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The OSC determines the waveform and pitch, 

which becomes the source of the sound. This is the heart 

and soul of a synthesizer. On analog synthesizers, 

it is called the VCO

(*1)

. The VCO is a sound generator 

capable of changing frequency through changes in voltage.

Press 

[PRESET]

Let’s examine the standard patch 

“PRESET D-8”

.

Waveform Examples

Sawtooth Wave

Square Wave

Sine Wave

Very rich in harmonics. May be used to simulate the basis for many types of musical 
instruments. Especially suitable for creating brass and stringed instruments sounds 
(violin, piano, etc.)

Includes many odd numbered harmonics. Best suited as the sound basis 
for woodwind and percussion instruments (clarinet, xylophone, etc.).

The most basic waveform. It does not possess any harmonics. It sounds 
like a whistle.

Listen to the different sounds from each of the waveforms, 

afterward returning the setting to the sawtooth wave.

After listening 
to the sounds 
each knob 
creates, make 
a habit of 
returning the 
knobs to its 
center position.

Next, let’s go to the“FILTER”, where the sound is processed.

T

his patch is using the sawtooth wave of the OSC1 (oscillator 1). Play the keyboard, 

and hear the sound of this waveform. The sound at this stage is very simple 

and expressionless. To hear how the sound changes with each step, play the keyboard 

after each process.

F

irst, determine the waveform to use 

as the source of the sound. Play the keyboard 

with your left hand while switching waveforms 

with the 

[WAVE]

 button. Listen to the differences 

in the sound of each waveform as you play 

the keyboard.

N

ext, let’s determine the pitch. Playing the keyboard with one hand while 

turning 

[PITCH]

 and 

[DETUNE]

 knobs left and right gradually 

with the other hand. Listen to the changes in pitches.

O

n brass instruments such as a trumpet, the initial part of the blow 

(attack) may be a little off pitch. Let’s recreate this time-varied change 

in pitch. Move the 

[A]

[R]

, and 

[DEPTH]

 sliders up and down gradually 

and listen to the effects.

(*1) Voltage Controlled Oscillator

A

D

DEPTH

time

pitch

A

D

DEPTH

time

pitch

Press 

[D]

Press 

[8]

Use these buttons 

to select the waveform

These knobs specify the pitch

Falling, then return

Rising, then return

ADSR affects the pitch, filter, and amp 

of the envelope. Here are their names 

and definitions.

DEPTH
(-)

D

A

DEPTH
(+)

A

D

Symbol

A

D

S

R

Attack Time

Decay Time

Sustain Level

Release Time

Time taken from zero to max

Time taken from max to sustain level

Level of Volume/Brightness 
while key is held

Release Time taken from sustain 
to zero after key is released

Name

Pitch/Brightness/Volume

Envelope

The Function of Controls

1

4

Chapter

OSC 

(Oscillator)

9

10

4

Chapter

The Function 

of Controls

Содержание SH-201

Страница 1: ...WE DESIGN THE FUTURE Creating Sounds with Fun and Ease Synthesizer 101 Learning the SH 201 ...

Страница 2: ...gically designed to teach the basics of synthesis External input for manipulating external audio from CD MP3 players etc Built in delay reverb and overdrive effects USB port for audio MIDI connection to computer VSTi Editor software included for computer integration 1 2 1 Chapter 2 Chapter Introduction The Basic Structure of a Synthesizer 3 Chapter 4 Chapter Let s Play The Function of Controls 5 C...

Страница 3: ...s was Roland s first full digital synthesizer and one of the best selling models The D 50 was a worldwide sensation due to its operating ease and stunning sound Even though this is synthesis at its friendliest the SH 201 is no toy With two beefy analog modeling oscillators complete with Roland s famous Supersaw waveform and resonant filter this little synth can blow down doors Combining stunning d...

Страница 4: ...rols the initiation and termination of sounds On analog synthesizers it is also called ENV 5 Every time you play the keyboard ENV affects the volume and timbre on OSC FILTER and AMP individually as it processes its time varied elements time Key on Key off cutoff frequency A D S DEPTH R Low Pass Filter High Pass Filter Band Pass Filter Key on Key off time A D S R volume A D time DEPTH Key on pitch ...

Страница 5: ... B 4 B 5 B 6 B 7 B 8 A 1 A 2 A 3 A 4 A 5 A 6 A 7 A 8 NUMBER 1 8 BANK A D PRESET GROUP read only USER GROUP rewritable The SH 201 lets you create sound while listening to it in real time by moving knobs and sliders At this stage it is okay if you don t know how each control affects the sounds Don t worry because you will get a hang of it as you continue with this text A total of 64 patches can be s...

Страница 6: ...sionless To hear how the sound changes with each step play the keyboard after each process F irst determine the waveform to use as the source of the sound Play the keyboard with your left hand while switching waveforms with the WAVE button Listen to the differences in the sound of each waveform as you play the keyboard N ext let s determine the pitch Playing the keyboard with one hand while turnin...

Страница 7: ...act that most of the sound frequencies have been filtered out and rejected N ext turn the RESONANCE knob Turn it all the way left MIN then gradually rightward to MAX It will start to resonate yielding a colorful howling sound On a piano its initial sound would include most of the harmonics that generates bright sound Afterward the sound would fade gradually as a decrease in harmonics will result i...

Страница 8: ...und analog lead sound set it up to play monophonically single note at a time by pressing the SOLO button I n this set up when you play a key while playing another key timbre will remain unchanged but the pitch will change SOLO LEGATO This effect is similar to the trill technique used in string instruments Moving right along let s set the portamento control The portamento is an effect where the tra...

Страница 9: ...sing the SHAPE button Additionally turning the RATE knob will change the speed of vibrato Try out various settings for vibrato with different waveforms and speeds For example the human voice or a violin would typically have a vibrato rate of 2 to 7 cycles per second Press the DESTINATION button and select AMP for tremolo or FILTER for growl effects 1 Low Frequency Oscillator Press PRESET Press D P...

Страница 10: ...when your hand is released from the keyboard lower the R slider of the AMP ENV all the way down E xperiment with the TYPE CUTOFF and RESONANCE controls as you play the keyboard Just as the sawtooth and square waves were processed with effects your portable digital music player s music is processed with effects now I t doesn t really matter which keys you play the portable digital music player s mu...

Страница 11: ...DEPTH knob and fatten the bass timbre Lastly fine adjust the DEPTH slider of the FILTER ENV to determine the overall sound 1 2 3 4 5 6 7 8 9 10 11 12 Choose PRESET D 8 The sawtooth wave is selected Turn the CUTOFF knob in the FILTER section to the two o clock position Turn the RESONANCE knob in the FILTER section to the one o clock position Let s create the initial portion of the sound Raise the A...

Страница 12: ...nob to enhance the resonance 4 1 2 3 4 5 6 7 8 9 10 11 12 Choose PRESET D 8 The sawtooth wave is selected Press the WAVE button in the OSC1 section and select NOISE Turn the CUTOFF knob in the FILTER section all the way left to MIN The sound becomes inaudible Turn the RESONANCE knob in the FILTER section all the way right to MAX Raise the D and R sliders of the FILTER ENV mid way up Lower the S sl...

Страница 13: ...quencies will become lower as well For example when A4 center A equals 440 0 Hz an octave higher pitch would generate twice the amount of frequency at 880 0 Hz A5 An octave lower pitch would produce half the frequency at 220 0 Hz A3 Pitch Harmonics Volume The volume of the sound is determined by the size or the width of the waves As the waves become wider vertically on the graph the louder the vol...

Страница 14: ...hat time most people thought of the synthesizer as a tool to replicate real life sound In contrast listing to the latest music trend numerous sound music producers have created sounds that only synthesizers can produce and listeners are demanding these sounds as well Most of the PCM synthesizers have set their goal on the pursuit of reality or replication I am glad to see that this particular synt...

Страница 15: ......

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