background image

Manual-3

12. MAIN MIC LEVEL control:

 This control adjusts the LEVEL of the front panel MAIN MIC Input.

13. MAIN & REMOTE MIC OVERLOAD indicator:

 This red LED monitors 

both Microphone Inputs

, before and after the

MIC EQ. It lights whenever these levels exceed 4 dB below clipping. 

Occasional flickering is normal; however, it should

not be allowed to light steadily

.

14. REMOTE MIC ENGAGE switch:

 This pushbutton ENGAGES the REMOTE MIC Input. The adjacent red LED flashes

whenever the switch is pressed in, signalling the Remote Mic is on.

15. REMOTE MIC LEVEL control:

 This control adjusts the LEVEL of the rear panel REMOTE MIC Input.

16. A & B Input Channel faders

: These faders control the Levels of the Input selected on each Channel.

17. ACTIVE CROSSFADER: 

This fader controls the relative level of the Inputs assigned to the A and B Channels. When this

fader is at its far left, only Channel A is heard from the Outputs. As the fader is moved toward the right, the volume of
Channel B is increased. When the fader is centered, both Channels deliver equal volume. As you might expect, at the far
right only Channel B is heard from the Outputs. In the unlikely event of crossfader trouble, See 

Replacing the Active

Crossfader

 below.

18. MASTER LEVEL fader: 

This control determines the final LEVEL at the MASTER and ZONE OUTPUTS. Unity gain is

approximately “6”.

19. HEADPHONE PAN control:

 This control serves two purposes. When the Headphone Mode switch (see #21) is in

STEREO mode, this controls the relative levels of the Cue and Program mixed together in Stereo. When the Mode is
switched to MONO, this controls the balance between Mono Cue in the left earcup and the Mono Program in the right.

20. HEADPHONE LEVEL control:

 Clockwise rotation of this rotary control increases the Headphone drive LEVEL.

21. HEADPHONE mode switch:

 In the 

out 

position, this switch feeds Stereo Cue and Program to both earcups. In the 

in

position the headphone circuit provides Mono Cue to the Left ear and Mono Program to the Right ear.

22. HEADPHONE Output jack:

 A ¼" tip-ring-sleeve stereo jack delivers signal to stereo headphones.

23. POWER “ON” indicator: 

This yellow LED illuminates anytime the MP 22x is connected to an appropriate power source

(see #14, rear panel).

FADER CARE

With heavy use in harsh environments, the faders may

need lubrication. Rane recommends spraying one or two
bursts of CaiLube MCL into the fader. Work the fader back
and forth a few times after spraying. This treatment extends
longevity and can make used faders as good as new.

Order CaiLube MCL

®

 from:

CAIG Laboratories, Inc.
12200 Thatcher Ct.
Poway, CA  92064
Phone 619-486-8399
Fax 619-486-8398
Web www.caig.com

REPLACING THE ACTIVE CROSSFADER

The Crossfader may be removed from the front of the

MP 22x without any disassembly of the unit itself, and may
be performed while the unit is operating with no interruption
of the audio signal.
1. Remove the two (2) outer screws attaching the crossfader

assembly to the front panel.

2. Firmly pull the Crossfader Assembly forward, unplugging

it from the connector on the bottom board.

3. Install the replacement assembly by reversing the above

instructions.

Содержание MP 22X

Страница 1: ...it from the MASTER OUTPUT jacks There are two places where you can get lost If you bring a phono signal into PH LN 1 or 2 be sure to keep the LINE PHONO switch set to PHONO likewise when using a CD player be sure this switch is set to LINE If you plug into the MASTER LOOP RETURN the signal path thru the unit is broken since these are switching jacks They are looking for the return from an outside ...

Страница 2: ... combination of CUE pushbuttons sends any program present at the respective Channel s INPUT SELECT selector to the Headphone and meter cue sections The yellow LEDs adjacent to each CUE select button illuminate when the switch is engaged Not recommended for beat sync lights See Operating Instruc tions on page Manual 6 6 INPUT SELECT A B These four position rotary switches provide Input selection be...

Страница 3: ...s controls the relative levels of the Cue and Program mixed together in Stereo When the Mode is switched to MONO this controls the balance between Mono Cue in the left earcup and the Mono Program in the right 20 HEADPHONE LEVEL control Clockwise rotation of this rotary control increases the Headphone drive LEVEL 21 HEADPHONE mode switch In the out position this switch feeds Stereo Cue and Program ...

Страница 4: ...nt front panel LEVEL control see 7 Front Panel 8 TAPE OUTPUT These RCA connectors are line level Outputs intended for use with a tape recorder but not necessarily restricted to that purpose You may be creative These Outputs are not affected by the MASTER LEVEL fader 9 MIC AUX TO TAPE OUT switch In the YES position the Mic and Aux signals along with all Inputs are routed to the TAPE OUTPUT In the N...

Страница 5: ...path thru the unit unless they contain the return from an outside device that got its signal from the Master Loop Send In other words these are switching jacks only use a stereo effects device that passes signal completely patched through The Mic and Aux can be switched to appear or not appear on the Zone 1 Output and the Mic and Aux can be switched to appear or not appear on the Tape Output deter...

Страница 6: ...is switch up you get Stereo Program in both ears or Stereo Cue in both ears depending on the rotation of the PAN control The overall volume is then controlled by the HEADPHONE LEVEL control When a CUE is active at either Input Channel and if the Meter CUE PROGAM switch is down the monoed Cue signal is routed to the LEFT side of the PEAK dBu Meter while monoed Program is displayed on the RIGHT This...

Отзывы: