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Manual-1

OPERATORS MANUAL

MP 22z

CLUB MIXER

QUICK START

If you won’t read the manual (we know how it is) here are a few basic “plug it in and get signal thru it” facts. The MP 22z has all 

unbalanced RCA connectors, except for the XLR & ¼" Mic Inputs, ¼" Mic Loop, and the balanced ¼" TRS Master Outputs. Be 

sure your amplifier is off while making connections. On the front panel, set all controls to the middle of their travel. Set all pushbut-

tons to their 

out

 position, slide the 

MASTER LEVEL

 all the way down. Turn the 

INPUT SELECT

 switch for Channel 

or 

B

 to an 

Input with material playing. Turn your amplifier on. Now slowly turn up the 

MASTER LEVEL

 and see the material on the meters 

and hear it from the 

MASTER OUTPUT

 jacks.

There are two places where you can get lost. If you bring a phono signal into 

PH/LN 1

 or 

2

 be sure to keep the 

LINE/PHONO

 

switch set to 

PHONO

; likewise when using a CD player be sure this switch is set to 

LINE

. If you plug into the 

MASTER LOOP 

RETURN

 the signal path thru the unit is broken, since these are switching jacks. They are looking for the return from an outside 

device that got its signal from the 

MASTER LOOP SEND

, so only use these when you can make a complete loop. 

With the 

CROSSFADER CONTOUR

 set to full counter-clockwise position, it operates as a typical constant-power crossfader. 

Set to clockwise position, the crossfader has the very steep slope as indicated in Figure 1 to the right. Now that was a pretty quick 

start, right?

WEAR PART

This product contains the following wear part subject to the 

ninety (90) day warranty period described on page Warranty-1: 

(1) Active Crossfader Assembly F 60.

Never connect anything except a Rane RS 1 to the thing 

that looks like a red telephone jack on the rear of the  
MP 22z. 

This is an AC supply and requires some special atten-

tion if you do not have an operational power supply

 exactly 

like 

the one that came with your unit. Consult the Rane factory for a 

replacement or substitution.

Figure 1. Crossfader Contour control

CUE LEFT

CUE

PGM

PGM RIGHT

MONO

+8

+5

+1

+3

PEAK dBu

-3

-1

-7

-5

-10

-15

-20

LEFT

RIGHT

0

CUE/PGM

6

4

10

8

0

8

2

ZONE 2

6

4

6

10

2

0

ZONE 1

8

10

10

8

0dB

2

4

4

2

0

4

2

4

CUT

EQ ENGAGE

2

BOOST

10

8

4

6

2

4

2

4

4

CUT

10

0dB

2

4

CUT

6

2

4

BOOST

BOOST

2

2

LEVEL

STEREO

8

6

4

10

2

0

0

2

PGM

6

2

CUE

6

LEVEL

PAN

0

2

4

2

4

CUT

0

BOOST

LINE 5

LINE 4

PH/LN2

LINE 3 LINE 4

LINE 5

10

8

6

2

4

10

0dB

6

2

4

4

CUT

BOOST

2

2

4

EQ ENGAGE

4

CUT

BOOST

2

4

2

CUT

BOOST

4

4

2

2

6

2

4

8

10

PH/LN1

TM

0

10

6

8

0

4

2

0

0

4

2

6

8

10

2

4

2

CUT

BOOST

4

0

4

2

2

BOOST

4

BOOST

4

4

CUT

CUT

2

2

8

MAX

2

MIN

OL

6

MAX

8

4

MIN

2

ENGAGE

ENGAGE

4

6

LINE 6

ACTIVE CROSSFADER

PWR

MIXER

AUX

OUTPUT LEVELS

B

HI-MID

TREBLE

MID

BASS

EQ B

MASTER LEVEL

HEADPHONE CONTROL

B

CUE B

INPUT SELECT

A

TREBLE

CUE A

HI-MID

MID

BASS

EQ A

CROSSFADER

CONTOUR

A

MAIN MIC

TREBLE

BASS

MIC EQ

REMOTE MIC

MAIN MIC

INPUT SELECT

MP 22z

F 60

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