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Manual-4

OPERATION

MONO MICROPHONE/LINE LEVEL INPUTS 1-6

The rear-panel MIC INPUT GAIN adjusts the input gain before 

the front panel PAN and LEVEL controls. When an Input’s 

MIC/LINE button is in the “out” position (MIC level), the gain 

range is 12 to 60 dB. When this button is in the “in” position 

(LINE-level), the gain range is -4 to 12 dB. To adjust, input 

some “loud” source material. Then using a screwdriver, adjust 

the GAIN for each Input so the rear panel OL LED illuminates 

only occasionally during extreme peaks.

Some microphones (usually called condenser mics) require 

phantom power to operate. Push the PHANTOM POWER but-

ton (when needed) for each Input. If the MIC/LINE button is 

engaged (LINE-level), Phantom Power is automatically defeated 

for that Input. The PHANTOM POWER button activates 12 

volts which is sufficient power for all but the most esoteric con-

denser mics. If in doubt, check the manufacturer’s mic specs.

Pan each Input to the desired stereo image using the PAN 

knobs. The 45 mm LEVEL fader on each Input can now be 

adjusted to set the relative levels of each input in the main mix.

STEREO AUX INPUTS 1-5

The Stereo Source Selector and Level Fader control which stereo 

source is included in the Main Mix, and at what level.

AUX 1 includes a 3.5 mm stereo TRS jack. Only connect to 

one AUX 1 input (RCA or TRS) at a time.

AUX 4 includes an RIAA filter when PHONO is selected 

using the LINE/PHONO switch. When connecting a phono-

graph, connect its ground wire to the ground lug above the Aux 

4 input.

Each rear panel Aux Input level control adjusts the gain of 

the AUX 

source device

 before it reaches the front panel Stereo se-

lector switch. The Input Level controls may be used to match the 

input levels of various stereo 

program material

. Use the following 

procedure to match the Aux Input levels.

1. Set the Stereo Fader LEVEL to minimum.

2. Select the Stereo CUE button.

3. Play typical program material on an AUX source.

4. Select that source using the Stereo selector.

5. Using a screwdriver, adjust the rear panel input gain for that 

source until the CUE Meter hovers between 0 and +7 dB.

6. Repeat from step 3) for all connected Aux Inputs.

MIXING

The faders on the Mic 1-6 and Stereo input channels control the 

level of the corresponding inputs in the mix. The Main meter 

displays the peak level of the mix (pre-Main fader). A mix with 

optimal dynamic range normally lights the meter from 0 to +7 

dB, and only lights the red OL led during the most extreme 

peaks. A peak indication 0 dB on the meter corresponds to -20 

dBFS in the mix (20 dB below clipping). The stereo Main Mix is 

sent to the Record Outputs, Digital Outputs and the Main Level 

fader.

CONNECTION

, continued from page Manual-1.

RECORD OUTPUT

The analog Record Output is a line-level unbalanced output on 

a stereo RCA connector. The adjacent level control adjusts the 

record output level, while the front panel Main Level does not.

S/PDIF AND TOSLINK OUTPUTS

A 75 ohm cable with RCA plugs connects to the S/PDIF output 

of the MLM65. A TOSLINK (optical) cable connects to the 

TOSLINK output. Both digital outputs operate at 24-bit resolu-

tion and 48 kHz sample rate.

USB CONNECTION

The USB AUDIO IN / OUT port on the MLM65 carries one 

stereo channel of audio in each direction. This USB audio inter-

face is configured to use the audio device drivers that ship with 

Windows and Macintosh operating systems. When the operating 

system recognizes the MLM65’s USB audio interface, the blue 

LED next to the USB AUDIO jack illuminates.

USB CHARGE PORT

The USB charge port supplies up to 500 mA @ 5V to con-

nected devices, allowing them to charge their battery. The port 

is configured to be recognized as a charge-only host port by the 

industry’s most popular personal media players.

HEADPHONES

Shielded 1/4" and 3.5 mm TRS jacks are provided for connect-

ing headphones. We recommend only connecting one pair of 

headphones at a time for best output.

e

 USB AUDIO IN / OUT

 jack provides a stereo record and 

playback audio interface to a personal computer. The class-

compliant USB audio interface is supported by native drivers 

on Windows and Macintosh operating systems. This USB 

stereo input is available as a source for the AUX Input (see 

front panel 

5

). The USB stereo output carries the Main 

Mix unaffected by the Main Level fader, and may be used to 

record the Main Mix using computer software. The blue LED 

next to the USB AUDIO jack illuminates when the MLM65 

is recognized by the computer.

r

 

The IEC appliance input jack uses a C5 cord, connected to 

AC mains using a line cord appropriate for your area. The 

high efficiency switching power supply used in the MLM65 

operates at voltages from 100 to 240 VAC, 50 or 60 Hz. 

To prevent accidental shutoff, there is no front panel power 

switch.

Содержание MLM 65

Страница 1: ...4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 LEVEL MLM 65 MIC LINE MIXER PAN MIC 2 R L CUE LEVEL PAN MIC 1 R L CUE LEVEL PAN MIC 3 R L CUE LEVEL PAN MIC 4 R L CUE LEVEL PAN MIC 5 R L CUE LEVEL LEVEL PAN MIC 6 STEREO R L CUE LEVEL POWER CUE CUE AUX SOURCE MAIN CUE PHONES LEVEL 2 5 USB 1 3 4 D...

Страница 2: ...ain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This apparatus shall be connected to a mains socket outlet with a protective earthing connection 17 When permanently connected an all pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the electrical installat...

Страница 3: ...ible Pour déconnecter totalement l appareil du secteur débranchez le câble d alimentation de la prise secteur 16 Cet appareil doit être branché à une prise terre avec protection 17 Quand il est branché de manière permanente un disjoncteur tripolaire normalisé doit être incorporé dans l installation électrique de l immeuble 18 En cas de montage en rack laissez un espace suffisant pour la ventilatio...

Страница 4: ...0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 0 1 2 3 4 5 6 7 8 9 10 0 1 2 3 4 5 6 7 8 10 9 LEVEL MLM 65 MIC LINE MIXER PAN MIC 2 R L CUE LEVEL PAN MIC 1 R L CUE LEVEL PAN MIC 3 R L CUE LEVEL PAN MIC 4 R L CUE LEVEL PAN MIC 5 R L CUE LEVEL LEVEL PAN MIC 6 STEREO R L CUE LEVEL POWER CUE CUE AUX SOURCE MAIN CUE PHONES LEVEL 2 5 USB 1 3 4 CONNECTION When ...

Страница 5: ...in Level fader the rear panel Record Out gain control and the TOSLINK S PDIF and USB digital outputs The Main Level fader has no effect on this display The 0 dB LED corresponds to a level of 20 dBFS 20 dB before clipping 9 CUE PHONES LEVEL control sets the volume of the input selected with the lit Cue button to the stereo headphone outputs 0 CUE meter displays the signal level of the input selecte...

Страница 6: ...s in stereo pairs accommodate professional consumer level unbalanced inputs White left channel and red right channel 0 RECORD OUT stereo RCA jack outputs the Main Mix unaffected by the Main Level fader at a level dictated by the adjacent record output level trim q MAIN OUTPUT is balanced stereo XLR jacks that output the Main Mix with volume set by the Main Level fader A mono version of the Main Mi...

Страница 7: ...e Main meter displays the peak level of the mix pre Main fader A mix with optimal dynamic range normally lights the meter from 0 to 7 dB and only lights the red OL led during the most extreme peaks A peak indication 0 dB on the meter corresponds to 20 dBFS in the mix 20 dB below clipping The stereo Main Mix is sent to the Record Outputs Digital Outputs and the Main Level fader CONNECTION continued...

Страница 8: ...layback and recording 16 bit 48 kHz The MLM 65 uses the drivers that ship with Windows and Macin tosh operating systems Once the operating system recognizes the MLM65 the blue LED on the MLM65 rear panel illumi nates WINDOWS OPERATION When Windows detects the MLM65 it automatically sets it as the default Recording and Playback device With Windows XP and Vista any audio applications currently runni...

Страница 9: ...X detects the MLM65 it adds it to the list of audio input and output devices but does not automatically set it as the default device Some Macintosh applications allow you to select the device you want to use Other applications only use the device specified as the OSX default We recommend that you set the default audio input and output device to the MLM65 before starting the application you want to...

Страница 10: ...ent is modified without writ ten consent of the manufacturer This declaration of conformity is issued under the sole responsibility of Rane Corporation Type of Equipment Professional Audio Signal Processing Brand Rane Model MLM 65 Immunity Results THD N 4 dBu 400 Hz BW 20 Hz 20 kHz Test Description Measurement Conditions RF Electromagnetic Fields Immunity 80 MHz 1000 MHz 1 kHz AM 80 depth 3V m 80 ...

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