Roland VIMA JM-8, Руководство пользователя

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VIMA JM-8
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Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
17. Step Flanger
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
● Flanger Depth (0~127)—Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
● Step Rate (0.10~20.0Hz, note)—Rate (period) of pitch change
●
Flanger Phase (0~180deg)—Spatial spread of the sound.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
18. St. Delay
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
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Delay FBK Mode (Normal, Cross)—Select the way in which delay
sound is fed back into the effect. NORMAL: The left delay sound
will be fed back into the left delay and the right delay sound
into the right delay. CROSS: The left delay sound will be fed
back into the right delay and the right delay sound into the left
delay.
●
Delay Left (0.0~500.0ms)—Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (0.0~500.0ms)—Adjust the time from the direct
sound until when the right delay sound is heard.
●
FBK Phase Left (Normal, Invert)—Select the phase of the left
delay sound. NORMAL: Phase is not changed. INVERT: Phase is
inverted.
●
FBK Phase Right (Normal, Invert)—Select the phase of the right
delay sound. NORMAL: Phase is not changed. INVERT: Phase is
inverted.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
19. Mod. Delay
This effect adds modulation to the delayed sound, producing
an effect similar to a Flanger.
● Delay FBK Mode (Normal, Cross)—Select the way in which delay
sound is fed back into the effect. NORMAL: The left delay sound
will be fed back into the left delay and the right delay sound
into the right delay. CROSS: The left delay sound will be fed
back into the right delay and the right delay sound into the left
delay.
●
Delay Left (0.0~500.0ms)—Adjust the time from the direct
sound until when the left delay sound is heard.
● Delay Right (0.0~500.0ms)—Adjusts the time until the delay
sound is heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Modulation Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
●
Modulation Depth (0~127)—Adjust the depth of the modula-
tion.
●
Modulation Phase (0~180 deg)—Adjust the spatial spread of the
sound
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
20. 3 Tap Delay
The Triple Tap Delay produces three delay sounds: center, left
and right.
● Delay Left (200~1000ms, note)—Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (200~1000ms, note)—Adjust the time from the
direct sound until when the right delay sound is heard.
● Delay Center (200~1000ms, note)—Adjust the time delay from
the direct sound until when the center delay sound is heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Delay Level Left (0~127)—Adjust the volume of the left delay
sound.
●
Delay Level Right (0~127)—Adjust the volume of the right delay
sound.
●
Delay Level Center (0~127)—Adjust the volume of the center
delay sound.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
21. 4 Tap Delay
Delay with four repetition lines.
●
Delay 1~4 (200~1000ms, note)—Adjusts the time until the delay
is heard.
●
Delay Level 1~4 (0~127)—Output level of the delay sound.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
22. Time Delay
This effect controls the delay time and pitch in realtime.
Lengthening the delay time will lower the pitch and shorten-
ing it will raise the pitch.
●
Delay Time (200~1000ms, note)—Adjusts the time until the
delay is heard.
● Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay Acceleration (0~15)—Adjusts the time over which the
Delay Time changes from the current setting to a specified new
setting. The rate of change for the Delay Time directly affects
the rate of pitch change.
JM-8_OM_GB.book Page 155 Wednesday, July 29, 2009 4:43 PM