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Manual-7

OPTIONAL XP 2016 EXTERNAL PROCESSOR

Combining the optional XP 2016 EXTERNAL PROCES-

SOR with the MP 2016 adds three-band, full-cut, 

Acceler-

ated-Slope™

 tone controls and A-POST-B Crossfader Assign

switches for 

each

 of the six Input Channels, high-perfor-

mance 

Active-Crossfader™,

 with full-range Contour control

and a stereo 10-segment peak dBu Master/Cue Meter with
peak hold. With these added features, the system accommo-
dates the diverse needs of virtually all DJ mixing styles.

The post MIX LEVEL signals from the MP 2016 are

routed to the XP 2016, processed by the tone controls, then
assigned to the A side of the fader, B side of the fader or 

post

fader. The 

mixed

 signal is returned to the MP 2016. If the

XP 2016 engage switch is active, the MASTER signal gets
the XP 2016 mix. If the XP 2016 engage switch is not active,
the MASTER signal gets the normal MP 2016 mix.

CHANNEL 1-6 TREBLE

Allows adjusting the amplitude of frequencies above 4

kHz from +10 dB to OFF (full kill).

CHANNEL 1-6 MID

Allows adjusting the amplitude of frequencies between

300 Hz and 4 kHz from +10 dB to OFF (full kill).

CHANNEL 1-6 BASS

Allows adjusting the amplitude of frequencies below 300

Hz from +10 dB to OFF (full kill).

CHANNEL 1-6 A/POST/B assign

These switches assign each of the six input channels to the

A side of the Crossfader, B side of the Crossfader or POST
Crossfader

CROSSFADER

 This implements using Ranes’ proprietary 

Active

Crossfader™

 design. All audio is isolated from the control

element, greatly extending the life and performance of the
control. See page Manual-8 for cleaning and replacement
instructions.

CROSSFADER CONTOUR

 This control allows adjusting the “shape” of the

Crossfader response from a gentle curve for smooth, long
running fades, to the steep pitch required for top performance
cut and scratch effects. (See the graph in the Data Sheet.)

PEAK PROGRAM/CUE METER

 

The stereo 10-segment Meter on the XP 2016 monitors

the same signal as the headphones. If MASTER is selected as
the source, the Meter will indicated the MASTER signal level
before the HOUSE and BOOTH level controls. If CUE is
selected as the source, the meter will indicate the level of the
selected CUE signal.

PWR indicator

 This yellow indicator lights whenever AC power is

connected to the unit.

Содержание MP 2016

Страница 1: ... to the EFFECTS LOOP RETURN the switch has no effect The MASTER MONO STEREO switch influences both BOOTH and HOUSE OUTPUTS It does not affect the EFFECTS LOOP or TAPE OUTPUTS Two TAPE OUTPUTS are provided One is PRE EFFECTS Loop and one is POST EFFECTS Loop The POST EFFECTS Loop Tape Output has a LEVEL control and may be used as a pre tone control AUX Output The MP 2016 uses high performance tone ...

Страница 2: ...Output 12 dB whenever a MIC EN GAGE switch is on even if MIC Input is not selected internal jumpers allow disabling the Booth Ducker see Mic Line Inputs on page Manual 6 INPUT GAIN INPUT GAIN controls allow the user to match input levels Adjust these controls to make the SIG OL indicator flash green If the indicators turn red reduce the INPUT GAIN Adjusting the INPUT LEVEL controls correctly maxim...

Страница 3: ...ntly reduces output power MASTER HOUSE Level This studio grade control sets the HOUSE Output level MASTER SIG OL indicator This dual color indicator helps set correct MASTER mix levels A flashing or steady green indication is optimal The red indicator may flash only briefly on rare occasion regular flashing or steady on means that distortion is imminent and Levels need reducing XP 2016 switch This...

Страница 4: ...nect ground wires from turntables When using a turntable proper grounding is essential MIC 1 MIC 2 XLR jacks The MIC 1 Input provides a dedicated balanced preampli fier for Input Channel 5 while MIC 2 provides the preampli fier for Input Channels 6 Each may operate in MIC or LINE mode Each of these preamplifiers features GAIN trim with BASS and TREBLE tone controls MIC LINE switches These select M...

Страница 5: ...line level Output for external signal processing or effects units If effects are not being used these outputs may be used as Auxiliary Outputs EFFECTS LOOP RETURN jacks RETURN Inputs are unbalanced standard tip sleeve jacks They provide the Input from external signal processing or effects units Switching jacks are used so there is no loss of signal if the front panel EFFECTS LOOP switch is active ...

Страница 6: ...N GAGE switch set to ENGAGE up When either of the ENGAGE switches is set to the ENGAGE position the BOOTH OUTPUT is ducked attenu ated by 12 dB about th If you do not want the BOOTH OUTPUT to duck when a MIC source is engaged then you can remove the top cover and set the internal jumper accord ingly There is an independent Ducker select jumper for MIC 1 and MIC 2 It sounds like a lot of trouble to...

Страница 7: ...f frequencies between 300 Hz and 4 kHz from 10 dB to OFF full kill CHANNEL 1 6 BASS Allows adjusting the amplitude of frequencies below 300 Hz from 10 dB to OFF full kill CHANNEL 1 6 A POST B assign These switches assign each of the six input channels to the A side of the Crossfader B side of the Crossfader or POST Crossfader CROSSFADER This implements using Ranes proprietary Active Crossfader des...

Страница 8: ... 4R IN 16 CH 4L IN 17 GND 18 CH 3R IN 19 CH 3L IN 20 GND 21 CH 2R IN 22 CH 2L IN 23 XP 2016 ENABLE GND 24 CH 1R IN 25 CH 1L IN 26 GND Fader Cleaning With heavy use in harsh environments the faders may need lubrication This treatment extends longevity and can make used faders as good as new The fader assembly must be removed from the XP 2016 for proper cleaning We recom mend any of the following cl...

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