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VI. SYSTEM CONNECTION

If you have already read the first two pages of this manual, the following will seem redundant. It

is, however, of the utmost importance that the user totally comprehend the interconnect
requirements of any piece of equipment. It is for this reason that the people at Rane don’t
mind saying this twice. It can never be said too often.

Failure to interconnect audio components properly is the number one leading cause of
problems and nasty noises. The rules are really very simple, and the following procedures will

work equally well in both balanced and unbalanced situations. The real advantage to
operating a system in the balanced mode is the lack of necessityto connect ground references

between two units. These ground connections only increase the risk of creating ground loops.
If the various components are properly connected to a pipe ground or a similar earth
connection through their 3rd pin in the line cord, intercomponent signal grounding is
unnecessary.

In the unbalanced mode, it becomes necessary to string the signal grounds between units.

When this is done, it is 

imperative 

that all shielding be done using chassis ground and not signal

ground. Even in the balanced mode, chassis ground should always be used for the purposes of
shielding to prevent loops.

For further information on this subject, obtain a copy of Rane Note 110 on the science of

system interconnect. It is really quite revealing.

Back to the AD 13 specifically, the 3-pin input and output connectors use the same wiring

configuration for all pins. Pin 2 is always the positive connection in Rane products (per IEC 258

and ANSI PH7.102-1983), pin 3 is inverted (negative) and pin 1 is signal ground. Be sure to

check out the units to which you are connecting the AD 13 since manufacturers seem to have
difficulty agreeing on the standard or even recognizingthat it exists. Some use 3 as hot and 2 as
negative, however there are no other versions of this scheme known to us. If the worst happens
and you cannot determine the pinout of an alien unit, the most that will happen is that the
signal will be inverted in the connection. This will not cause any problems, especially if no one
knows that it is inverted. Some will claim to be able to hear the difference, if they know that it
has occurred. (If you are connecting a stereo system ignore the preceding.)

Unbalanced operation simply requires that you tie pin 2 to the hot lead, pin 1 to the signal

ground lead and shield to 

case 

only. Be sure to leave pin 3 open on outputs and tie it to pin 1 on

inputs. Connecting it to ground or to pin 2 on the output connector will cause excessive
current to flow and disrupt signal fidelity. This will cause no damage to the AD 13, only to your
signal path.

When using the barrier strip, there can be little confusion as to the proper connection practice,
thanks to the clear legends printed above and below the connectors. Again, + to +, – to –, and

signal ground is not required unless unbalanced operation is required. If the latter is the case,

do not 

use signal ground for shielding. Use chassis ground only for connecting shields for

unbalanced operation.

Once the wiring is completed, one must make the choice between active or transformer
output operation. There are as many sides to this issue as there are to any other controversial
topic. We prefer to lean toward the school of common sense which dictates that if you have
unsolvable problems in one mode of operation which are solved by switching to the other,

then do so. If you have difficulties in neither mode, then let your personal preference guide

your actions. Wasn’t that easy?

Содержание AD 13

Страница 1: ......

Страница 2: ......

Страница 3: ...he Rane factory before taking it anywhere for repairs We will help you to identify and locate any specific malfunctions possibly avoid needless shipment or instruct you as to the speediest method for...

Страница 4: ...his display is to inform the user as to the amount of delay currently applied to any of the three outputs these outputs being selected by the channel select switch and pointed to by the LED channel po...

Страница 5: ...any of the respective output stages approach this sort of difficulty 12 lNPUT HEADROOM INDICATOR These four LEDs will illuminate at the appropriate times to indicate whetherthere is 20dB 12dB 6dB or...

Страница 6: ...IN to their locked position places the respective output stage into its transformer balanced mode Pressing the switch again to release it from its IN position causes the output to be placed back into...

Страница 7: ...a of the original signal All seriousness aside it really is almost that simple If you ve ever seen an audio waveform play in real time on an oscilloscope you have probably thought that it looked impos...

Страница 8: ...response to flat The lower high frequency sensitivity at the output results in a lower output noise level The next stop on the tour is the input level control From the input level control the signal...

Страница 9: ...0 microsecond real time interval from 0 to 654 milliseconds after it has been stored All three of the digital to analog converters has access to the data at any time within the boundaries of the maxim...

Страница 10: ...check out the units to which you are connecting the AD 13 since manufacturers seem to have difficulty agreeing on the standard or even recognizingthat it exists Some use 3 as hot and 2 as negative how...

Страница 11: ...front of the hall and auxiliary reinforcement 40 feet to the rear would require approximately 40 milliseconds of delay on the rear speakers for maximum intelligibility Some experimentation will be re...

Страница 12: ...he chain No matter what sort of mixer processor or amplifier you are using gain at the front end will yield the lowest overall noise SETTING LEVELS With most power amplifiers you should find that with...

Страница 13: ...tisfies VDE0871 for Class A computing devices RESIDUAL PROPAGATION DELAY 190 s INTERMODULATION DISTORTION SMPTE less than 0 1 4dBu THD NOISE less than 0 l 20 20kHz 4dBu unity gain SIGNAL TO NOISE RATI...

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