EMPATH
MIXERS
Data Sheet-3
AUDIO PRECISION
vs
-20
-18
-16
-14
-12
-10
-8
-6
-4
-2
0
2
4
6
8
10
12
14
16
18
20
AMPL(dBr)
20
100
1k
10k
50k
FREQ(Hz)
Low +12, High +12
Low 0, High 0
Low -12, High -12
Combined response of the Mic and Headphone Tone controls
AUDIO PRECISION
vs
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
AMPL(dBr)
20
100
1k
10k
50k
FREQ(Hz)
Summed Response
High
Mid
Low
Low Off,
Mid 0,
High Off
Low 0,
Mid Off,
High Off
Low 0, Mid 0, High 0
Low Off,
Mid Off,
High 0
Three Program EQ filter bands and the flat summed response
Interactivity of the
Accelerated-Slope
™ EQ controls
Fader Response
0
20
40
60
80
100
Channel and CrossFader Contour
travel
dB
At
tenuation
Slow
est
Fastest
AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
G
A
I
N
FREQUENCY
20
100
1k
10k
20k
LO
W
–
MID–
HIG
H–
LOW+
MID+
HIGH+
AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)
23 MAY 102 13:01:49
-24
-21
-18
-15
-12
-9
-6
-3
0
3
6
9
12
-24
-21
-18
-15
-12
-9
-6
-3
0
3
6
9
12
O
U
T
P
U
T
L
E
V
E
L
INPUT LEVEL
Gain is
increased
Gain is
held below
Threshold
Gain is
decreased
-16 dB Threshold
Target
Auto-Gain Response
Auto-Gain looks at the input signal level (black line) and com
-
pares it to the ideal or “Target” level (0 dB). With Auto-Gain on,
the gain is increased when it’s above -16 dB, and decreased when
it goes over the 0 dB Target (red line). Once Auto-Gain is active
and falls below -16 dB, it is held indefinitely (blue line).
SLOW FAST
SLOW FAST
EQ Response
These curves represent the
upper and lower limits for
gain response vs fader posi-
tion. Contour controls allow
smooth and continuous
adjustment between a slow
fade and a fast cut.
