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28

Here’s how to configure the trigger settings so that the signals from 

the pads are accurately processed by the sound module.

1 . 

Press 

“MENU” 

(F2 button)

 .

2 . 

Use the 

[

H

]

 

[

I

]

 buttons to select 

“Trigger,” 

and then 

press 

“SELECT” 

(F2 button)

 .

The TRIGGER screen appears.

3 . 

Use the 

[

H

]

 

[

I

]

 buttons to select the item, and then 

press 

“SELECT” 

(F2 button)

 .

Setting the Sensitivity and Other Parameters for Each Pad (Pad Settings) 

page 28

Checking the Velocity and Other Settings of the Pads You Strike 

page 29

Configuring the Other Pad Not to Sound (Xtalk Cancel) 

page 29

Specifying the Pads to Use (Active Pad) 

page 29

Preventing the Currently Edited Pad from Changing (Trigger Lock) 

page 30

Setting the Sensitivity and Other Parameters for 

Each Pad 

(Pad Settings)

1 . 

On the TRIGGER screen, select 

“Pad Settings” 

and 

press 

“SELECT” 

(F2 button)

 .

The PAD SETTINGS screen appears.

2 . 

Strike to select the pad that you want to set .

Parameter

[

H

] [

I

] buttons

Value

[+] [-] buttons

Explanation

Pad

PAD1, PAD2

Selects the pad to set.

Sensitivity

1–32

Use this to adjust the sensitivity of the 

pads, as well as the balance between how 

hard you strike the pads and the volume of 

sound that is produced.
Increasing this value increases the 

sensitivity, so that even soft strikes on the 

pad play loudly. Decreasing this value 

decreases the sensitivity, so that even 

strong strikes on the pad play softly.

Curve

Adjusts how the volume changes in response to how hard you 

strike the pad.

LINEAR

This is the standard setting. This produces 

the most natural correspondence between 

playing dynamics and volume change.

EXP1, EXP2

Compared to 

“LINEAR,” 

playing strongly 

produces a greater change in volume. 

LOG1, LOG2

Compared to 

“LINEAR,” 

playing softly 

produces a greater change in volume. 

SPLINE

Extreme changes are made in response to 

your playing dynamics.

LOUD1, LOUD2

Very little dynamic response, making it 

easy to maintain strong volume levels. 

These settings produce reliable triggering 

when you’re using a trigger, or in similar 

situations.

Parameter

[

H

] [

I

] buttons

Value

[+] [-] buttons

Explanation

Rim Gain

0–3.2

Adjusts the balance between the force of 

striking the rim or edge and the loudness 

of the sound.
If you increase this value, even soft strikes 

on the rim play at high volume. If you 

decrease this value, even strong strikes on 

the rim play at low volume.

Threshold

0–31

Adjusts the minimum sensitivity of the 

pads.
This setting allows a trigger signal to be 

received only when a pad is struck above a 

determined force level (velocity). This can 

be used to prevent a pad from sounding 

due to vibrations from other pads. In the 

following example, the B signal sounds, but 

A and C do not sound.

Threshold

Check this by gradually increasing the value 

while playing the pad. If a soft strike on the 

pad fails to make a sound, slightly lower 

this value. Repeat this to obtain the ideal 

setting.

Retrigger Cancel

1–16

This detects trigger signal attenuation.
When you strike a pad once, there might be 

cases in which the waveform is misshapen, 

causing another trigger to unintendedly 

occur (retriggering) at point 

“A” 

in the 

following illustration.

Time

Amplitude

This occurs in particular at the decaying 

edge of the waveform. Retrigger Cancel 

detects such distortion and prevents 

retriggering from occurring.
While repeatedly striking the pad, raise the 

“Retrigger Cancel” 

value until retriggering 

no longer occurs.
Although setting this to a high value 

prevents retriggering, it then becomes easy 

for sounds to be omitted when the pad is 

repeatedly struck quickly. Set this to the 

lowest value possible while still ensuring 

that there is no retriggering.

MEMO

You can also eliminate this problem of 

retriggering with the Mask Time setting. 

Mask Time does not detect trigger signals if 

they occur within the specified amount of 

time after the previous trigger signal was 

received.
Retrigger Cancel detects the attenuation 

of the trigger signal level, and triggers the 

sound after internally determining which 

trigger signals were actually generated 

when the head was struck, while weeding 

out the other false trigger signals that 

should not trigger a sound.

Mask Time

0–64 

[ms]

Set this to prevent double triggering.
Double triggering (two notes play when 

you only wanted a single note to sound) 

may occur due to the mesh tension or the 

sticks (bachi) you use.
The Mask Time setting helps to prevent this. 

Once a pad is hit, any additional trigger 

signals occurring within the specified Mask 

Time are ignored.
Adjust the Mask Time value while playing 

the pad.
Increasing this value makes it more likely 

that notes played in rapid succession are 

to drop out. Set this to as low a value as 

possible.

MEMO

If two or more sounds are being produced 

when you strike the head just once, adjust 

Retrigger Cancel.

Configuring the Trigger Settings

Содержание TAIKO-1

Страница 1: ...2021 Roland Corporation 01...

Страница 2: ...d Comp 18 Applying Ambience to the Entire Kit Ambience 19 Applying MFX to Each Pad MFX 19 Setting the Kit Level Kit Level 20 Mute Group Mute Group 20 Setting How the Nuance Changes According to Where...

Страница 3: ...ad Backup 34 Deleting Backup Files Delete Backup 35 Initialized a USB Flash Drive USB Memory Format 35 Making Overall Settings for the TAIKO 1 Others 36 Configuring the OUTPUT PHONES Jack Output Setti...

Страница 4: ...1 2 One at a time insert the rods 1 eight locations into the holes of the pad MEMO The rods should be facing diagonally when correctly inserted 1 3 Use the drum key 8 to tighten the bolts of the rods...

Страница 5: ...rap it around the tip of the rod as shown in the illustration two locations Attach the strap to these two locations Wrap in a figure eight and then tie 2 1 1 NOTE If the wrapping is insufficient the s...

Страница 6: ...e pad 6 Turn the assembled unit over 7 Connect the pad and sound module with the included trigger cable 1 0 m Pad TRIG OUT jack TAIKO 1 TRIG IN 1 jack or TRIG IN 2 jack Set all Xtalk Cancel parameters...

Страница 7: ...e Active Pad With the TAIKO 1 you can use both pads but if you want to use only one pad you can enable just one This helps prevent the lower surface from operating unintentionally Specifying the Pads...

Страница 8: ...Using maple sticks When using maple sticks the mesh head surface and the rubber on the rim edge wears out more quickly Wear and tear on the sticks The sticks may tend out wear out after playing on th...

Страница 9: ...N jack Connect the included AC adaptor to this jack Use the cord hook to secure the cord of the AC adaptor as shown in the illustration G Batteries Installing the Batteries p 10 H PHONES jack Connect...

Страница 10: ...pears install fresh batteries as soon as possible If you continue to use the instrument in this state the Battery Low message appears and finally the TAIKO 1 stops functioning entirely Turning the Pow...

Страница 11: ...s the H button while holding down the I button to make the cursor move down quickly Changingavalue buttons buttons Use the buttons to change the value that is highlighted by the cursor MEMO If you hol...

Страница 12: ...kup Data Load Backup p 34 USBflashdrivefolderarchitecture IMPORT folder If there are audio files that you want to import as user samples save them in this folder TAIKO 1 folder Roland folder The TAIKO...

Страница 13: ...eat or metronome and practice along with this to improve your rhythmic accuracy or record and play back your performance Sounding the Ji uchi Ji uchi The TAIKO 1 can sound a ji uchi which is like a me...

Страница 14: ...ording Rec Here s how to record your performance and play it back repeatedly 1 Press MENU F2 button 2 Use the H I buttons to select Lesson and then press SELECT F2 button 3 Use the H I buttons to sele...

Страница 15: ...ANDOM The length of the Quiet interval randomly changes each time 1 2 4 Specifies the length number of measures of the Quiet interval This setting cannot be longer than half of the Measures value Metr...

Страница 16: ...O 1 automatically saves the values that you change there s no need to perform a specific operation to save your settings Settings are also saved when you turn off the power Setting an Instrument Instr...

Страница 17: ...2 If you set the strength at which layer B plays to 1 layer B always plays regardless of how hard you strike the pad If you set this to 127 32 or 127 when HI Reso Velocity is OFF layer B only sounds w...

Страница 18: ...er frequency Mid Q 0 5 8 0 Sets the bandwidth of the frequency region Higher values make the bandwidth narrower Mid Gain 15 15 dB Sets the amount of boost cut High Freq 1k 16k Hz Sets the center frequ...

Страница 19: ...arameters adjust how much ambience is applied to each pad PAD1R PAD2H PAD2R 6 Press the F1 button several times to return to the top screen Applying MFX to Each Pad MFX Here s how to apply a multi eff...

Страница 20: ...ify the mute group number When you strike the pad of the number specified in Send the sound of the pad assigned to the same number in Receive is muted The pad is not be muted if you specify the same n...

Страница 21: ...nd Shortcut Settings Control Settings p 36 3 Press the F1 button several times to return to the top screen Controlling from an External MIDI Device Kit MIDI 1 On the KIT EDIT screen select Kit MIDI an...

Страница 22: ...een select Kit Name and then press SELECT F2 button The KIT NAME screen appears Kit name select the character to edit Use the H and I buttons to move the cursor Select the character to input This chan...

Страница 23: ...XECUTE F2 button A confirmation message appears 6 To execute press the button To cancel press the F1 button several times to return to the top screen Recalling Kits Successively Set List You can speci...

Страница 24: ...essary to register the kits MEMO To delete a kit select the kit and press DELETE F2 button 3 When you ve finished registering kits press BACK F1 button to return to the previous screen NamingaSetList...

Страница 25: ...mizing the User Sample Area Optimize page 27 Deleting All User Samples Delete All page 27 Importing an Audio File Import Here s how to import an audio file into this instrument as a user sample 1 On y...

Страница 26: ...ple 1 On the USER SAMPLE screen select Rename and then press SELECT F2 button The SAMPLE RENAME screen list of user samples appears 2 Use the H and I buttons to select a user sample and press RENAME F...

Страница 27: ...mented reducing the number of user samples that can be loaded This function optimizes the area so that user samples can be loaded NOTE 5 5 Be sure to back up your data before executing this function p...

Страница 28: ...low volume Threshold 0 31 Adjusts the minimum sensitivity of the pads This setting allows a trigger signal to be received only when a pad is struck above a determined force level velocity This can be...

Страница 29: ...Not to Sound Xtalk Cancel On the TAIKO 1 the other pad may play unintentionally due to the vibrations from the pad you strike This is called crosstalk Crosstalk cancellation is a setting that prevent...

Страница 30: ...TRIGGER screen select Trigger Lock and press SELECT F2 button The TRIGGER LOCK screen appears Parameter Value buttons Explanation Lock OFF ON Prevents the currently edited pad from changing when stru...

Страница 31: ...s to turn it ON If this is already ON proceed to the next step 6 Press PAIRING F2 button The display indicates Now Pairing and this instrument waits for a response from the mobile device 7 Turn on the...

Страница 32: ...back volume adjust the volume on your mobile device Checking the Bluetooth Status Bluetooth Status 1 Press MENU F2 button The MENU screen appears 2 Use the H I buttons to select Bluetooth and then pre...

Страница 33: ...ke several minutes to save the data depending on the size of the user samples NOTE If you don t back up user samples and you then delete user samples or renumber them the kit is not reproduced correct...

Страница 34: ...verwritten onto the user samples in user memory 5 5 Depending on the size of the user samples it might take ten minutes or more to load the data 3 Use the buttons to select the data to load and then p...

Страница 35: ...reen select 1 Kit and then press SELECT F2 button 3 Use the buttons to select the kit to delete When you select the number to which a kit is saved the backup filename is shown 4 Press EXECUTE F2 butto...

Страница 36: ...rom Bluetooth audio Low Cut Sw OFF ON Set this to ON to cut the low frequencies Low Cut Freq 20 200 Hz When Low Cut Sw is ON use this parameter to set the low range frequencies to cut 3 Press the F1 b...

Страница 37: ...Functionsassignedtothepedals Pedal1 Pedal2 Value Explanation OFF No function is assigned Pitch Controls the taiko s pitch Decay Controls how quickly the sound decays Inst Level Controls the volume of...

Страница 38: ...is provided for each kit You can adjust the equalizer s effect shelving and peaking for the low frequencies LOW and high frequencies HIGH The sound to which master EQ is applied is output from the OU...

Страница 39: ...attack of the sound at the moment compression is applied Attack 1 0 1 100 ms Sets how long it takes before compression is applied Release 1 10 1000 ms Sets how long it takes before the compression re...

Страница 40: ...ion all saved settings including the sound parameters are lost User samples are not reset To reset them execute Deleting All User Samples Delete All p 27 1 Press MENU F2 button 2 Use the H I buttons t...

Страница 41: ...les with USB Can t communicate with a computer Is the USB cable connected correctly Check the connections p 9 Troubles with MIDI No sound Is the USB cable connected correctly Check the connections p 9...

Страница 42: ...tension Counterclockwise Decreases the tension Adjust the tension without letting the tension adjustment screw come out If the tension is too loose this may make the strike points harder to detect Inc...

Страница 43: ...1 Nagado1 Type 1 2 Nagado1 Side Type 1 3 Nagado2 Type 1 4 Nagado2 Side Type 1 5 Nagado3 Type 1 6 Nagado3 Side Type 1 7 Katsugi Okedo1 Type 1 8 Katsugi1 Rim Type 1 9 Katsugi1 Side Type 1 10 Katsugi Ok...

Страница 44: ...e 101 Agogo Hi None 102 Timpani Hi D None 103 Timpani Lo G None 104 Surdo None 105 Bombo None 106 Triangle Mute None 107 Afro Claves None 108 Metal Maracas None 109 Shaker None No Name of instrument s...

Страница 45: ...Center frequency at which the high frequencies of the delay sound fed back to the input are cut set this to BYPASS if you do not want to cut the frequencies Low Gain 15 15 dB Amount of low range boos...

Страница 46: ...r left and right Parameter Value Explanation Tempo Sync L R C Sw OFF ON Sets whether the delay time value of the left right center delay sound is specified as a note value ON or not OFF Delay L R C Ti...

Страница 47: ...lay 0 0 100 0 ms Delay time from the direct sound until the chorus sound is heard Tempo Sync Sw OFF ON Sets whether the modulation rate is specified as a note value ON or not OFF Rate 0 05 10 00 Hz no...

Страница 48: ...ing off or landing A filter is provided so that you can adjust the timbre of the flanged sound Parameter Value Explanation Filter Type OFF LPF HPF Filter type OFF Filter is not used LPF High frequenci...

Страница 49: ...of the high range EQ High Gain 15 15 dB Amount of high range boost cut Level 0 127 Output level SUPERFILTER This is a filter with an extremely sharp slope attenuation characteristics The cutoff freque...

Страница 50: ...quality of the overdrive effect Amb Sw OFF ON Turns the Amp Simulator on off Amp Type SMALL BUILT IN 2 STACK 3 STACK Guitar amp type SMALL small amp BUILT IN built in amp 2 STACK Large two stack amp 3...

Страница 51: ...hanges the volume Tone 0 127 Sound quality of the overdrive effect Level 0 127 Output level BITCRUSHER This creates a lo fi sound Parameter Value Explanation Sample Rate 0 127 Sampling frequency Bit D...

Страница 52: ...pplied Low Gain 15 15 dB Amount of low range boost cut High Gain 15 15 dB Amount of high range boost cut Level 0 127 Output level Ji uchi List Number Name Default tempo Default velocity 1 Shime1 120 2...

Страница 53: ...TEK CLICK 7 STICKS 8 CLAVES 9 WOOD BLOCK 10 COWBELL 11 AGOGO 12 TRIANGLE 13 TAMBOURINE 14 MARACAS 15 CABASA Allowable Characters A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i...

Страница 54: ...ch phone type TRIG IN jacks x 2 Original FOOT SW jack 1 4 inch TRS phone type EXP PEDAL jacks x 2 1 4 inch TRS phone type USB MEMORY Port USB COMPUTER jack MIDI x 1 USB Mirco B type DC IN jack Power S...

Страница 55: ...note on is received right afterwards on the same note channel the pad strike velocity is expressed as follows according to the values of the note on velocity and high resolution velocity prefix When...

Страница 56: ...MFX1 MFX2 MFX3 Ambience Type etc Head Ji uchi METRONOME Instrument Metronome Rim PAD 1 PAD 2 Ji uchi 1 Ji uchi 16 Layer A Instrument Layer B Instrument JI UCHI Instrument Pan Pad EQ Pad Comp Level Le...

Страница 57: ...Output Gain Master Volune Metronome Volume MIX IN Bluetooth Output Mode Speaker Phones OUTPUT Mono PHONES Stereo Pan Master EQ Master Comp Low Cut Sw Kit Level Output Gain Master Volune Metronome Volu...

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