15
23. AUX 3-4 POST/PRE switch
This switch sets the AUX 3 and AUX 4 control sends as post or pre fader. As post the signal level depends on the position
of the channel FADER, as pre it is independent. The pre-fader setting is preferable if you want to use the AUX send as
stage monitor, in order to have your stage mix independent from MAIN MIX.
24. FX1/AUX 5 control
This control sends the channel signal to the AUX 5 output and to the internal FX1 DIGITAL EFFECT PROCESSOR.
25. FX2/AUX 6 control
This control sends the channel signal to the AUX 6 output and to the internal FX2 DIGITAL EFFECT PROCESSOR.
26. AUX 5-6 POST/PRE switch
The AUX pre-fader setting is preferable if you want to use the AUX send as stage monitor, in order to have your stage
mix independent from MAIN MIX, or the AUX post-fader setting is preferable if you want to use the internal FX1 and FX2
DIGITAL EFFECT PROCESSORS, maintaining the dry/wet effect mixing balance also if you move the channel fader.
27. PAN control
It adjusts the amount of channel signal sent to the 1/3/LEFT versus the 2/4/RIGHT outputs depending on bus
assignments. Use it to position the sound origin in a panoramic stereo scene.
28. PEAK detector
If the PEAK LED flashes this means that the input signal is near to the CLIPPING point.
IMPORTANT:
if the LED PEAK flashes reduce the level of the input signal using the GAIN control.
29. MUTE indicator
When the MUTE switch is engaged this LED lights.
30. MUTE switch
When you engage a channel’s mute switch, its signal disappears from these outputs: MAIN MIX, GROUP, AUX.
NOTE:
the input channel signal is not completely muted by this switch, so you can listen to it thru headphones and
MONITOR outputs acting on the SOLO button in PFL mode only (see SOLO MODE).
31. 1-2 switch
Engaging this switch you assign the channel signal to the GROUPS 1-2 bus regulated by the GROUPS 1-2 faders. You can
use the GROUPS 1-2 as separate outputs or, engaging the correspondent MAIN MIX switch, to create a submix for a set
of channels (all the drums channels, for instance): in this case you can control the assigned GROUPS 1-2 signals together
and independently from the rest of the mix.
32. 3-4 switch
Engaging this switch you assign the channel signal to the GROUPS 3-4 bus regulated by the GROUPS 3-4 faders. You can
use the GROUPS 3-4 as separate outputs or, engaging the correspondent MAIN MIX switch, to create a submix for a set
of channels (all the voices channels, for instance): in this case you can control the assigned GROUPS 3-4 signals together
and independently from the rest of the mix.
33. MAIN switch
Engaging this switch you assign the channel signal to the MAIN MIX bus regulated by the MAIN MIX fader. Typically, the
MAIN switch will be engaged on all channels except those assigned separately to the GROUPS.
34. SOLO indicator
If the SOLO LED lights this means that you have activated the SOLO switch of this channel.
35. SOLO switch
This switch allows you to hear signals through your headphones or MONITOR outputs and to display the level on LED
meters. Use the SOLO in live sets to pre-listen channels before they are fed into the mix or just to check out a particular
channel any time during a session. You can solo as many channels at a time as you like.
IMPORTANT:
The solo signal is pre-fader if SOLO MODE is in PFL position, so what you check is the signal entering the
channel. The solo signal is post-fader if SOLO MODE is in AFL position, so what you check is the signal sent from the
channel fader to the MAIN MIX or GROUPS.
36. FADER LEVEL control
It adjusts the level of the channel signal and sends it to the MAIN MIX and/or to the GROUPS buses.
37. LINE L MONO Input
This is a ¼” (6.3mm) jack connector, which accepts a balanced or unbalanced line level input signal from almost any line
source. If the LINE R jack is not inserted, this channel operates like a MONO channel with this input as a single signal
source. Wiring is the same of previous paragraphs.
38. LINE R Input
This is a ¼” (6.3mm) jack connector, which accepts a balanced or unbalanced line level input signal from almost any line
