R&R Ampflication LD, Руководство пользователя

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R&R SOUND AMPLIFICATION
SL/LD MultiGain PRE-AMPLIFIER
MANUAL
1-3
CH-1 CLEAN ( clean channel ):
The “GAIN” control plays a key role here, and at low values the sound is well suited for playing picks, drumming rhythms, etc.,
while at high values there is a “glass” - a crystal clear, transparent sound suitable for blues solos. When using powerful
humbuckers and the GAIN control close to the maximum, you can get a slight crunch. Excellent channel dynamics allows you
to highlight the solo with a simple increase in attack. There is a 3-band pre-gain EQ for fine-tuning the sound.
CH-2 LEAD-1 (overdrive channel):
Quite significantly overloads the sound. Suitable for playing blues, hard rock and heavy metal from the 70s and 80s. Works
well in other styles that don't require hi-gain overdrive. Transparent, warm, overtone-rich sound, harmonics “shoot” from
under the fingers even at low levels of the GAIN control. The BRIGHT switch will add "glass" to your solos, and the rhythm will
sound sharper. The presence of a 3-band post-gain EQ and a PRESENCE control allow you to create a wide palette of sounds.
CH-3 LEAD-2 (drive channel):
Very dense, aggressive, heavy and fat HI-GAIN overdrive - "that" Californian sound. The stock of gain is incredible. The
warmth and compression of the tube is excellent. The sound is very versatile and is well suited for both GARY MOORE's
stringy solos and the tight rhythm of the heaviest styles. Good readability in low tunings. There is a 3-band EQ located after
the gain. The PRESENCE control will make your part stand out in the mix.
R&R SL/LD MultiGain PRE-AMPLIFIER. OVERVIEW