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REL Acoustics Britannia Range User Manual

20

REL Set-Up Made Simple

RELs  are  not  traditional  subwoofers,  but  true  sub-bass  systems.  A  REL  is  designed  to
augment the performance of “full range” speaker systems, to provide linear response down to
below  12  Hz.  Therefore,  for  the  moment,  set  aside  everything  you’ve  been  taught  about
subwoofers  and  how  they  are  integrated  into  a  stereo  or  theatre  system.  REL’s  set-up  and
positioning  differs  from  other  subwoofers.  A  REL  will  take  advantage  of  physics  and  room
acoustics to provide deep pressurisation as no other sub-woofer can. It’s important that you
bring to the set-up process a willingness to do things a little differently in order to obtain these
superior results. The end result of your labours will be an utterly seamless integration of true
deep bass to a sound system, regardless of the main speaker’s low bass capability.

Two Things Before You Begin

A. 

It is helpful to know that you will almost always connect the REL to the input on the
rear  panel  labelled  “HIGH  LEVEL.”  This  connection  is  made  using  the  supplied  34’
10”  (10  meters)  cable,  the  bare  leads  of  which  connect  to  the  speaker  output
terminals  of  the  power  amplifier.  The  easy  and  foolproof  connection  at  the  REL  is
done  with  a  Neutrik  Speakon  connector.  The  purpose  of  connecting  to  the  speaker
output terminals is one of the unique secrets of REL’s success. By connecting to the
high level input on the REL from the amplifier, you build forward the sonic signature of
your  main  system,  including  the  tonal  balance  and  timing  cues  of  the  entire
electronics chain. In this way, the REL is fed the exact signal that is fed to the main
speakers.

B. 

When possible, the REL should be placed in one of the corners behind the speakers.
Remember,  we  are  dealing  with  true  LOW  bass  pressurisation  with  RELs,  not  the
mid-bass  that  most  competitors  settle  for.  Low  bass  pressurisation  below  40Hz  is
best derived from corner placement, where the most linear and efficient low bass can
be produced.

Basic set-up should take no more than ten to fifteen minutes to accomplish once connected.

Connecting

High-level connection, using the enclosed cable with the Neutrik Speakon connector,
is always the first choice. By connecting to the amplifier’s speaker outputs the sonic
signature of the entire amplification chain is folded into the signal for the sub, thereby
keeping timing and timbre cues consistent. In other words, the signal sent to the REL
is exactly the same signal sent to the speakers, allowing for seamless integration. This
connection  can  be  made  without  affecting  the  performance  of  the  amplifier  because
the sub’s amplifier input impedance is 100,000 ohms. This scheme also avoids adding
any  detrimental  effects  by  not  interposing  any  additional  electronics  into  the
amplification chain.

  The standard high level hook up procedure is: attach the red wire to the amplifier’s

right  positive  speaker  output  terminal;  attach  the  yellow  wire  to  the  amplifier’s  left
positive speaker output terminal; attach the black wire to which ever of the amplifier’s
ground  output  terminals  is  convenient;  plug  the  Speakon  connector  into  the  sub’s
high level input.

  For differential amplifiers using one sub, simply use the standard connecting scheme

with  the  exception  of  connecting  ground  to  chassis  ground,  not  to  speaker  output
ground, and then connecting into the HIGH LEVEL UNBALANCED INPUT.

  For  differential  amplifiers  using  two  subs,  one  for  each  channel:  connect  red  to

positive; yellow to negative; and black to chassis ground; plug the Speakon into the
HIGH LEVEL BALANCED INPUT.

Low-level connection, RCA inputs (or XLR on some models), is always an option, should
high-level connection not be possible, or in a theatre system where both high-level and low-
level connection should be used. When connecting to the low level inputs, connect a single
RCA cable to the 0dB RCA jack. Additional gain can be achieved by connecting to the +12dB
input.

Содержание Britannia B1

Страница 1: ...USER MANUAL Britannia Series B1 B2 B3 REL Acoustics Limited North Road Bridgend Industrial Estate Bridgend CF31 3TP Great Britain Telephone 44 0 1 656 768 777 Fax 44 0 1 656 766 093 Web www rel net...

Страница 2: ...REL Acoustics Britannia Range User Manual 2...

Страница 3: ...T 13 TO CONNECT TO MONO BLOCK POWER AMPLIFIERS USING THE HIGH LEVEL NEUTRIK UNBALANCED INPUT 14 TO CONNECT TO DIFFERENTIAL BALANCED OUTPUT POWER AMPLIFIERS USING THE BALANCED HIGH LEVEL INPUT 16 TO CO...

Страница 4: ...that it cannot be walked on 9 For added protection during a lightening storm or when not in use for long periods of time unplug it from the wall socket 10 Never spill any kind of liquid on the unit 1...

Страница 5: ...ective in material or workmanship All expenses except collateral expenses related to replacing or repairing a defective part under this warranty will be assumed by Sumiko except for the cost of transp...

Страница 6: ...product is CE marked and has been tested to ensure it satisfies all relevant standards It satisfies all relevant standards for Conducted Emissions Radiated Emissions Susceptibility and Immunity It al...

Страница 7: ...the filter controls 3 Balanced and unbalanced inputs via high quality sockets 4 Mode switch to control phase and low level filter bypass 5 All components of matching superior quality to achieve both l...

Страница 8: ...olled within the software by the processor s decoder circuitry The high level inputs are always routed through the ABC The phase can be reversed by 180 degrees by means of this same switch to preserve...

Страница 9: ...SYSTEM PROTECTED BY MADE IN GREAT BRITAIN www rel net R HIGH LEVEL BALANCED INPUT Britannia B1 TM MAX MIN MAX MIN 1 2 3 4 A B C D 1 2 3 5 6 MODE LO LEVEL HI LEVEL COARSE FINE LO INPUT 0dB 12dB SOURCE...

Страница 10: ...1 2 3 4 5 6 MODE LO LEVEL HI LEVEL COARSE FINE LO INPUT 0dB 12dB SOURCE 1 2 3 4 LINE LFE LINE LFE PHASE 0 0 180 deg 180 deg MODE SELECTOR ROLLOFF HIGH LEVEL UNBALANCED INPUT LINE LEVEL BALANCED INPUT...

Страница 11: ...LEVEL BALANCED INPUT Britannia B3 TM MAX MIN MAX MIN 1 2 3 4 A B C D 1 2 3 4 5 6 MODE LO LEVEL HI LEVEL COARSE FINE LO INPUT 0dB 12dB SOURCE 1 2 3 4 LINE LFE LINE LFE PHASE 0 0 180 deg 180 deg MODE SE...

Страница 12: ...oint used in conjunction with Fine Roll Off control above See chart on amplifier or in this manual page 8 for crossover frequencies determined by setting combinations of both controls 0dB LO INPUT pho...

Страница 13: ...fer receives exactly the same signal as the main speakers which means that the character of the bass from the main system is carried forward into the sub bass This is a very important point and togeth...

Страница 14: ...plug place thumb on chrome lever move lever backwards rotate plug anti clockwise counter clockwise in the US quarter turn and withdraw Supplied Neutrik Speakon High level Interconnect RED HIGH LEVEL...

Страница 15: ...REL Acoustics Britannia Range User Manual 15...

Страница 16: ...h channel A differential amplifier does not have to be a mono amplifier or one that has balanced inputs There are a number of stereo integrated and basic amplifiers that are differential The output to...

Страница 17: ...nto the 0dB input on the sub woofer If when using the 0dB input the output of the sub woofer is too low then use the 12dB input The output level is adjusted using the control marked LO LEVEL If the lo...

Страница 18: ...tion to the other then this method will cause a mono signal to be sent to the main amplifier s or active speakers If in doubt then contact your dealer distributor or the manufacturer of the pre amplif...

Страница 19: ...LR balanced input not fitted on B3 is a single channel input designed for professional use when connected to a mixing desk or a pre amp control unit with balanced line outputs Two sub bass systems are...

Страница 20: ...s pressurisation below 40Hz is best derived from corner placement where the most linear and efficient low bass can be produced Basic set up should take no more than ten to fifteen minutes to accomplis...

Страница 21: ...r fullest is the correct position and as often as not may be 180 degree phase That is this position is working in harmony with your main speakers reinforcing bass and not cancelling it 2 Placement The...

Страница 22: ...o receive the bass signal via the high level cable In this configuration the REL provides support for both the left and right speakers for two channel listening and support for the LFE when movies are...

Страница 23: ...on to the room and is fully pressurising it the air around the sub will seem to be energised Stop right there This is the correct position for the sub Orientation Once the position from the corner ha...

Страница 24: ...ve unit Apart from being sonically offensive this can cause drive unit damage Set Safe detects the point of incipient clipping and reduces the signal level to ensure actual clipping does not occur Eve...

Страница 25: ...ity to dissipate more heat and this translates into greater bass depth and volume To help control this power and to further minimise port noise both the B2 and the B1 models incorporate Balanced ARM l...

Страница 26: ...set period of no signal condition up to 10 15 minutes and which need to power up on receipt of a sudden transient thus failing to catch the start of that transient There is also the possibility of the...

Страница 27: ...ong Throw 250mm Long Throw Heavy Duty Cast Chassis 300mm Long Throw Heavy Duty Cast Chassis LOWER FREQUENCY RESPONSE IN ROOM AT 6dB POWER OUTPUT WATTS 200 RMS 300 RMS 500 RMS PHASE 0 and 180 Degrees 0...

Страница 28: ...REL Acoustics Britannia Range User Manual 28...

Страница 29: ...REL Acoustics Britannia Range User Manual 29...

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