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User's Guide

ADI-96 PRO © RME

9.10 Table of Parameters (Presets Dual Mono A/D)

Setup Name

LINE

GENERAL

MIC

GENERAL

ACOUSTIC VOCAL SPEECH

LINE

GATE

MIC

GATE

LINE

COMP

MIC

COMP

Phase invert Left

off

off

off

off

off

off

off

off

off

Phase invert right

off

off

off

off

off

off

off

off

off

M/S-Processing

off

off

off

off

off

off

off

off

off

LOC

on

on

on

on

on

off

on

on

on

EXP

off

off

off

on

on

on

on

on

on

Expander link

off

off

off

on

off

on

on

on

off

NLC

off

off

off

on

on

off

on

on

on

DLY

off

off

off

off

off

off

off

off

off

DES

off

off

off

on

on

off

off

off

off

De-esser Key listen

off

off

off

off

off

off

off

off

off

ALC

on

on

on

on

on

off

off

on

on

Autolevel link

on

on

on

on

on

on

on

on

on

Wordclock Output

off

off

off

off

off

off

off

off

off

Input Select Left

LINE

MIC

MIC

MIC

MIC

LINE

MIC

LINE

MIC

Input Select Right

LINE

MIC

MIC

MIC

MIC

LINE

MIC

LINE

MIC

Lowcut Freq. left

2

40

50

80

120

2

100

30

80

Lowcut Freq. right

2

40

50

80

120

2

100

30

80

Exp. Attack

Fast

Fast

Fast

Fast

Fast

Fast

Fast

Fast

Fast

Exp. Thres. left

-100

-100

-90

-40

-50

-70

-40

-70

-40

Exp. Ratio left

2

2

2

3

3

5

5

2

2

Exp. Release left

5

5

5

2

2

0,1

0,1

2

2

Exp. Thres. right

-100

-100

-90

-40

-50

-70

-40

-70

-40

Exp. Ratio right

2

2

2

3

3

5

5

2

2

Exp. Release right

5

5

5

2

2

0,1

0,1

2

2

NLC left

5

5

5

5

5

5

5

5

5

NLC right

5

5

5

5

5

5

5

5

5

Delay left

0

0

0

0

0

0

0

0

0

Delay right

0

0

0

0

0

0

0

0

0

Dees. Freq. left

7

7

7

7

7

7

7

7

7

Dees. Q left

1

1

1

1

1

1

1

1

1

Dees. Ratio left

-20

-20

0

-20

-20

0

-20

0

-20

Dees. Freq. right

7

7

7

7

7

7

7

7

7

Dees. Q right

1

1

1

1

1

1

1

1

1

Dees. Ratio right

-20

-20

0

-20

-20

0

-20

0

-20

ALC max. Gain left

5

5

5

15

20

0

6

10

15

ALC Headroom left

-6

-6

-6

-6

-6

-6

-3

-6

-3

ALC Rise left

5

5

5

2

5

20

2

2

2

ALC max. Gain right

5

5

5

15

20

0

6

10

15

ALC Headroom right

-6

-6

-6

-6

-6

-6

-3

-6

-3

ALC Rise right

5

5

5

2

5

20

2

2

2

Channel Status

CON

CON

PRO

PRO

PRO

PRO

PRO

PRO

PRO

Sample Rate

44.1kHz

44.1kHz

96kHz

96kHz

44.1kHz

96kHz

96kHz

96kHz

96kHz

Wordlength

16Bit

16Bit

24Bit

24Bit

24Bit

24Bit

24Bit

24Bit

24Bit

Dither

0.5LSB

0.5LSB

0.5LSB

0.5LSB

0LSB

0LSB

0LSB

0.5LSB

0.5LSB

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Содержание ADI-96 PRO

Страница 1: ...User s Guide Constant Double Speed Analog Processing Digital Processing Hi Precision 24 Bit 96 kHz Stereo DSP based Analog Digital Converter CDS...

Страница 2: ...Description and Characteristics 26 10 2 Remote Control 26 10 3 Table of Parameters Presets 27 11 DSP Software Audio Analyser 11 1 Brief Description and Characteristics 28 11 2 Keyboard Operation 28 11...

Страница 3: ...used levels 10 dBV and 4 dBu for each channel sepa rately The discrete low noise and low distortion microphone preamp works totally independent from the line circuits A high quality relais connects th...

Страница 4: ...10 kOhm Input Mic XLR servo balanced 48 V phantom power switchable Input impedance Mic 2 kOhm 4 2 Digital Specs Super Low Jitter Design 3 ns in word clock PLL operation Output voltage coaxial 0 5 Vpp...

Страница 5: ...he ADI 96 PRO s input jack The Mic XLR jacks also provide 48 V of phantom power for condenser microphones menu INP Mic Phantom Powered separately for left and right channel When switched on for the fi...

Страница 6: ...sound with and without DSP functions can be set by pressing the additional key Bypass DSP To avoid pan shifts between left and right channel the control paths sidechains of some func tions can be link...

Страница 7: ...t activation and de activation of phase invert and M S processing Typical Settings The mid side processing automatically operates as encoder or decoder depending on the sig nal feed When processing a...

Страница 8: ...word clock signal choose the setting Word Clock 64 kHz Consumer devices like DAT and MiniDisc won t accept digital signals in Professional format at their SPDIF jacks For this setup please choose Con...

Страница 9: ...o the next position Copying one preset to another place can be done by first recalling the desired preset than store it to the other location A security function prevents overwriting data by mistake S...

Страница 10: ...are allows to choose from several DSP programs stored in the ADI 96 PRO Currently you ll find the DSP software Dual Mono A D an identical but easier to use version called Stereo A D and an Audio Analy...

Страница 11: ...Hz and word length The ADI 96 PRO displays the Info window automatically after 100 seconds in case no cursor key was pressed during this time In word clock operation the Info window shows the actual f...

Страница 12: ...udio signal The value 1 measured with a sine corresponds to identical phase on both channels In this case summing the channels mono mode reduced channel separation or a distant listening position won...

Страница 13: ...PC by pressing Enter at the ADI the data transfer begins and ends automatically To activate the new software the ADI 96 PRO has to reboot with it Change to the menu Boot DSP Software and use the keys...

Страница 14: ...to 170 ms activation of Look Ahead Expander Dynamic level reduction to reduce noise in low level parts or between tracks De esser Removes disturbing sibilants on speech and vocal recordings Non Linear...

Страница 15: ...with this setting but the harmonics at 100 Hz and above won t That s why the filter can work up to 250 Hz In extreme situations such a setting is able to res cue a speech recording Noise and the low...

Страница 16: ...coarse values you ll also need a calculator and a foot rule Other time alignment problems may require to delay both channels in an identical manner The maximum setting of 170 ms enables a simultaneou...

Страница 17: ...itch off audio when the Threshold is no longer reached Instead the level is lowered smoothly according to the chosen ratio A ratio of 1 2 1 equals nearly no change because a change in input level of 1...

Страница 18: ...ter anymore Settings Place the cursor in the Overview window on DES and press Enter Menu Options Adjustable are Key Listen Allows to monitor the filtered signal Helps to find the best filter setting...

Страница 19: ...sor in the Overview window on NLC and press Enter Menu Options Adjustment of the desired gain in loudness level from 1 dB to 5 dB Typical Settings As long as not very delicate signals from solo instru...

Страница 20: ...material Headroom determines the ratio between peaks maximum 0 dBFS and average level When doing acoustic recordings the ALC can improve the average level significantly recom mended settings are up t...

Страница 21: ...s a delay of the audio signal we found it both logical and easy to use when Look Ahead is simply activated by the already implemented function Delay As soon as the Delay is acti vated and the delay ti...

Страница 22: ...der Rise This technology results in an extraordinary digital Compressor The precise and controlled clipping leads to an analog behaviour and punchy sound characteristic A level control without any cli...

Страница 23: ...nding value will change according to the movement of the mouse Press the shift key while moving the mouse to change the values in bigger steps The picture shows the Windows software Remote Control in...

Страница 24: ...ht 2 40 50 80 120 2 100 30 80 Exp Attack Fast Fast Fast Fast Fast Fast Fast Fast Fast Exp Thres left 100 100 90 40 50 70 40 70 40 Exp Ratio left 2 2 2 3 3 5 5 2 2 Exp Release left 5 5 5 2 2 0 1 0 1 2...

Страница 25: ...0 30 2 2 2 2 Exp Attack Fast Slow Slow Fast Fast Fast Fast Exp Thres left 100 30 30 110 110 100 100 Exp ratio left 2 2 5 2 5 2 2 2 2 Exp release left 5 2 5 5 5 5 5 Exp Thres right 100 30 30 110 110 10...

Страница 26: ...ctions should operate in a link mode both channels always react identical This is default in Stereo A D Please note that the De esser does not work linked at all As the Expander might be used as noise...

Страница 27: ...off off off off off off Input Select Left LINE MIC LINE MIC LINE LINE Input Select Right LINE MIC LINE MIC LINE LINE Lowcut Freq left 2 40 30 80 30 40 Exp Attack Fast Fast Fast Fast Fast Slow Exp Thre...

Страница 28: ...n a Pentium III 800 the CPU load is around 5 Thanks to its complete digital operation the Audio Analyser offers features previous unavailable from analog Analysers These features include freely adjust...

Страница 29: ...open the window Analyser Settings Here all parameters can be adjusted in a convenient way The guidelines of using Remote Control see chapter 9 9 are the same for this software Analyser Settings The wi...

Страница 30: ...0 ms result in a display similar to a VU meter Release Release time of the display referenced to 20 dB Adjustable from 0 3 s to 20 s A good read able display is achieved at around 2 seconds When measu...

Страница 31: ...val ues around 10 to 20 seconds Special Display Modes The Audio Analyser offers two different envelope modes Let s look at this example You want to study the frequency distribution of a bass drum samp...

Страница 32: ...ndling RME s liability is limited to the repair or the replacement of the product and does in no way include the liability for incidental or consequential damages resulting from use of ADI 96 PRO or i...

Страница 33: ...s subject to the following two condi tions 1 This device may not cause harmful interference 2 This device must accept any interference received including interference that may cause undesired operatio...

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