PSC M6 Retro Скачать руководство пользователя страница 8

 

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amplifier circuitry is designed to drive virtually any headphone with an impedance 
rating of 32 to 600 Ohms.  The headphone circuitry is controlled by the use of a 
front panel selection switch and a volume control.  The rotary switches are used 
to control what the operator listens to.  These choices include: Left channel to 
both ears, Right channel to both ears, normal Stereo, a Mono sum of the two 
channels, Auxiliary 1 and Auxiliary 2.  There is second switch located on the right 
hand side of the front panel of the mixer and is used to control the “tape” or 
“direct” monitoring sources.  This switch controls only the monitoring of the 
“mixers” headphones. 
 
The PSC M6 mixer also contains three additional headphone outputs labeled as 
“Director”, “Boom 1” and “Boom 2”  These three headphone feeds also offer the 
same selection of monitoring choices with the exception of monitoring “tape”   
 

D. PRIVATE 

LINE: 

 
The two headphone feeds labeled Boom 1 and Boom 2 also are equipped with 
“Private Line” circuitry.  This allows the mixer operator to speak directly to the 
boom operators via the slate microphone without the audio going out any other 
outputs such as the main outputs.  This is helpful if the mixer operator is located 
out of sight of the boom operator.  To use the “Private Line” function, you must 
simply press the private line button located on the front panel of the M6 mixer.  
The private line function will only operate as long as the button is pressed down. 
 

E. BOOM 

COMM: 

 

The M6 mixer also contains a complete duplex communication system built in.  
This system allows the mixer operator and boom operators to communicate 
freely with each other in a full duplex mode (similar to telephone conversation).  
The rear panel of the M6 mixer contains two “TT” (tiny telephone) connectors that 
are labeled Com 1 and Com 2.  These connectors have two purposes.  They 
provide a microphone input and corresponding pre-amplifier and also a logic 
signal input to control the comm function.  The PSC Duplex communicator cables 
are similar to our standard duplex cables in that they provide a talent (boom) 
input as well as a boom operator headphone feed.  In addition to these common 
features, they contain a built in microphone and push to talk switch.  This 
microphone and push to talk switch are used when ever the boom operator 
wishes to speak to the mixer operator.  Conversely, there is another comm 
switch located on the front panel of the mixer used by the mixer operator to 
communicate with the boom operator(s).  When any of the comm switches is 
pressed, the communication system is activated.  When the communication 
system is in use, the slate microphone is routed to the two boom headphone 
feeds and the two boom operators talk back microphones are routed to the 
mixers headphone feeds.  As soon as the communication button(s) are released, 
all headphone monitoring functions return to normal. 

 

*

SAFETY NOTE

*  

ALWAYS TURN DOWN THE HEADPHONE VOLUME 

BEFORE PLUGGING IN YOUR HEADPHONES.

 

 
 
 

Содержание M6 Retro

Страница 1: ...M6 Retro Portable Audio Mixer Operation Manual for Mixers with PCB V1 1 Copyright 2002 Professional Sound Corporation Printed in the U S A...

Страница 2: ...7 A BALANCED INPUTS B INPUT LEVELS C MICROPHONE POWERING D LOW CUT FILTER E CHANNEL GAIN F CHANNEL PANS G AUX SENDS H CHANNEL FADER OUTPUTS 7 8 A BALANCED OUTPUTS B OUTPUT LIMITERS C HEADPHONE OUTPUT...

Страница 3: ...E OSCILATOR POWERING 9 10 A INTERNAL BATTERY POWER B EXTERNAL POWER CONSTRUCTION 10 A CHASSIS B ELECTRONIC TOPOLOGY C ENVIRONMENTAL OPERATION INTERFACING 11 A TO RDAT RECORDERS B TO NAGRA RECORDERS WA...

Страница 4: ...des all the functions necessary to produce studio quality recordings in the field It s user friendly features rugged design and sonic purity make the M6 Mixer perfect for feature film recording remote...

Страница 5: ...crophone level 0dB attenuation and L Line level 50dB attenuation This input level attenuation settings are used to correctly interface sources of varying levels to the M6 s preamplifiers Correct level...

Страница 6: ...esponse Optional low cut filter settings of 100Hz and 140Hz will roll off the frequencies below these figures at a rate of 12dB per octave 3dB level at 100Hz and 140Hz respectively Low cut filtering i...

Страница 7: ...n the front panel of the mixer near the meter B OUTPUT LIMITERS The limit threshold activation level is factory set at 3 on the meter The limiters compress the signal at approximately 2 7 to 1 ratio T...

Страница 8: ...ivate line function will only operate as long as the button is pressed down E BOOM COMM The M6 mixer also contains a complete duplex communication system built in This system allows the mixer operator...

Страница 9: ...attributes found on many RDATs ADDITIONAL FEATURES A SLATE MICROPHONE The M6 Mixer is equipped with a slate microphone This microphone is activated when the front panel slate momentary push button sw...

Страница 10: ...he incorrect polarity the mixer will not be damaged it simply will not power up CONSTRUCTION A CHASSIS The new M6 Mixer chassis has been designed for demanding field use The complete chassis is formed...

Страница 11: ...conditions makes it perfect for harsh field conditions INTERFACING A TO RDAT RECORDERS The M6 Mixer can be interfaced to virtually any professional recorder via the standard XLR outputs B TO WIRELESS...

Страница 12: ...face Epoxy silk screening Global Gain 80dB Freq Response 20 20Khz 1dB Signal to Noise 131dB EIN 150 Ohms Distortion 00 08 THD Low Cut Filter 100Hz 140Hz 12dB Octave Mic Power DYN 12T 48 PH Oscillator...

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