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Manual-6

Making Connections

The C4 features auto balanced/unbalanced XLR and ¼" TRS 

input and output jacks, permitting connection to virtually any 

mixing console. Side-chain inputs are also auto balanced/unbal-

anced, on ¼" TRS only. Dynamics processors typically connect 

using a mixing console’s insert points (send/return), although 

they can be used in-line, such as when compressing or limiting 

an overall mix, for example.

MIC INPUT

INSERT SEND

INSERT RETURN

INSERT SEND

INSERT RETURN

INSERT SEND

INSERT RETURN

INSERT SEND

INSERT RETURN

INSTRUMENT IN

SUB GROUP 1

SUB GROUP 2

CH 1 SIDE-CHAIN

CH 1 INPUT

CH 1 OUTPUT

CH 2 OUTPUT

CH 2 INPUT

CH 2 SIDE-CHAIN

CH 3 SIDE-CHAIN

CH 3 INPUT

CH 3 OUTPUT

MASTER

STEREO LINK

SLAVE

CH 4 SIDE-CHAIN

CH 4 INPUT

CH 4 OUTPUT

MIXER

C4

BASS

MIC

 

Figure . Connection to a mixing console.

MIC INPUT

INSERT SEND

INSERT RETURN

CH 1 SIDE-CHAIN

GRAPHIC EQ

CH 1 INPUT

CH 1 OUTPUT

MIXER

C4

 

6

4

2

1

±6

4

0

1

2

+

6

10

0

2

4

8

6

ME 30B

400

31.5

25

40

63

50

100

80

160

125

250

200

315

12.5k

1k

630

500

800

1.6k

1.25k

2k

3.15k

2.5k

5k

4k

8k

6.3k

10k

20k

16k

MASTER CONTROL

POWER

OL

LEVEL

RANGE

BYPASS

±12

12

8

5

2

8

0

2

5

MICROGRAPHIC

EQUALIZER

+

12

Figure . Using an external equalizer in the side-chain.

Front Panel Controls

Each channel of the C4 features the following meters and con-

trols:

Side-chain and Gain Reduction Meters

8

-3 -1

12

4

2

-6

-12

1

18

dBr

Reduction dB

TH

This triple-function meter displays the side-chain level, threshold 

indication and amount of gain reduction being applied. It allows 

you to see at a glance exactly what the compressor is doing at all 

times.

Side-chain Level Display

In Compressor mode, the floating meter displays the side-chain 

level 

relative to the Threshold

 (dBr), making it easy to gauge how 

close the signal is to the onset of compression. The dBr indicators 

light from left to right as the signal approaches the threshold. At 

threshold, the yellow TH indicator is lit. Above threshold the 

TH indicator remains lit and gain reduction occurs. Side-chain 

meter ballistics follow the rms detector time constant of 30 ms.

In Dynamic EQ mode, the side-chain meter displays the 

relative difference between the broadband program material and 

the bandpass signal defined by the PEQ, as compared to the set 

Threshold.

Example

: With THRESHOLD set to -15 dB, the TH indica-

tor lights when the sibilant portion of the program material is 15 

dB below the broadband program material. If the sibilants are 

18 dB below the broadband material, then the –3 dBr indicator 

is lit.

Gain Reduction Display

The Gain Reduction meter displays the amount of gain correc-

tion presently applied to the signal, lighting from right to left as 

the amount of gain reduction increases. In Compressor mode, 

this meter display the amount of gain correction being applied 

to the broadband program material. In De-ess mode. this meter 

shows the amount of gain correction being applied to the dy-

namic EQ (DEQ) in the main signal chain. This meter does not 

reflect any gain reduction occurring due to limiting.

Gain Reduction meter ballistics follow the actual gain cor-

rection value as determined by the THRESHOLD, RATIO, 

ATTACK, RELEASE and KNEE controls. Gain reduction may 

be indicated when the Threshold indicator is off, as attack and 

decay rates may dictate continued gain reduction even when the 

rms level is below threshold.

Содержание C4

Страница 1: ...or taking the time to read this Quick Start We now return you to your regularly scheduled sound check or recording session OPERATORS MANUAL 0 0 6 3 12 24 dB 20 10 0 40 30 20 10 20 10 0 40 30 22 10 ms...

Страница 2: ...the signal and the side chain The signal path is the route the main signal takes through the unit from the input circuits to the gain control section and exits through the output circuits The signal c...

Страница 3: ...sed for de essing True de essing involves comparing the relative difference between the troublesome sibilants and the overall broadband signal then setting a threshold based on this difference there f...

Страница 4: ...s is very common to switch between a rhythm tone and a lead tone Of ten the musician sets the lead tone brighter than the rhythm tone so it cuts through better The problem comes when the sound system...

Страница 5: ...the original full volume input signal we need to limit perhaps the unfortunate blast of noise when the vocalist inadvertently unplugs the phantom powered mic The bottom line shows the limited output...

Страница 6: ...r is doing at all times Side chain Level Display In Compressor mode the floating meter displays the side chain level relative to the Threshold dBr making it easy to gauge how close the signal is to th...

Страница 7: ...nnels are linked the Master channel Limit Threshold setting determines the maximum output level for both chan nels However the greater of the two peak detected signals is used to control the gain of b...

Страница 8: ...increase as less gain reduction is required and is adjustable from 25 ms fast to 2 seconds slow It is important to understand the difference between release rate as determined by this control and rele...

Страница 9: ...toggle the side chain out of Listen mode as if you meant to have it engaged for the first six songs The Side chain PEQ filter operates in one of two ways depend ing on whether the channel is operating...

Страница 10: ...uggested settings in Table 1 then season to taste by adjusting the Threshold until your ears tell you it s just right Vocals A tough issue with vocals is the extreme dynamic range of some singers Thos...

Страница 11: ...and Gabor Szabo are two musicians who use sustain to great acclaim although they did it the old fashioned way of cre ating feedback by aiming the guitar pick ups at the loudspeaker and then jamming o...

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