RedSeven Amplification AMP CENTRAL, Руководство пользователя

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NOTE: some headphones could require more volume than the levels that are on tap. Each pair of
headphones/IEM's are very different from one another and the input impedance of each model
can vary a lot. In that case, you could be in need of a heaphone preamp.
NOTE: You could use the headphone output at gigs to send a copy of your guitar sound to your
personal IEM mix, in order to have total control of your personal volume. Most of the personal
IEM system let you to have two inputs: your instrument (that should be carried by the Amp
Central) and the band, usually carried by FOH or stage mix personnel.
LOOP FX
An effects loop is usually placed between your amp’s preamp and power amp, so this mean
that only your preamp is processed by the effects, while the power amp is there only to amplify
the signals. It’s something quite useful for these modern times.
Some of the older amps had no fx loop, more modern ones, do have one, but in mono.
We decided to place a stereo fx loop in the AMP CENTRAL to let you insert you favorite external
effects in the chain. The fx loop is placed between the IR LOADER section and the output of the
Amp Central, so this means you’re sending the already processed amp signal with the Impulse
Response applied to your fx to be processed. To the most experts out there and also according
to us, this is the best place to put your effects, but in a superior way than most conventional
amp fx loops offer.
Not having the fx through your, speakers but after, would enable the entire audio spectrum to
go thru them, and not having them heavy band-passed by the speaker itself.
NOTE: While the SEND section is stereo, only one I.R. can be loaded at a time, for both left and
right. SENDS will simple make a buffered copy for your right and left effect inputs, to be
returned to the stereo RETURNS.
So, what is the advantage of sending the signal in stereo instead of using only one mono send
and then a stereo return?
Well, there are no advantages at all for a mono input devices, besides the facts that some
effects want to see a stereo input signal to help make their algorithms work in a proper way.
If you have only one channel in your soundcard/mixer left, use only one output as one side of
the stereo loop, this will work perfectly as you’d mic’d your amp with a single SM57 for esample,
while placing a delay into your amp’s fx loop.