Roland VS-2480CD, Технические характеристики, Страница: 5 / 5

O P T I O N S
Visit us online at www.Roland.com
Printed in Japan FEB. 2004 RAM-3789 COR-GEN-SE BG-3
All specifications and appearances are subject to change without notice.
All trademarks used in this catalog are the property of their respective companies.
(0dBu=0.775Vrms)
●
Tracks
●
Sample Rate
● Recording Mode
●
Maximum Simultaneous
Recording / Playback Tracks
●
Maximum Useful Capacity
● Recording Time
(at 10GB Partition, conversion
in 1 track, unit: minutes)
●
Frequency Response
●
Projects
●
Marker
● Locator
●
Scene
●
Undo/Redo
●
Nominal Input Level
(variable)
●
Input Impedance
●
Nominal Output Level
● Output Impedance
●
Recommended Load
Impedance
●
Residual Noise Level
(input terminated with
1k
Ω
, INPUT SENS:
LINE, IHF-A, typ.)
●
EQ
● Dynamics Processor
●
Effects
● Display
● Hard Disk Drive
●
DVD Multi-Drive (VS-2480DVD)
<
Slim DVD MULTI Drive Built-
in Type
>
●
CD-R/RW Drive (VS-2480CD)
● Interface
●
Connectors
● Power Supply
● Power Consumption
●
Dimensions
● Weight
(VS-2480DVD/2480CD each)
● Accessories
Tracks: 24
V-Tracks: 384 (16 V-Tracks per each Track)
96.0 / 88.2 / 64.0 / 48.0 / 44.1 / 32.0 kHz
* Adjustable range with vari-pitch function
22.00kHz-98.00kHz (at 96kHz)
22.00kHz-50.00kHz (at 48kHz)
Mastering 24-bit (M24), Multitrack Pro (MTP),
Mastering 16-bit (M16), CD Writing (CDR), Multitrack 1 (MT1)
Multitrack 2 (MT2), Live 1 (LIV), Live 2 (LV2)
• Sample Rate 48/44.1/32kHz
16 tr. Rec / 16 tr. Play (M24, M16, CDR)
16 tr. Rec / 24 tr. Play (MTP, MT1/2, LIV, LV2)
• Sample Rate 96/88.2/64kHz
8 tr. Rec / 8 tr. Play (M24, M16, CDR)
8 tr. Rec / 12 tr. Play (MTP, MT1/2, LIV, LV2)
* Depending on the organization of the song data or the disk drive
performance etc., the number of tracks which can be simultaneously
recorded or played back may be limited.
910GB: 10GB (Capacity) x 13 (Partition) x 7 (Disk Drive)
96.0kHz: 20Hz – 40kHz (+0dB/-2dB)
88.2kHz: 20Hz – 40kHz (+0dB/-2dB)
48.0kHz: 20Hz – 22kHz (+0dB/-2dB)
44.1kHz: 20Hz – 20kHz (+0dB/-2dB)
32.0kHz: 20Hz – 14kHz (+0dB/-2dB)
200 projects in each partition
1000 per project
100 (10 x 10 banks) per project
100 (10 x 10 banks) per project
999 Undo / 1 Redo
Input 1-8: -64 to +14dBu
(m26dBu: balanced, m20dBu: unbalanced)
Input 9-16: -64 to +14dBu
(m26dBu: balanced, m20dBu: unbalanced)
Guitar (Hi-Z): -64 to +14dBu (m20dBu)
Input 1-8 : 40k
Ω
(balanced)
Input 9-16: 40k
Ω
(balanced)
Guitar (Hi-Z): 1M
Ω
Master Out: +4dBu (balanced)
AUX A (L, R): +4dBu (balanced)
AUX B (L, R): +4dBu (balanced)
Monitor Out: +4dBu (balanced)
Master Out: 600
Ω
AUX A (L, R): 600
Ω
AUX B (L, R): 600
Ω
Monitor Out: 600
Ω
Phones: 22
Ω
Master Out: 10k
Ω
or greater
AUX A (L, R): 10k
Ω
or greater
AUX B (L, R): 10k
Ω
or greater
Monitor Out: 10k
Ω
or greater
Phones: 8 - 600
Ω
Master Out: -88dBu or less
AUX A: -88dBu or less
AUX B: -88dBu or less
Monitor Out: -88dBu or less
4-band (2 sh 2 peaking)
*Useful simultaneously at up to 48ch in both Input Mixer and Track Mixer.
Compressor, Expander
*Useful simultaneously at up to 48ch in both Input Mixer and Track Mixer.
ComExpander
*Useful simultaneously at up to 24ch in Input Mixer or Track Mixer.
*If this type is used at Mixer section, Dynamics cannot be used in the
other Mixer.
Maximum 8 stereo
(One pre-ins 3 more optional Effect Expantion Boards)
320 x 240 dots Graphic LCD (with backlit)
3.5 inches 80GB
Reading Speed: Max 8x CAV (DVD-ROM), Max 24x CAV (CD-ROM)
Maximum Writing Speed: Max16x Zone CLV (CD-R), 4x CLV (CD-RW),
8x CLV (High Speed CD-RW),
2x CLV (DVD-R), 1x CLV (DVD-RW)
Support Buffer Underrun Free Recording (SmoothLink™)
Reading Speed: 24x (max.)
Writing Speed: Record (CD-R) 4x
Re-Write (CD-RW) 4x
SCSI: 25-pin D-sub
Digital I/O: Coaxial, Optical (conforms to S/PDIF)
VGA Out: 15 pin MINI D-sub
PS/2: MINI DIN 6 pin
MIDI: DIN 5 pin
SCSI Connector (DB-25 type)
MIDI Connectors (DIN 5 pin type)
Input Jack 1–8 (XLR type, balanced, phantom power)
Input Jack 1–16 (1/4 inch phone type, TRS balanced)
Guitar (Hi-Z) Jack (1/4 inch phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Foot Switch Jack (1/4 inch phone type)
Word Clock In jack (BNC type)
SMPTE In Jack (RCA phone type)
PS/2 Mouse Connector (MINI DIN 6 pin type)
PS/2 Keyboard Connector (MINI DIN 6 pin type)
VGA Out Connector (MINI DB-15 type)
R-BUS Connectors (DB-25 type)
Master Out Jack L/R (1/4 inch phone type, TRS balanced)
Monitor Out Jack L/R (1/4 inch phone type, TRS balanced)
AUX A Send Jack L/R (1/4 inch phone type, TRS balanced)
AUX B Send Jack L/R (1/4 inch phone type, TRS balanced)
Headphones Jack (Stereo 1/4 inch phone type)
AC117V, AC230V or AC240V
80W (including internal hard disk for VS-2480)
620 (W) x 520 (D) x 138 (H) mm
24-3/8 (W) x 20-1/2 (D) x 5-7/16 (H) inches
13.4kg 29lbs 9oz
Owner's Manual English, User Guide, Appendices, R-BUS Equipment
Connection and Setting Guide 2, Newly Added Functions, Block
diagram, Demo CD, PS/2 MOUSE, Short Cut Seal, AC Cord
M24 662 721 1,324 1,442 1,987
MTP 1,989 2,165 3,977 4,329 5,966
M16 994 1,082 1,989 2,165 2,983
CDR 994 1,082 1,989 2,165 2,983
MT1 1,989 2,165 3,977 4,329 5,966
MT2 2,651 2,885 5,302 5,771 7,953
LIV 3,181 3,462 6,362 6,925 9,543
LV2 3,977 4,329 7,955 8,658 11,932
96kHz 88.2kHz 48kHz
993
2,983
1,491
1,491
2,983
3,976
4,772
5,966
64kHz 44.1kHz 32kHz
Recording
Mode
Sample Rate
* The above-listed recording times are approximate. Times may vary
slightly depending on the specifications of the disk drive and on
the number of songs that were created.
* In "CDR" recording mode, two tracks are always used in a pair
(channel link is on), so recording time is half the above-listed.
S P E C I F I C A T I O N S
No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name
Algorithm 36 preset
P000
P001
P002
P003
P004
P005
P006
P007
P008
P009
P010
P011
P012
P013
P014
P015
P016
P017
P018
P019
P020
P021
P022
P023
P024
P025
P026
P027
P028
P029
P030
P031
P032
P033
P034
P035
Reverb 18 preset
P036
P037
P038
P039
P040
P041
P042
P043
P044
P045
P046
P047
P048
P049
P050
P051
P052
P053
Reverb2 20 preset
P054
P055
P056
P057
P058
P059
P060
P061
P062
P063
P064
P065
P066
P067
P068
P069
P070
P071
P072
P073
Gate Reverb 4 preset
P074
P075
P076
P077
Delay 9 preset
P078
P079
P080
P081
P082
P083
P084
P085
P086
Tape Echo 201 4 preset
P087
P088
P089
P090
Chorus 6 preset
P091
P092
P093
P094
P095
P096
Phaser 3 preset
P097
P098
P099
Flanger 3 prese t
P100
P101
P102
Pitch Shifter 7 preset
P103
P104
P105
P106
P107
P108
P109
Mic Modeling 29 preset
P110
P111
P112
P113
P114
P115
P116
P117
P118
P119
P120
P121
P122
P123
P124
P125
P126
P127
P128
P129
P130
P131
P132
P133
P134
P135
P136
P137
P138
Vocal 10 preset
P139
P140
P141
P142
P143
P144
P145
P146
P147
P148
Guitar 11 preset
P149
P150
P151
P152
P153
P154
P155
P156
P157
P158
P159
Guitar Amp Modeling 9 preset
P160
P161
P162
P163
P164
P165
P166
P167
P168
Bass 6 preset
P169
P170
P171
P172
P173
P174
Special Effects 11 preset
P175
P176
P177
P178
P179
P180
P181
P182
P183
P184
P185
Parametric Equalizer 26 preset
P186
P187
P188
P189
P190
P191
P192
P193
P194
P195
P196
P197
P198
P199
P200
P201
P202
P203
P204
P205
P206
P207
P208
P209
P210
P211
Graphic Equalizer 3 preset
P212
P213
P214
Stereo Multi 5 preset
P215
P216
P217
P218
P219
Speaker Modeling 11 preset
P220
P221
P222
P223
P224
P225
P226
P227
P228
P229
P230
Mastering Tool Kit 19 preset
P231
P232
P233
P234
P235
P236
P237
P238
P239
P240
P241
P242
P243
P244
P245
P246
P247
P248
P249
Reverb*
Reverb2
Gate Reverb*
Delay
StPS-Delay
Delay RSS
TapeEcho201
MultiTapDly
StDly-Chorus
Chorus RSS
Space Chorus
St Phaser
AnalogPhaser
St Flanger
AnalogFlnger
Rotary
2ch RSS
MicModeling*
GuitarMulti1
GuitarMulti2
GuitarMulti3
GuitarAmpMdl
Vocal Multi
Voice Trans*
Vocal Cancel
Vocoder
Vocoder2 (19)*
Lo-Fi Proces
3BndIsolator
DualComp/Lim
Parametric EQ
Graphic EQ
Hum Canceler
Stereo Multi
Speaker Mdl*
MastringTool*
RV:LargeHall*
RV:SmallHall*
RV:Strings*
RV:PianoHall*
RV:Orch Room*
RV:VocalRoom*
RV:MediumRm*
RV:LargeRoom*
RV:CoolPlate*
RV:Short Plt*
RV:Vocal Plt*
RV:Soft Amb.*
RV:Room Amb.*
RV:Cathedral*
RV:Long Cave*
RV:GarageDr.*
RV:Rock Kick*
RV:RockSnare*
R2:LargeHall
R2:SmallHall
R2:Strings
R2:PianoHall
R2:Orch Room
R2:VocalRoom
R2:MediumRm
R2:LargeRoom
R2:CoolPlate
R2:Short Plt
R2:Vocal Plt
R2:Soft Amb.
R2:Room Amb.
R2:Cathedral
R2:Long Cave
R2:GarageDr.
R2:Rock Kick
R2:RockSnare
R2:BriteGte2
R2:Fat Gate2
RV:BriteGate*
RV:Fat Gate*
RV:ReverseGt*
RV:PanningGt*
DL:Short Dly
DL:MediumDly
DL:LongDelay
DL:AnalogDly
DL:Tape Echo
DL:Karaoke
DL:Multi-Tap
DL:MltTapAmb
DL:Ping Pong
TE:ShortEcho
TE:LongEcho
TE:OldTape
TE:PanEcho
CH:Lt Chorus
CH:Deep Cho
CH:DetuneCho
SPCHO:MODE 1
SPCHO:MODE 2
SPCHO:MODE 3
PH:Lt Phaser
PH:DeepPhase
AP:FB-Phaser
FL:LtFlanger
FL:Deep Fl
AF:SBF-325
PS:-4thVoice
PS:ShimmerUD
VT:M to Fm*
VT:Fm to M*
VT:Male Duo*
VT:FemaleDuo*
VT:Robot*
MM:57
→
58*
MM:57
→
421*
MM:57
→
451*
MM:57
→
87*
MM:57
→
47*
MM:57
→
Line*
MM:DR20
→
421*
MM:DR20
→
451*
MM:DR20
→
87*
MM:10
→
58*
MM:10
→
87*
MM:Mini
→
57*
MM:Mini
→
87*
MM:C3KB
→
57*
MM:C3KB
→
58*
MM:C3KB
→
421*
MM:C3KB
→
451*
MM:C3KB
→
87*
MM:C3KB
→
47*
MM:C3KB
→
Line*
MM:Kick&Snr1*
MM:Kick&Snr2*
MM:H.Hat&Tom*
MM:Dr.OvrTop*
MM:Dr.OvrAll*
MM:Ac.Guitar*
MM:StudioVcl*
MM:StereoMic*
MM:Ambience*
VO:Vocal FX
VO:JazzVocal
VO:RockVocal
VO:Narration
VO:BigChorus
VO:Club DJ
VO:AM-Radio
VO:PlusTwo
VO:Robot FX
VO:Bull Horn
GT:Rock Lead
GT:LA Lead
GT:MetalLead
GT:Metal Jet
GT:CleanRthm
GT:DledClean
GT:Delay Rif
GT:Acoustic
GT:BluesDrv.
GT:Liverpool
GT:Country
GA:JazChorus
GA:CleanTwin
GA:Vin.Tweed
GA:BluesDrv.
GA:MatchLead
GA:StudioCmb
GA:JMP-Stack
GA:SLDN Lead
GA:5150 Lead
BS:DI'edBass
BS:MikedBass
BS:CompBass
BS:Fat Bass*
BS:Auto Wah
BS:EFX Bass
LFP:BreakBts
LFP:1bitDist
LFP:TeknoFlt
LFP:Reso Flt
LFP:FatBotom
VOC2:M19Band*
VOC2:S19Band*
HC:Quiet60Hz
HC:Quiet50Hz
VC:Vocal Cnl
VC:CenterCnl
PEQ:BassDrum
PEQ:RockBD
PEQ:RockSD
PEQ:RimShot
PEQ:Toms
PEQ:Hi Hat
PEQ:Cymbals
PEQ:Overhead
PEQ:Bass 1
PEQ:Bass 2
PEQ:SlapBass
PEQ:Sax
PEQ:Bari.Sax
PEQ:ElecGtr
PEQ:NylonGtr
PEQ:BluesGtr
PEQ:SlideGtr
PEQ:LineGtr
PEQ:Male
PEQ:RockMale
PEQ:Female
PEQ:RockFeml
PEQ:Narrator
PEQ:Organ
PEQ:St.Piano
PEQ:SmallCho
GEQ:TotalEQ1
GEQ:TotalEQ2
GEQ:Space EQ
CL:Comp
CL:Limiter
EQ:Loudness
EQ:Fat Dance
EQ:ThinJingl
SPM:SuperFlt*
SPM:P.GenBlk*
SPM:P.E-Bs*
SPM:P.Mack*
SPM:SmalCube*
SPM:WhiteCon*
SPM:W.C+tiss*
SPM:S.Radio*
SPM:SmallTV*
SPM:BoomBox*
SPM:BB.LowBs*
MTK:Mixdown*
MTK:PreMastr*
MTK:LiveMix*
MTK:PopMix*
MTK:DanceMix*
MTK:JinglMix*
MTK:HardComp*
MTK:SoftComp*
MTK:ClnComp*
MTK:DnceComp*
MTK:OrchComp*
MTK:VocalCmp*
MTK:Acoustic*
MTK:RockBand*
MTK:Orchestr*
MTK:LoBoost*
MTK:Brighten*
MTK:DJsVoice*
MTK:PhoneVox*
* Please use with sample rates of 48kHz or less.
®
■
VS-2480DVD/2480CD Preset Effect Patch List
VS8F-2
EFFECT EXPANSION BOARD
DR-20
DYNAMIC MICROPHONE
Recommended for
COSM Mic Modeling
M-1000
10CH DIGITAL LINE MIXER
DP-2
PEDAL SWITCH
FS-5U
FOOT SWITCH
R-BUS is Roland's proprietary digital audio
format that allows handling of eight channels
of bi-directional 24-bit digital audio with a
very simple and intuitive single cable connection. Using various interface
modules, it is a flexible gateway to AES/EBU digital audio, ADAT and analog
audio among others. R-BUS is now featured in a variety of Roland products
including the 7000-Series V-Mixing System and XV-5080 128-Voice Synthesizer/
Sample Playback Module with additional products under development.
DS-90A DS-50A
VE-7000
CHANNEL EDIT
CONTROLLER
MB-24
LEVEL METER BRIDGE
Requires optional VS24-MBA
Meter Bridge Angle
DS-90A * /DS-50A
24-BIT DIGITAL
REFERENCE MONITOR
* Please use with sample rates of 48kHz or less.
Once a musical instrument generates
sound vibrations, it reaches the human ear
through various mediating objects, each of
which significantly affects the sound. The
material and configuration of the instrument, the electric/electronic/magnetic
amplifying system, the air and the reverberation of the room all affect the final
sound. Sound modeling, the latest DSP technology, "virtually" reconstructs
these objects. Roland's breakthrough Composite Object Sound Modeling
(COSM) uses the advantages of multiple modeling methods and succeeds in
accurately emulating existing sounds, as well as producing sounds that have
never before been created.
VS8F-3
PLUG-IN EFFECT EXPANSION BOARD