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Manual-

-20

-10

-4
-7

-2

+10

+2

0

+4

+7

CUE

A

B

CUE

SPLIT CUE

“in”

Any Cue

“in”

CUE

MASTER

CUE

AUTO-GAIN

“in”

INPUT

1-2-3

Gain

Before

AGC

LEFT

Gain

After

AGC

RIGHT

MAIN

CUE

“in”

AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)

INPUT LEVEL

23 MAY 102 13:01:49

ON

OFF

-24

-21

-18

-15

-12

-9

-6

-3

0

3

6

9

12

-24

-21

-18

-15

-12

-9

-6

-3

0

3

6

9

12

O

U

T

P

U

L

E

V

E

L

AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)

23 MAY 102 13:01:49

-24

-21

-18

-15

-12

-9

-6

-3

0

3

6

9

12

-24

-21

-18

-15

-12

-9

-6

-3

0

3

6

9

12

O

U

T

P

U

T

 

L

E

V

E

L

INPUT LEVEL

Gain is

increased

Gain is

held below

Threshold

Gain is

decreased

-16 dB Threshold

Target

Automatic Gain Control

(input level decreasing)

Automatic Gain Control

(input level increasing)

3 fully equipped stereo input channels

•   One Phono and one Line Input for each channel.

  °   Be sure to connect each turntable ground to the Phono GND terminal.

  °   PHONO/LINE source switch selects the Input for each channel.

•   ±12 dB input GAIN trims adjust for +0 dB on the CUE Meter.

•   Left/Right, constant-level PAN controls:

  °   The loudness stays the same in the room as you Pan left to right.

•   3-band, full-cut tone controls:

  °   +6 dB boost to full-cut (off).

  °   2

nd

-order Linkwitz-Riley filter topology.

  °   Low-Mid crosspoint is 300 Hz.

  °   Mid-High crosspoint is 4 kHz.

•   EQ engage switch allows “transform” EQ effects.

•   DRY/WET Pan controls:

  °   Use to split signal between DRY (no effect) and WET (FlexFx loop).

  °   See 

FlexFx Loop

 section for details.

•   A-POST-B Crossfader assignment

  °   Input channels are assignable to A-side, B-side or Post-Crossfader.

  °   See 

Advanced Cue Selection 

section for automatic “Flash-Cue” operation.

 Auto-Gain Switch

•   Monitors channel-1, -2, and -3 input signals and automatically adjusts the input gain.

  °   Level is monitored at the Cue point: 

After PHONO/LINE source selection

   

 

 

 

 

After GAIN trim

   

 

 

 

 

After EQ

   

 

 

 

 

Before the channel Fader

•   Enable  by setting the Input 1-2-3 Auto-Gain switch to the “

in

” position.

  °   Green indicator will light.

  °   Auto-Gain is engaged for all three channels or none.

•   Target Level: 0 dBu = No gain change.

•   Threshold:  –16 dBu

  °   Minimum level required for Auto-Gain operation.

  °   If the signal is below –16 dB, the gain holds indefinitely. 

•   Ratio = 3:1

  °   3 dB increase or decrease in input level results in 1 dB increase/decrease in output level.

•   Turns the gain down at a rate of 32 dB per second.

•   Turns the gain up at a rate of 5.33 dB per second.

•   Auto-Gain increase or decrease is monitored by the Cue meter system:

  °   Set A-CUE-B switch to CUE position.

  °   Select the desired Cue source.

  °   Set SPLIT CUE switch to “

in

” position.

  °   Set CUE/MASTER Pan to center position.

  °   Set meter CUE/MAIN source switch “

in

” to CUE.

  °   Level before Auto-Gain is shown on the left meter.

  °   Level after Auto-Gain is shown on the right meter.

•   Set the Input GAIN trim so that normal input levels result in 0 dB on the meter with or without Auto-Gain engaged.

L

-12

OFF

R

+6

+12

OFF

+6

OFF

+6

1 / 2 / 3

DRY

POST

A

B

WET

EQ

LINE

PHONO

LOW

MID

HIGH

PAN

GAIN

Содержание ROTARY EMPATH

Страница 1: ...lub broadcast competition remix live sound The Empath offers a combination of features compact size and quality presently unavailable at any price 0 10 10 8 0 2 6 4 2 0 4 6 8 10 12 4 8 8 4 0 12 L 12 OFF 10 0 12 12 2 4 8 6 R 6 20 10 4 7 2 12 10 2 0 4 7 OFF 6 OFF 6 12 12 OFF 6 OFF 6 OFF 6 OFF 6 OFF 6 OFF 6 L R L R 12 12 12 12 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 1 2 3 OL ...

Страница 2: ...nd WET FlexFx loop See FlexFx Loop section for details A POST B Crossfader assignment Input channels are assignable to A side B side or Post Crossfader See Advanced Cue Selection section for automatic Flash Cue operation Auto Gain Switch Monitors channel 1 2 and 3 input signals and automatically adjusts the input gain Level is monitored at the Cue point After PHONO LINE source selection After GAIN...

Страница 3: ...nput 1 and Input 3 controls Allows any fader response from SLOW smooth fade to FAST cut CONTOUR control provided for the Crossfader Allows any response from SLOW smooth blend to FAST cut Advanced Cue selection Three position switch allows automatic Flash Cue or individual Cue selection Set switch to A to Cue all channels assigned to the A side of the Crossfader Set switch to B to Cue all channels ...

Страница 4: ...CUE signal is sent to the cue circuit before the AUX IN level control AUX IN level control range is Off to 10 dB AUX input sums to the Master mix after the Crossfader and FlexFX loop AUX Output Unbalanced RCA jack AUX OUT control range is Off to 0 dB Source is the Master mix Program 1 2 3 pre or post effects plus the Mic pre or post effects plus the AUX Input Booth Output Balanced TRS output Level...

Страница 5: ...o the effects processor Set A CUE B switch to center CUE position Engage FlexFX RETURN CUE in Monitor the effect in the headphones Bring the effect into the master mix by increasing FlexFX RETURN Level Important reminders when using the FlexFX Return Cue The FlexFX Loop is after the channel Fader and Crossfader You will hear nothing in the Return Cue if the signal is turned down by the channel Fad...

Страница 6: ...op threshold is at 75 dB of control attenuation CD triggers may be used with some external effects processors and drum machines See manufacturers specifications for details Internal switching power supply Plug in virtually anywhere IEC inlet with power switch Universal internal switching power supply 100 to 240 VAC 10 50 60 Hz 20 watts US 120 volt cord provided Note The internal fuse F1 should be ...

Страница 7: ...track by carefully withdrawing from the unit and placing face up on the desk It may be cleaned with a lint free cloth rubbing firmly along the track so no debris remains If necessary the track can be washed in warm water wiped gently and then dried thoroughly using a dry cloth When dry wipe with a lint free cloth and check for marks along the track Note Lint free clothes are recommended to avoid d...

Страница 8: ... the power 3 Remove knobs from controls covered by the lower Lexan faceplate 4 Remove the four screws attaching the Lexan faceplate 5 Remove the Lexan faceplate as seen here 6 The three rotary pots are mounted on a separate plate Remove the six screws hold ing the fader mounting plate 7 Lift the plate out of the chassis and rotate it up as in the photo below 8 Carefully disconnect the ribbon conne...

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