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DC 24

DYNAMIC CONTROLLER

Data Sheet-4

All features & specifications subject to change without notice.DOC 107501  

Rear Panel

Available Accessories

•   SC 1.7 Security Cover

©Rane  Corporation    10802  47th  Ave.  W.,    Mukilteo  WA  98275-5098    TEL  425-355-6000    FAX  425-347-7757    WEB  www.rane.com

Application Information

Traditionally, a product such as the DC 24 has been referred 

to as a “Compressor / Limiter” because the range of the Ratio 

control on the Compressor has been wide enough to accommo-

date both gentle compression and harder limiting effects. Not, 

however, simultaneously. One had to make a choice between the 

two modes of operation. On some models a Gate has been pro-

vided which may or may not be part of the Compressor function.

In the DC 24, all three functions of each channel are inde-

pendent. Gating may occur when low-level signals are present, 

compression may occur when the level increases, and “peak-stop” 

limiting is available for high-level signals.  This provides a three 

slope capability which is rather unique in the audio industry.

Additionally, the DC 24 can help out a great deal on the low 

end of the amplitude spectrum by serving as a noise gate simul-

taneously. The Compressor may be used to “tighten” vocals and 

instrumentals while leaving the Limiter function available for use 

as a safety valve.

To accomplish this feat, the DC 24 provides three separate 

“Side Chains” in each Channel, each having its own set of front 

panel controls. For the Gate / Expander function, input signal 

is converted from an audio format to a control signal and ap-

plied to the threshold circuit. If the output of the controller is 

below the specified threshold, it is passed along to the Gate / 

Expander Ratio control. The Ratio control allows attenuation of 

the controller to inhibit the slope of the Expander. After this at-

tenuation, the control signal is delivered to the Channel’s control 

summing amplifier where it will meet similar signals generated 

by the Compressor control system.

The Compressor controller works remarkably similarly to the 

Gate, the exception being the polarity. While the Gate circuit 

reduces gain when input level decreases below Threshold, the 

Compressor decreases gain when input increases above Thresh-

old. The Compressor also receives the output of the controller, 

applies it to its threshold determinator, and passes the signal 

to the ratio attenuator if threshold conditions are satisfied. The 

output of the Ratio control is applied to the summing amplifier 

referenced in the gate section.

Side Chain inserts have been provided on the rear of the unit 

to allow the insertion of an equalizer into the control circuits 

of the Gate and the Compressor. This will allow the user to 

create a frequency-dependent threshold for the Gate and/or the 

Compressor. This feature is useful when attempting to control 

sibilance in vocals.

The Limiter operates in an entirely different manner than the 

preceding sections. The control circuit for the Limiter monitors 

the output of the VCA, not the input of the unit. Anytime the 

output of the VCA exceeds the Threshold set on the front panel, 

Limiting begins to take place. The ratio of the Limiter is set 

automatically and is a function of the excess level the system is 

attempting to deliver above the preset Threshold. The attack and 

release time of the Limiter is a function of the speed at which the 

input signal is attempting to drive the output of the unit above 

the Threshold level.

The Crossover function of the DC 24 is based on Rane’s 

time-proven 4th-order state-variable Linkwitz-Riley design. This 

yields a 24 dB per octave slope and an in-phase characteristic. 

Since the outputs are in phase with each other, they recombine 

properly when the channel summing mode is selected via the 

rear panel Separate/Combine switch.

In its band-split mode, the DC 24 allows separate processing 

of low frequencies and high frequencies; a mode which makes its 

operation all the more transparent. When the Crossover is used 

in conjunction with a two-way loudspeaker system, adequate 

driver protection may be ensured while providing a very flexible 

means of program manipulation. 

For a better view of the various operational modes, refer to 

“The DC 24 Users Guide”

 RaneNote, from the Rane website.

OUTPUTS

CH 2 TRIM

CH 2 HIGH /    

COMBINE OUT

CH 2

IN

CROSSOVER

ENGAGE

CLASS 2 EQUIPMENT

CH 1 / 

CROSSOVER IN

CH 1 / 

LOW OUT

DC 24

+4 dBu

COMBINE

SEPARATE

-10 dBV

TIP=SEND

RING=RETURN

TIP=SEND

RING=RETURN

INPUTS AND OUTPUTS
TIP=#2=POSITIVE
RING=#3=NEGATIVE
SLEEVE=#1=SIGNAL GROUND

CH 1

SIDE CHAIN

CH 2

SIDE CHAIN

MADE IN U.S.A.

RANE CORP.

N108

+4 dBu

-10 dBV

CH 1 TRIM

600mA

POWER

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