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CONNECTING:
1. For optimum use, we recommend a regulated and/or isolated 9V DC power adapter
that is rated higher than the pedal’s current rating (or collection of pedals if using a
daisy chain configuration). Only use a 9V DC power supply with the following center
negative symbol:
(Note: Battery Power – By removing the four screws on the rear panel, you can
access the battery terminal and power the pedal via 9V DC battery).
2. Input Jack – Plug the cable from your source into the input jack. (Note: When using
a 9V battery, we recommend unplugging from the input jack to preserve battery
power when not in use).
3. Output Jack - Connect the cable from the output jack to another pedal or directly
into your amplifier.
BASIC OPERATION:
4. True Bypass On/Off Switch – Use this to turn the effect on and off. (Note: True
Bypass – This is a hardwire bypass allowing no coloration of your tone while the
pedal is in the off position).
5. LFO’s #1 & #2 – Each LFO is its own independent flanger with separate controls that can
be set to your preferred taste using the MANUAL, DEPTH, and RATE control knobs:
a. MANUAL - Use the MANUAL knob to control the delay time of each individual
flanger. Turn the knob to left for less delay and to the right for more delay.
b. DEPTH - The DEPTH knob adjusts the sweep depth. The further clockwise you
turn the knob, the more “out of tune” the modulated part of the signal will sound.
c. RATE - Use the RATE knob to set the speed of the effect with the slowest setting
all the way left, getting faster as you turn the knob to the right.
6. LFO Fader – Use this to control the blend of the two flangers. The knob set at 12
o’clock is both flangers set to the same level. Turn the fader left to hear more of
LFO #1 and right to hear more of LFO #2.
7. Wet/Dry Mix – Use this to control the wet and dry mix of the output signal. The
further right you turn the knob, the more of the overall effect will be added to the
output signal.
8. Regen Rate – The REGENERATION control feeds the tail of the signal back into the
front of the signal path. Use this to increase the intensity of the overall effect.
9. Added Highs – This is used to add any highs that may have been lost through the
effect’s circuit back into your output signal.
Содержание Wind Through the Trees
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Страница 4: ...SUGGESTED SETTING 2 GUITAR Slow 80 s style flange ...
Страница 5: ...SUGGESTED SETTING 3 BASS Swirly dual flange Great for strummed chords ...
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