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Manual-2

MP 2016S FRONT PANEL CONTROLS

INPUT SELECTORS 1-4

Each six-position Input Selector chooses a dedicated PHONO / 

LINE preamplifier, or one of five stereo line-level AUX Inputs as 

its Input Channel source. (PHONO / LINE switches are on the 

rear panel).

INPUT SELECTORS 5-6

Each six-position Input Selector chooses a dedicated mono MIC 

Input, or one of five stereo AUX Inputs as its Input Channel 

source. (MIC GAIN trim, MIC / LINE switch and MIC tone 

controls are located on the rear panel).

MIC ENGAGE

MIC 1 and MIC 2 ENGAGE switches allow switching a mic on 

(

up

) or off (

down

). A MIC Input must be selected 

and

 MIC EN-

GAGE 

on

 to activate a MIC Input. When a mic is not in use, be 

sure to switch MIC ENGAGE 

off

. The MIC ENGAGE switches 

also activate the Booth Ducker. This attenuates the Booth Out-

put -12 dB whenever a MIC ENGAGE switch is on, even if MIC 

Input is not selected (internal jumpers allow disabling the Booth 

Ducker—see 

Mic/Line Inputs

 on page Manual-6).

INPUT GAIN

INPUT GAIN controls allow the user to match input levels. 

Adjust these to make the SIG / OL indicator flash green. If the 

indicators turn red, reduce the INPUT GAIN. Adjusting the 

INPUT LEVEL controls correctly maximizes dynamic range 

and provides consistent MIX LEVEL response.

Input SIG / OL

These dual-color indicators provide help in setting correct input 

levels. A flashing green indication is optimal. A red light that 

lasts more than a flash is a request to turn down the INPUT 

GAIN.

MIX LEVEL

These studio-grade controls determine the Master MIX LEVEL. 

For optimum performance, set the INPUT GAIN controls as 

indicated previously, and then operate MIX LEVELS between 

“7” and “10” for full volume. Use the HOUSE and BOOTH 

LEVEL controls to set the output levels. Always set the MIX 

LEVEL controls to minimum when not in use.

CUE

The CUE signal is selected using CUE 1-6 switches in any 

combination. The associated yellow indicator lights when a CUE 

is active.

SIG / OL

CUE

1

CUE

2

ENGAGE

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

6

5

7

4

2

3

9

1

10

8

6

5

7

CUE

PGM

POWER

STEREO

XP 2016S

MASTER

CUE

EFFECTS

LOOP

MONO

BOOTH

+6

OFF

0

TREBLE

1

2

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

AUX 5

AUX 4

AUX 3

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

MIC 1

ENGAGE

MIC 2

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

3

3

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

4

4

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

5

5

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

6

6

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

4

8

6

8

6

2

2

4

4

2

3

9

1

10

8

6

5

7

LEVEL

MONITOR

PHONES

4

2

3

9

1

10

8

6

5

7

HOUSE

4

2

3

9

1

10

8

6

5

7

MASTER

MP 2016S

ROTARY

MIXER

+6

OFF

0

MID

+6

OFF

0

BASS

STEREO

MONO

SIG / OL

CUE

1

CUE

2

ENGAGE

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

6

5

7

4

2

3

9

1

10

8

6

5

7

CUE

PGM

POWER

STEREO

XP 2016S

MASTER

CUE

EFFECTS

LOOP

MONO

BOOTH

+6

OFF

0

TREBLE

1

2

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

AUX 5

AUX 4

AUX 3

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

PHONO /

    LINE

MIC 1

ENGAGE

MIC 2

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

3

3

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

4

4

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

5

5

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

CUE

6

6

SIG / OL

MIX LEVEL

4

INPUT GAIN

2

3

9

1

10

8

AUX 5

AUX 4

AUX 3

6

5

AUX 2

AUX 1

7

4

2

3

9

1

10

8

6

5

7

4

8

6

8

6

2

2

4

4

2

3

9

1

10

8

6

5

7

LEVEL

MONITOR

PHONES

4

2

3

9

1

10

8

6

5

7

HOUSE

4

2

3

9

1

10

8

6

5

7

MASTER

MP 2016S

ROTARY

MIXER

+6

OFF

0

MID

+6

OFF

0

BASS

STEREO

MONO

Содержание XP 2016S

Страница 1: ... 7 4 2 3 9 1 10 8 6 5 7 CUE 5 5 SIG OL MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 AUX 5 AUX 4 AUX 3 6 5 AUX 2 AUX 1 7 4 2 3 9 1 10 8 6 5 7 CUE 6 6 SIG OL MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 AUX 5 AUX 4 AUX 3 6 5 AUX 2 AUX 1 7 4 2 3 9 1 10 8 6 5 7 4 8 6 8 6 2 2 4 4 2 3 9 1 10 8 6 5 7 LEVEL MONITOR PHONES 4 2 3 9 1 10 8 6 5 7 HOUSE 4 2 3 9 1 10 8 6 5 7 MASTER MP 2016S ROTARY MIXER 6 OFF 0 MID 6 OFF 0 BASS ...

Страница 2: ...ompletely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This apparatus shall be connected to a mains socket outlet with a protective earthing connection 17 When permanently connected an all pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the electrical installation of the building 18 If...

Страница 3: ...4 INPUT GAIN 2 3 9 1 10 8 AUX 5 AUX 4 AUX 3 6 5 AUX 2 AUX 1 AUX 5 AUX 4 AUX 3 PHONO LINE PHONO LINE PHONO LINE PHONO LINE MIC 1 ENGAGE MIC 2 AUX 2 AUX 1 7 4 2 3 9 1 10 8 6 5 7 CUE 3 3 SIG OL MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 AUX 5 AUX 4 AUX 3 6 5 AUX 2 AUX 1 7 4 2 3 9 1 10 8 6 5 7 CUE 4 4 SIG OL MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 AUX 5 AUX 4 AUX 3 6 5 AUX 2 AUX 1 7 4 2 3 9 1 10 8 6 5 7 CUE 5 5 ...

Страница 4: ...nd 10 for full volume Use the HOUSE and BOOTH LEVEL controls to set the output levels Always set the MIX LEVEL controls to minimum when not in use CUE The CUE signal is selected using CUE 1 6 switches in any combination The associated yellow indicator lights when a CUE is active SIG OL CUE 1 CUE 2 ENGAGE MIX LEVEL 4 INPUT GAIN 2 3 9 1 10 8 6 5 7 4 2 3 9 1 10 8 6 5 7 CUE MASTER CUE BOOTH 1 2 SIG OL...

Страница 5: ...he optional XP 2016S External Processor If the XP 2016S is not connected the switch does nothing If an XP 2016S is connected and the switch is on up it routes the MIX LEVEL Outputs to the XP 2016S and returns a stereo MASTER signal to the MP 2016S EFFECTS LOOP switch This engages the EFFECTS LOOP when up If nothing is con nected to the EFFECTS LOOP RETURN the switch has no effect TREBLE tone contr...

Страница 6: ...E level Inputs these switches also select the proper Input impedance MIC GAIN trim These controls adjust the preamplifier for optimum dynamic range Each has a range of 30 dB allowing a wide range of sources to be used To properly set this control set the associated front panel INPUT GAIN to 10 turn the MIC ENGAGE switch on and adjust the MIC GAIN so that the input SIG OL indicator flashes red only...

Страница 7: ...ster signal is derived only by the signal present at the RETURN Inputs the mix signals are disconnected BOOTH OUTPUT RCA jacks The unbalanced stereo BOOTH OUTPUT is normally used for booth monitoring As previously outlined very flexible source selection is provided as well as MIC ducking Remember the BOOTH OUTPUT is attenuated by 12 dB whenever one of the front panel MIC ENGAGE switches is active ...

Страница 8: ...put stages up cor rectly however you will be amazed at how much better your performance sounds MIX LEVEL With the Input stages properly adjusted you are free to use the MIX LEVEL control for mixing For most applications channels will be mixed at about 70 to 100 rotation BOOTH and HOUSE level controls then set the output volume The MAS TER SIG OL indicator displays the signal level of the mix The G...

Страница 9: ... input channels to the A side of the Crossfader B side of the Crossfader or POST Crossfader CROSSFADER This implements using Ranes proprietary Active Crossfader design All audio is isolated from the control element greatly extending the life and performance of the control See page Manual 8 for cleaning and replacement instructions CROSSFADER CONTOUR This control allows adjusting the shape of the C...

Страница 10: ...nt Order it from CAIG Laboratories Inc 12200 Thatcher Ct Poway CA 92064 Phone 800 CAIG 123 Email info caig com Web www caig com CLEANING INSTRUCTIONS A Fader assembly removal 1 Remove 2 3mm screws 2 Draw fader assembly out through hole 3 Remove ribbon cable B Fader cleaning 1 Hold the fader assembly away from the mixer 2 Position the fader at mid travel 3 Spray cleaner lubricant into both ends of ...

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