unaffected by change...

Страница 4: ...here are a few important facts about ribbon microphones that are key in understanding how to use them intelligently 1 The R 101 is a side address bi directional microphone and its rejection in the dead areas is very strong Due to this directionality the R 101 should be placed at 1 3 times the distance normally used with omni directional microphones or about the same distance used for cardioid micr...

Страница 5: ...ld likely continue to operate but performance could be compromised and re ribboning the microphone would be necessary to restore normal operation Amplification Considerations The performance of any non active ribbon microphone is directly affected by the microphone preamplifier it is paired with With so many mic preamps on the market how do you select one that gives the best possible performance w...

Страница 6: ...ed for efficient operation of a ribbon microphone the noise characteristics of the preamp play a pivotal role in overall performance of the captured acoustic event 3 Load characteristics A suitable preamplifier should have input characteristics that impose the least amount of loading on the ribbon element In other words the input impedance should be high enough that its effect on the performance o...

Страница 7: ... amplifiers and alternating current motors are the most likely sources of radiated noise Building wiring and electrical utility transformers are other likely sources A well designed microphone provides shielding to minimize the effects of stray magnetic radiation but complete isolation is impossible and the result can be hum or buzz Ribbon microphones can potentially manifest this condition to a g...

Страница 8: ...ng of highs as the microphone is moved away from the sound source 3 Variation in ratio of direct to reverberant sound 4 Tendency of a microphone to favor the nearest sound source due to a combination of these items plus the influence of inverse square law Inverse square law states that for each halving of source to microphone distance the sound pressure level quadruples Other Types of Microphones ...

Страница 9: ...n advantage is to make things sound more real than real For example many voices and certain musical instruments produce fundamental frequencies within the bass range below 150Hz or so but the fundamentals are weak If a microphone which has no proximity effect and a rising high frequency response is used on an upright piano or on a person with a thin weak voice the recorded sound is likely to sound...

Страница 10: ...y sweet and clean when recorded with R 101s Place the microphone several feet from the instrument For larger string sections try placing the microphone slightly above the instrumentalists and angled down a distance of three or four feet will do the trick nicely Pianos sound excellent when recorded with R 101s and are free of phase related comb filtering The bass is full and rich while the top rema...

Страница 11: ... the enemy Air movement is far more damaging to ribbon microphones than high SPL s Some sound sources can generate powerful blasts of air that should be avoided Kick drums and electric guitar and bass amplifiers are typical examples of sound sources that can produce harmful air currents One way to determine if the air pressure is excessive is to place your hand in front of the sound source the kic...

Страница 12: ... the microphone s pickup pattern sound will not be affected 3 Side View of Kick Drum Miking Technique A Close miking angle mic so the sound pressure wave is off axis B Standard miking position 4 Horizontal Positioning Technique Applied to kick drum similar to that utilized for other loud or percussive instruments 12 ...

Страница 13: ... i e each displaced 45 degrees from center Figure 1 Classic Blumlein or coincident miking technique Each microphone ultimately feeds one speaker in a stereo system and due to the directionality of the microphones the result is a very well defined stereo effect on playback For classical music particularly the reproduction can be very satisfying Mid Side M S Technique In the early days of stereo rad...

Страница 14: ...ivering a wide stereo image As you reduce the level of the side microphone the width of the stereo image will narrow until with the side microphone turned all the way down you have just the mid mic panned center for a mono pickup If the outputs of the mid and side microphones are recorded on separate tracks the electrical connections shown in Figure 3 can be made at the mixer outputs and the adjus...

Страница 15: ... microphone to liquids or caustic smoke 4 To avoid hum do not expose the microphone to strong alternating electromagnetic fields such as the power transformers in amps 5 Use a soft cloth to clean the microphone body A small amount of denatured alcohol can be used to remove fingerprints and other stains 6 Keep metal filings away from the microphone at all times 7 When not in use store the microphon...

Страница 16: ...d Compact size Electrical Specifications Acoustic Operating Principle Electro dynamic pressure gradient Polar Pattern Figure 8 Generating Element 2 5 micron aluminum ribbon Frequency Range 30HZ 15 000HZ 3dB Sensitivity 48 dBv Ref 1 v pa Output Impedance 300Ω nominal balanced Rated Load Impedance 1500Ω or greater Maximum SPL 135dB Output Connector Male XLR 3 pin Pin 2 Hot All Royer monaural microph...

Страница 17: ...embly Stainless steel internal baffle and dampener Weight 483g 17 oz Weight with Case 3 lbs 1 4Kg Dimensions 200mm L X 36mm W 7 9 L X 1 4 W Finish Matte Black Accessories shock mount aluminum case protective mic sock Optional Accessories pop screen To learn more about Royer products and their usage visit our website at www royerlabs com 17 ...

Страница 18: ...Polar Pattern Frequency Response 18 ...

Страница 19: ...om the date of original purchase and for the respective periods specified above Royer Labs will repair all Royer Labs products which are defective in material and workmanship EXCLUSIONS This warranty does not cover the following 1 Defects or damage caused by accident fire flood lightning or other acts of nature 2 Defects or damage caused by abuse misuse negligence or failure to observe the instruc...

Отзывы: